(Post-Bop, Modern Creative) [CD] Billy Hart Quartet - One Is the Other - 2014 (ECM 2335), FLAC (tracks+.cue), lossless

Billy Hart Quartet - One Is the Other Жанр: Post-Bop, Modern Creative Носитель: CD Страна-производитель диска: Германия Год издания: 2014 Издатель (лейбл): ECM Records Номер по каталогу: ECM 2335 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 51:34 Источник (релизер): jlgt Наличие сканов в содержимом раздачи: да Треклист: 01. Lennie Groove - 6:51 02. Maraschino - 5:51 03. Teule's Redemption - 7:21 04. Amethyst - 8:06 05. Yard - 5:08 06. Sonnet For Stevie - 8:43 07. Some Enchanted Evening - 5:19 08. Big Trees - 4:15 Состав: Mark Turner - tenor saxophone Ethan Iverson - piano Ben Street - double-bass Billy Hart - drums   Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 8. March 2014, 16:07 Billy Hart Quartet / One Is The Other [ECM 2335] Used drive : PLEXTOR DVDR PX-L890SA Adapter: 2 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 768 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 6:50.67 | 0 | 30816 2 | 6:50.67 | 5:51.33 | 30817 | 57174 3 | 12:42.25 | 7:21.20 | 57175 | 90269 4 | 20:03.45 | 8:06.31 | 90270 | 126750 5 | 28:10.01 | 5:07.43 | 126751 | 149818 6 | 33:17.44 | 8:43.22 | 149819 | 189065 7 | 42:00.66 | 5:19.35 | 189066 | 213025 8 | 47:20.26 | 4:14.50 | 213026 | 232125 Track 1 Filename H:\Flac Rips\01 - Lennie Groove.wav Pre-gap length 0:00:02.00 Peak level 98.0 % Extraction speed 3.9 X Track quality 100.0 % Test CRC 6EB08CF7 Copy CRC 6EB08CF7 Accurately ripped (confidence 1) [9B99031E] (AR v2) Copy OK Track 2 Filename H:\Flac Rips\02 - Maraschino.wav Peak level 58.8 % Extraction speed 4.4 X Track quality 100.0 % Test CRC F732FA6D Copy CRC F732FA6D Accurately ripped (confidence 1) [BF075775] (AR v2) Copy OK Track 3 Filename H:\Flac Rips\03 - Teule's Redemption.wav Peak level 86.1 % Extraction speed 5.1 X Track quality 100.0 % Test CRC AC553CA1 Copy CRC AC553CA1 Accurately ripped (confidence 1) [0DCD2655] (AR v2) Copy OK Track 4 Filename H:\Flac Rips\04 - Amethyst.wav Peak level 79.8 % Extraction speed 5.7 X Track quality 100.0 % Test CRC 013B1245 Copy CRC 013B1245 Accurately ripped (confidence 1) [204E157B] (AR v2) Copy OK Track 5 Filename H:\Flac Rips\05 - Yard.wav Peak level 92.4 % Extraction speed 5.9 X Track quality 100.0 % Test CRC 89E5BB4E Copy CRC 89E5BB4E Accurately ripped (confidence 1) [F6EE9FEF] (AR v2) Copy OK Track 6 Filename H:\Flac Rips\06 - Sonnet For Stevie.wav Peak level 67.9 % Extraction speed 6.6 X Track quality 100.0 % Test CRC 24C8677F Copy CRC 24C8677F Accurately ripped (confidence 1) [CAD5D097] (AR v2) Copy OK Track 7 Filename H:\Flac Rips\07 - Some Enchanted Evening.wav Peak level 54.8 % Extraction speed 6.7 X Track quality 100.0 % Test CRC DBFEB57A Copy CRC DBFEB57A Accurately ripped (confidence 1) [B0FDDBA8] (AR v2) Copy OK Track 8 Filename H:\Flac Rips\08 - Big Trees.wav Peak level 96.5 % Extraction speed 5.4 X Track quality 99.9 % Test CRC 05F3B86F Copy CRC 05F3B86F Accurately ripped (confidence 1) [577E83EC] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum C0D592D9DF25C6151E82B7786462BC9D6A56AB6E1787662B805A3A524DB700D5 ====     Содержание индексной карты (.CUE) REM GENRE Jazz REM DATE 2014 REM DISCID 6B0C1708 REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "Billy Hart Quartet" TITLE "One Is The Other [ECM 2335]" FILE "01 - Lennie Groove.wav" WAVE TRACK 01 AUDIO TITLE "Lennie Groove" PERFORMER "Billy Hart Quartet" INDEX 01 00:00:00 FILE "02 - Maraschino.wav" WAVE TRACK 02 AUDIO TITLE "Maraschino" PERFORMER "Billy Hart Quartet" INDEX 01 00:00:00 FILE "03 - Teule's Redemption.wav" WAVE TRACK 03 AUDIO TITLE "Teule's Redemption" PERFORMER "Billy Hart Quartet" INDEX 01 00:00:00 FILE "04 - Amethyst.wav" WAVE TRACK 04 AUDIO TITLE "Amethyst" PERFORMER "Billy Hart Quartet" INDEX 01 00:00:00 FILE "05 - Yard.wav" WAVE TRACK 