(Post-Bop, Straight-Ahead Jazz) [CD] Junko Onishi - Baroque - 2010, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 16. November 2014, 20:54
Junko Onishi / Baroque
Used drive  : TSSTcorpCDDVDW SH-S223C   Adapter: 3  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 697
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
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Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
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TOC of the extracted CD
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        2  |  9:04.38 |  5:51.09 |     40838    |    67171
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Track  1
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Track  2
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Track  3
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Track  4
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Track  5
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Track  6
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Track  7
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Track  8
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All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.3
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[8aa7fee9] (06/12) Accurately ripped
[06dd3567] (06/12) No match
==== Log checksum 70DF4A2C166979867BED8F69B47DF49A04F6EE4763B64121AFFCE974708B68A8 ====

REM GENRE Jazz
REM DATE 2010
REM DISCID 76118808
REM COMMENT "ExactAudioCopy v1.0b3"
CATALOG 0044002594648
PERFORMER "Junko Onishi"
TITLE "Baroque"
FILE "01 - Tutti.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Tutti"
    PERFORMER "Junko Onishi"
    ISRC JPPO01050210
    INDEX 01 00:00:00
FILE "02 - The Mother's (Where Johnny Is).wav" WAVE
  TRACK 02 AUDIO
    TITLE "The Mother's (Where Johnny Is)"
    PERFORMER "Junko Onishi"
    ISRC JPPO01050220
    INDEX 01 00:00:00
FILE "03 - The Threepenny Opera.wav" WAVE
  TRACK 03 AUDIO
    TITLE "The Threepenny Opera"
    PERFORMER "Junko Onishi"
    ISRC JPPO01050220
    INDEX 01 00:00:00
FILE "04 - Stardust.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Stardust"
    PERFORMER "Junko Onishi"
    ISRC JPPO01050240
    INDEX 01 00:00:00
FILE "05 - Meditations for a Pair of Wire Cutters.wav" WAVE
  TRACK 05 AUDIO
    TITLE "Meditations for a Pair of Wire Cutters"
    PERFORMER "Junko Onishi"
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FILE "06 - Flamingo.wav" WAVE
  TRACK 06 AUDIO
    TITLE "Flamingo"
    PERFORMER "Junko Onishi"
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    INDEX 01 00:00:00
FILE "07 - The Street Beat-52nd Street Theme.wav" WAVE
  TRACK 07 AUDIO
    TITLE "The Street Beat/52nd Street Theme"
    PERFORMER "Junko Onishi"
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    INDEX 01 00:00:00
FILE "08 - Memories of You.wav" WAVE
  TRACK 08 AUDIO
    TITLE "Memories of You"
    PERFORMER "Junko Onishi"
    ISRC JPPO01050280
    INDEX 01 00:00:00

[CUETools log; Date: 26.01.2015 6:21:34; Version: 2.1.5]
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Track | CTDB Status
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  2   | ( 7/14) Accurately ripped
  3   | ( 7/14) Accurately ripped
  4   | ( 7/14) Accurately ripped
  5   | ( 7/14) Accurately ripped
  6   | ( 7/14) Accurately ripped
  7   | ( 7/14) Accurately ripped
  8   | ( 7/14) Accurately ripped
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 04     [0116aecc|31d65c87] (07+13/43) Accurately ripped
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The world has been a slightly less happy place since Junko Onishi's last record.
After establishing herself as one of the finest young jazz pianists around with her debut, Wow (EMI, 1993), Onishi released a string of fine Blue Note recordings: Live At The Village Vanguard Volume 1 and Volume 2 (both 1994); the superb Cruisin' (1994), featuring her majestic "Eulogia"; and Piano Quintet Suite (1995).
With Fragile (Blue Note, 1999)—a virtual rock covers album that took on Jimi Hendrix, Cream and The Righteous Brothers—Onishi's recorded output all but vanished in the U.S., while the pianist reportedly released a number of CDs in Japan.
Now on Verve, Onishi is back with another unpredictable but typically excellent effort. A more lavish-sounding record than the rock n' raw Fragile, Baroque gives Onishi the opportunity to showcase her formidable compositional and arranging skills.
Working with durable and longtime band members Rodney Whitaker and Reginald Veal, (bass), Wycliffe Gordon (trombone), and fellow former Jazz at Lincoln Center Orchestra band mate Herlin Riley (drums)—along with stellar guests Nicholas Payton (trumpet) and woodwind/reed phenom James Carter—Baroque is Onishi's show, yet every musician shines brightly. Riley and Gordon solo engagingly in avant-garde fashion on the album's obvious highlight, "The Three Penny Opera," which, according to the liners, features a piano solo based a musical score by Onishi's mentor and friend, the great Jaki Byard. This Onishi original is both a surprise and a revelation, with all the musicians allowed to stretch more than on her previous recordings.
As evidenced by the album's opener, "Tutti," Onishi's style has now allowed for a more improvisational approach. In some of her earlier records, her classical training sometimes kept things rather tight. But on numbers like bassist Charles Mingus' notoriously difficult "Meditations for a Pair of Wire Cutters," the pianist seems to have taken a page from the composer's book, allowing her seasoned fellow musicians room to interpret more freely.
Onishi gives herself two beautiful unaccompanied piano showcases on Baroque: Hoagy Carmichael's "Stardust" and Eubie Blake's "Memories of You." Both are fresh takes, technically impressive, and inventive without fussiness.
Baroque's expansiveness and variety make for what could be Onishi's most purely entertaining CD to date.