[SACD-R][OF] Fred Jackson - Hootin’ ‘N Tootin’ - 1962/2009 (Bop, Hard Bop)
![[SACD-R][OF] Fred Jackson - Hootin’ ‘N Tootin’ - 1962/2009 (Bop, Hard Bop)](/upload/000/u2/99/45/2009-bop.jpg "[SACD-R][OF] Fred Jackson - Hootin’ ‘N Tootin’ - 1962/2009 (Bop, Hard Bop)")
Fred Jackson
Hootin’ ‘N Tootin’
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1962/2009
Жанр: Bop, Hard Bop
Издатель(лейбл): Blue Note / Analogue Productions
Продолжительность: 01:13:25
Наличие сканов в содержимом раздачи: Да
Треклист:
01. Dippin' In The Bag
02. Southern Exposure
03. Preach Brother
04. Hootin' 'N Tootin'
05. Easin' On Down
06. That's Where It's At
07. Way Down Home
08. Stretchin' Out
09. Mr. B.J.
10. Egypt Land
11. Teena
12. On The Spot
13. Minor Exposure
14. Little Freddie
Tenor Saxophone – Fred Jackson
Drums – Wilbert Hogan
Guitar – Willie Jones
Organ – Earl Vandyke
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Доп. информация: Analogue Productions CBNJ 84094 SA (2009)
This APO version mastered by Kevin Gray & Steve Hoffman, & authored by Gus Skinas. Originaly Blues Note ST 84094 (1962)
Recorded at Van Gelder Studio, Englewood Cliffs, New Jersey. Producer – Alfred Lion
Источник (релизер): ManWhoCan't (PS³SACD)
http://sa-cd.net/showtitle/5879
Hootin’ ‘N Tootin’
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1962/2009
Жанр: Bop, Hard Bop
Издатель(лейбл): Blue Note / Analogue Productions
Продолжительность: 01:13:25
Наличие сканов в содержимом раздачи: Да
Треклист:
01. Dippin' In The Bag
02. Southern Exposure
03. Preach Brother
04. Hootin' 'N Tootin'
05. Easin' On Down
06. That's Where It's At
07. Way Down Home
08. Stretchin' Out
09. Mr. B.J.
10. Egypt Land
11. Teena
12. On The Spot
13. Minor Exposure
14. Little Freddie
Tenor Saxophone – Fred Jackson
Drums – Wilbert Hogan
Guitar – Willie Jones
Organ – Earl Vandyke
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Доп. информация: Analogue Productions CBNJ 84094 SA (2009)
This APO version mastered by Kevin Gray & Steve Hoffman, & authored by Gus Skinas. Originaly Blues Note ST 84094 (1962)
Recorded at Van Gelder Studio, Englewood Cliffs, New Jersey. Producer – Alfred Lion
Источник (релизер): ManWhoCan't (PS³SACD)
http://sa-cd.net/showtitle/5879
Об альбоме (сборнике)
In Hootin’ ‘N Tootin’, the listener is afforded the opportunity of hearing numbers of a famous orchestra noted for its smart arrangements along the rhythm & blues influence. The moods expressed are in the “down home” & “down to Earth” groove. Under the leadership of Fred Jackson, tenor sax, the listener is propelled into the world of the new truth.
Audaud review:
This is another in the series of original Blue Note sessions, mostly from the early 60s (so are in 2ch), which were remastered for SACD by Analogue Productions & now have ended up with distribution by Harmonia mundi. I’m not sure of the details on that, but it’s great to have them available. The sonics are superb in 2ch – I feel they’re superior to most of the Fantasy 2ch-only SACDs that were issued a few years ago. Rudy Van Gelder was of course the engineer, & by this time the very early hole-in-the-middle wide 2ch soundstage problems seem to have been corrected. Vandyke’s B-3 is dead centre – you would think your centre channel speaker is operating though it’s not. Jackson’s sax is at the left speaker & Jones’ guitar at the right speaker.
I must admit I never heard of Jackson before; that’s probably because he came out of the “chittlin’ circuit” of black blues clubs & paid most of his dues in the rhythm & blues area. The 1962 session was only his 2nd recording. This quartet is basically the B-3-based trio heard in many such clubs, with the addition of Jackson’s potent tenor sax. The 4 performers take the listener to the “land of blues & roots” – as expressed in the album’s notes. This is straight-forward, uncomplicated & fiercely swinging stuff. Not just the blues, but gospel (Preach Brother) & spiritual (Egypt Land) elements crop up here & there in the music. The B-3 sounds great; Vandyke brings off some impressive finger magic, but he’s not a showoff B-3 performer like some heard today. All 4 players seem to really dig being able to play in a more jazz-oriented style, & they’re more than capable of handling it with ease.
Most of such reissues from the LP era add a couple bonus tracks to the original material which was cut down to fit the more limited LP length, but this 1 hits the jackpot with a total of 7 bonus tracks
~ John Henry
Audaud review:
This is another in the series of original Blue Note sessions, mostly from the early 60s (so are in 2ch), which were remastered for SACD by Analogue Productions & now have ended up with distribution by Harmonia mundi. I’m not sure of the details on that, but it’s great to have them available. The sonics are superb in 2ch – I feel they’re superior to most of the Fantasy 2ch-only SACDs that were issued a few years ago. Rudy Van Gelder was of course the engineer, & by this time the very early hole-in-the-middle wide 2ch soundstage problems seem to have been corrected. Vandyke’s B-3 is dead centre – you would think your centre channel speaker is operating though it’s not. Jackson’s sax is at the left speaker & Jones’ guitar at the right speaker.
I must admit I never heard of Jackson before; that’s probably because he came out of the “chittlin’ circuit” of black blues clubs & paid most of his dues in the rhythm & blues area. The 1962 session was only his 2nd recording. This quartet is basically the B-3-based trio heard in many such clubs, with the addition of Jackson’s potent tenor sax. The 4 performers take the listener to the “land of blues & roots” – as expressed in the album’s notes. This is straight-forward, uncomplicated & fiercely swinging stuff. Not just the blues, but gospel (Preach Brother) & spiritual (Egypt Land) elements crop up here & there in the music. The B-3 sounds great; Vandyke brings off some impressive finger magic, but he’s not a showoff B-3 performer like some heard today. All 4 players seem to really dig being able to play in a more jazz-oriented style, & they’re more than capable of handling it with ease.
Most of such reissues from the LP era add a couple bonus tracks to the original material which was cut down to fit the more limited LP length, but this 1 hits the jackpot with a total of 7 bonus tracks
~ John Henry