[SACD-R][OF] Big John Patton - Along Came John - 1963/2009 (Jazz, Funk, Post Bop, Soul Jazz)
![[SACD-R][OF] Big John Patton - Along Came John - 1963/2009 (Jazz, Funk, Post Bop, Soul Jazz)](/upload/000/u2/70/c5/2009-jazz.jpg "[SACD-R][OF] Big John Patton - Along Came John - 1963/2009 (Jazz, Funk, Post Bop, Soul Jazz)")
Big John Patton / Along Came John
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1963/2009
Жанр: Jazz, Funk, Post Bop, Soul Jazz
Издатель (лейбл): Blue Note / Analogue Productions
Продолжительность: 00:34:31
Наличие сканов в содержимом раздачи: Да (сканы)
Треклист:
1 The Silver Meter 5:39
2 I’ll Never Be Free 5:01
3 Spiffy Diffy 6:00
4 Along Came John 6:00
5 Gee Gee 5:59
6 Pig Foots 5:42
John Patton, organ
Fred Jackson, tenor saxophone
Harold Vick, tenor saxophone
Grant Green, guitar
Ben Dixon, drums
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Доп. информация: Recorded: April 5, 1963 at Van Gelder Studio, Englewood Cliffs, New Jersey
Mastered from the original analogue master tapes by by Kevin Gray & Steve Hoffman at AcousTech
Analogue Productions CBNJ 84130 SA (2009)
Iso was made with sacd-ripper for PS3, from the magical Mr_Wicked.
Источник (релизер): ManWhoCan (PS³SACD)
http://www.elusivedisc.com/John-Patton-Along-Came-John-Hybrid-Stereo-SACD/productinfo/APSABN4130/
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1963/2009
Жанр: Jazz, Funk, Post Bop, Soul Jazz
Издатель (лейбл): Blue Note / Analogue Productions
Продолжительность: 00:34:31
Наличие сканов в содержимом раздачи: Да (сканы)
Треклист:
1 The Silver Meter 5:39
2 I’ll Never Be Free 5:01
3 Spiffy Diffy 6:00
4 Along Came John 6:00
5 Gee Gee 5:59
6 Pig Foots 5:42
John Patton, organ
Fred Jackson, tenor saxophone
Harold Vick, tenor saxophone
Grant Green, guitar
Ben Dixon, drums
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Доп. информация: Recorded: April 5, 1963 at Van Gelder Studio, Englewood Cliffs, New Jersey
Mastered from the original analogue master tapes by by Kevin Gray & Steve Hoffman at AcousTech
Analogue Productions CBNJ 84130 SA (2009)
Iso was made with sacd-ripper for PS3, from the magical Mr_Wicked.
Источник (релизер): ManWhoCan (PS³SACD)
http://www.elusivedisc.com/John-Patton-Along-Came-John-Hybrid-Stereo-SACD/productinfo/APSABN4130/
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1 Дата отчёта: 2017-09-25 13:08:57 -------------------------------------------------------------------------------- Анализ: John Patton / Along Came John -------------------------------------------------------------------------------- DR Пики RMS Продолжительность трека -------------------------------------------------------------------------------- DR10 -8.76 дБ -22.10 дБ 5:40 01-The Silver Meter DR12 -8.07 дБ -23.95 дБ 5:03 02-I'll Never Be Free DR11 -7.74 дБ -21.70 дБ 6:00 03-Spiffy Diffy DR11 -7.65 дБ -21.93 дБ 6:01 04-Along Came John DR11 -8.28 дБ -22.68 дБ 6:00 05-Gee Gee DR12 -8.26 дБ -24.40 дБ 5:47 06-Pig Foots -------------------------------------------------------------------------------- Количество треков: 6 Реальные значения DR: DR11 Частота: 2822400 Гц / Частота PCM: 88200 Гц Каналов: 2 Разрядность: 24 Битрейт: 5645 кбит/с Кодек: DSD64 ================================================================================
Об альбоме (сборнике)
Van Gelder analogue recording ????
John Patton, Grant Green & Ben Dixon were introduced to Blue Note by Lou Donaldson & quickly became the quintessential rhythm section for Blue Note’s funkier session. They came together for this, John Patton’s 1st album, with 2 of the label’s tenor saxophonists Fred Jackson & Harold Vick. The double tenors & organ trio make an unbeatable combination for some soulful, swinging music. The title tune & “The Silver Meter” were radio hits that remain among the most popular of Patton’s recorded performances.
By the time John Patton recorded Along Came John, his debut as a leader, he had already become a familiar name around the Blue Note studios. He, guitarist Grant Green, & drummer Ben Dixon had become the label’s regular soul-jazz rhythm section, playing on sessions by Lou Donaldson, Don Wilkerson, & Harold Vick, among others. They had developed an intuitive, empathetic interplay that elevated many of their sessions to near-greatness, at least in the realm of soul-jazz. That’s 1 of the reasons why Along Came John is so successful — the 3 know each other so well that their grooves are totally natural, which makes them quite appealing. These original compositions may not all be memorable, but the band’s interaction, improvisation, & solos are. Tenor saxophonists Fred Jackson & Harold Vick provide good support, as well, but the show belongs to Patton, Green, & Dixon, who once again prove they are 1 of the finest soul-jazz combos of their era.
~Stephen Thomas Erlewine
John Patton, Grant Green and Ben Dixon were introduced to Blue Note by Lou Donaldson and quickly became the quintessential rhythm section for Blue Note's funkier session. They came together for this, John Patton's first album, with two of the label's tenor saxophonists Fred Jackson and Harold Vick. The double tenors and organ trio make an unbeatable combination for some soulful, swinging music. The title tune and "The Silver Meter" were radio hits that remain among the most popular of Patton's recorded performances.
John Patton, Grant Green & Ben Dixon were introduced to Blue Note by Lou Donaldson & quickly became the quintessential rhythm section for Blue Note’s funkier session. They came together for this, John Patton’s 1st album, with 2 of the label’s tenor saxophonists Fred Jackson & Harold Vick. The double tenors & organ trio make an unbeatable combination for some soulful, swinging music. The title tune & “The Silver Meter” were radio hits that remain among the most popular of Patton’s recorded performances.
By the time John Patton recorded Along Came John, his debut as a leader, he had already become a familiar name around the Blue Note studios. He, guitarist Grant Green, & drummer Ben Dixon had become the label’s regular soul-jazz rhythm section, playing on sessions by Lou Donaldson, Don Wilkerson, & Harold Vick, among others. They had developed an intuitive, empathetic interplay that elevated many of their sessions to near-greatness, at least in the realm of soul-jazz. That’s 1 of the reasons why Along Came John is so successful — the 3 know each other so well that their grooves are totally natural, which makes them quite appealing. These original compositions may not all be memorable, but the band’s interaction, improvisation, & solos are. Tenor saxophonists Fred Jackson & Harold Vick provide good support, as well, but the show belongs to Patton, Green, & Dixon, who once again prove they are 1 of the finest soul-jazz combos of their era.
~Stephen Thomas Erlewine
John Patton, Grant Green and Ben Dixon were introduced to Blue Note by Lou Donaldson and quickly became the quintessential rhythm section for Blue Note's funkier session. They came together for this, John Patton's first album, with two of the label's tenor saxophonists Fred Jackson and Harold Vick. The double tenors and organ trio make an unbeatable combination for some soulful, swinging music. The title tune and "The Silver Meter" were radio hits that remain among the most popular of Patton's recorded performances.