05 AUDIO TITLE "Yard" PERFORMER "Billy Hart Quartet" INDEX 01 00:00:00 FILE "06 - Sonnet For Stevie.wav" WAVE TRACK 06 AUDIO TITLE "Sonnet For Stevie" PERFORMER "Billy Hart Quartet" INDEX 01 00:00:00 FILE "07 - Some Enchanted Evening.wav" WAVE TRACK 07 AUDIO TITLE "Some Enchanted Evening" PERFORMER "Billy Hart Quartet" INDEX 01 00:00:00 FILE "08 - Big Trees.wav" WAVE TRACK 08 AUDIO TITLE "Big Trees" PERFORMER "Billy Hart Quartet" INDEX 01 00:00:00     Отчет CUETools [CUETools log; Date: 10.03.2014 1:45:20; Version: 2.1.4] [CTDB TOCID: _kTuBwKhT1V1F.jryO_84jTDYh4-] disk not present in database. [AccurateRip ID: 00109e1a-006e87c1-6b0c1708] found. Track [ CRC | V2 ] Status 01 [0837187c|9b99031e] (0+1/1) Accurately ripped 02 [9facfcdf|bf075775] (0+1/1) Accurately ripped 03 [205702c8|0dcd2655] (0+1/1) Accurately ripped 04 [51d85044|204e157b] (0+1/1) Accurately ripped 05 [9b0f664a|f6ee9fef] (0+1/1) Accurately ripped 06 [1defa4a5|cad5d097] (0+1/1) Accurately ripped 07 [60f5d24a|b0fddba8] (0+1/1) Accurately ripped 08 [836a4994|577e83ec] (0+1/1) Accurately ripped Track Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 98,0 [6D749C69] [66E9B165] 01 98,0 [6EB08CF7] [34CF50BD] CRC32 02 58,8 [F732FA6D] [454981DC] CRC32 03 86,1 [AC553CA1] [FBD9ACC0] CRC32 04 79,8 [013B1245] [E3BAF278] CRC32 05 92,4 [89E5BB4E] [007E85F7] CRC32 06 67,9 [24C8677F] [B6009EBE] CRC32 07 54,8 [DBFEB57A] [29C7ADA6] CRC32 08 96,5 [05F3B86F] [78722400] CRC32     Review by Thom Jurek The Billy Hart Quartet's One Is the Other follows All Our Reasons, its noted debut for ECM, by less than two years. In one sense, this set shows the group's growth (they've been together since 2005), and picks up where AOR left off, but more importantly, it reveals the more disciplined and inquisitive dimension of its collective persona, even as it revisits some tunes from its members' pasts. Opener "Lennie's Groove," by saxophonist Mark Turner, was recorded much earlier in Turner's career. Due to its complex harmonic and rhythmic components, it has subsequently become a workout classic for other jazz musicians. Pianist Ethan Iverson attacks the knotty lyric as if simultaneously playing all the dubbed parts of an unreleased tune from Lennie Tristano's Descent Into the Maelstrom. As Turner enters, he twins these lines before moving toward Iverson contrapuntally. Ben Street's bassline reveals the bridge between the bop and post-bop in the exercise while Hart shifts gears in tandem, accenting the ever-shifting meter. On Iverson's "Maraschino," the blues are the entryway into collective improvisation that remains commonly focused. Hart's brushes not only accent and color the front line's flourishes, but offer a map back to the center. The drummer's "Amethyst" was the title piece of one of his earlier albums but is revisioned somewhat here. Its original melody -- which retains its lyric beauty -- is made more blocky here, Turner first, then Iverson, find its dark undercurrent. Hart rolls and breaks around their dialogue. Street engages as an interlocutor and interpreter, while Hart allows the three to dictate his fluid, articulate movements as the tune opens. Turner's "Sonnet for Stevie" may be written for Stevie Wonder, but it's fueled more by restraint, color, and texture than funk or R&B. Street's opening bassline and the clipped rolls by Hart introduce a bluesy head, with Iverson extrapolating on them. He finds a lithe lyric inside and begins to slowly bring it out. Group statements remain brief on each chorus until Iverson's solo finds the seam, and his upper register chord voicings become bell-like. Turner sticks close to the blues, while Hart breaks on them in a painterly fashion. One Is the Other is the sound of an experienced and deeply intuitive quartet speaking in a colorful and precise language comprised of numerous dialects and approaches to musical speech.