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[SACD-R][OF] Michael Brecker - Pilgrimage - 2007 (Contemporary Jazz)

[SACD-R][OF] Michael Brecker - Pilgrimage - 2007 (Contemporary Jazz)
Michael Brecker
Pilgrimage
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2007
Жанр: Contemporary Jazz
Издатель(лейбл): Heads Up
Продолжительность: 01:17:34
Наличие сканов в содержимом раздачи: Да
Треклист:
1. The Mean Time
2. Five Months From Midnight
3. Anagram
4. Tumbleweed
5. When Can I Kiss You
6. Cardinal Rule
7. Half Moon Lane
8. Loose Threads
9. Pilgrimage
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DST64
Количество каналов: 5.0, 2.0
Доп. информация: Heads Up HUSA9095 (2007)
Recorded at Right Track, NYC in August 2006.
Mixed at Right Track, NYC in January 2007.
Arranged By – Gil Goldstein, Michael Brecker
Producer – Gil Goldstein, Michael Brecker, Pat Metheny, Steve Rodby
Recorded & Mixed By – Joe Ferla
Art Direction – Indhira Rojas, Susan Brecker
Composed By – Michael Brecker
Cover Art – Indhira Rojas
Источник (релизер): KingCrim (PS³SACD)
 
Состав
Michael Brecker, tenor sax & ewi
Pat Metheny, guitars
Herbie Hancock, piano (tracks: 1, 5, 8, 9)
Brad Mehldau, piano (tracks: 2 to 4, 6, 7)
John Patitucci, bass
Jack DeJohnette, drums
 
 
Об альбоме (сборнике)
AllMusic Review
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Given the heartbreaking context in which this album was released — this was the final recording by saxophonist Michael Brecker, who died of myelodysplastic syndrome and leukemia only a few months before its release — there might be a certain temptation to cut it some slack for sentimental reasons. However, leniency is hardly needed. Leading a group comprised of jaw-dropping talents (pianists Herbie Hancock and Brad Mehldau, guitarist Pat Metheny, bassist John Patitucci, drummer Jack DeJohnette) and playing for the first time a program consisting entirely of original compositions, Brecker delivers an emotionally rich and startlingly powerful album of straight-ahead modern jazz that will stand as his musical epitaph and will effectively confound anyone who has ever been tempted to dismiss him as a mere jazz-pop fusioneer. It will also frustrate anyone looking for maudlin emotion or even any obvious product of existential angst; the only concession to sentiment here is on the title of a ballad, “When Can I Kiss You Again?,” a quote from Brecker’s teenage son during a period in his treatment when his family was not allowed to touch him. But even that track, with its unusual chord progression and sometimes rather arid solos, retains a core of tough-mindedness within the tenderness. Most of the rest of the program consists of uptempo and medium-tempo burners that swing with a powerful sense of urgency and life, and precious little foreshadowing of the tragedy that all involved knew was soon to come. This is a brilliant and inspiring album — and would be whether or not it had anything to do with the death of one of the great figures in American jazz. This CD was nominated in 2007 for a Grammy award as Best Jazz Instrumental Album (Individual or Group), and Brecker’s improvisation on “Anagram” was nominated for Best Jazz Instrumental Solo.
 
 
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