(Post-Bop) Michael Attias - Renku in Coimbra - 2009, FLAC (image+.cue), lossless

Michael Attias - Renku in Coimbra Жанр: Post-Bop Год выпуска диска: 2009 Производитель диска: Portugal (Clean Feed CF162) Аудио кодек: FLAC Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 46:34 Источник: Собственный рип с оригинального диска Michaël Attias: alto, baritone sax John Hébert: bass Satoshi Takeishi: drums Russ Lossing: piano (4) 1. Creep 2. Thingin' 3. Do & the Birds 4. Fenix Culprit 5. Wels 6. Sorry 7. Universal Constant 8. Creep (reprise) Recorded at Salao Brazil, Colmbra, by Joao Ferraz on June 7, 2008.     Clean Feed The three-night residency of the Michaël Attias Quintet in the 2008 edition of the Coimbra's Jazz ao Centro festival was documented on a live album, Twines of Colesion, to be released in early 2010; and now we have this one, recorded in one afternoon at the same Club in Coimbra where the concerts took place, this time behind closed doors. The session featured the core trio without Tony Malaby's saxophones and Russ Lossing's piano (not quite: Lossing is present on one track of "Renku in Coimbra"). A "wondrous parenthesis in time", says Attias about the opportunity, and that's quite true: this is beautiful music with a strong improvisatory feeling and lots of space for each musician to show their respective and special skills, either individually or in collective interaction. And "collective" is the key word to describe what is in this record: hearing the music you'll understand why Attias chose the name for what has been since 2003 his primary working band - a renku is collaborative form of traditional Japanese poetry, in which the participating poets build a long poem out of each other's words. Over the last six years, this trio has achieved a group sound that draws from a wealth of experience of working together in numerous projects, as well as under the leadership of such mucians as Paul Motian, Andrew Hill, and Anthony Braxton. On this, their second album, Renku plays the music of Lee Konitz, Jimmy Lyons, Hébert and Attias. ~ Clean Feed     AAJ Review Within the realms of his Renku trio, the reed specialist Michaël Attias deliberately glides towards a contemplative space. His partners in sensitivity are bassist John Hébert and drummer Satoshi Takeishi. In this setting, Attias deliberately confines himself to the alto saxophone, although his sonic results are anything but self-shackled. Often, when Attias is playing around the city he'll be soloing more aggressively or crafting sharply jabbing themes as part of a thrusting frontline. Most of the pieces here inhabit a peaceful zone, allowing maximum potential for individual elaboration. There's a hovering, circulatory motion, with these three playing at the traditionally lyrical end of their range. Renku is a form of Japanese poetry that usually involves real-time collaboration. These sessions were recorded in Coimbra, Portugal, when his quintet was playing a three-nighter at the 2008 Jazz ao Centro Clube Festival. Although Attias is the leader, he only provides two compositions, with Hébert bringing three, the songbook completed by a tune apiece from Jimmy Lyons and Lee Konitz. The latter's "Thingin'" has Attias capering lightly, Takeishi's brushes glancing lightly around his skins and cymbals, Hébert's bass creeping underfoot. Abstraction reigns on "Do & The Birds," with Takeishi pottering around his field of gongs and woodblocks. Attias enters over a thrumming bass line, delicately flamingo-legging through their terrain. "Fenix Culprit" makes a hectic dash, Attias squirming out his lines, letting them wriggle seductively past the ears. This track features guest Russ Lossing on piano. All of the compositions keep their duration down concisely, fomenting direct communicativeness. "Sorry" (the Lyons tune) features outstandingly dexterous bass and drum solos towards its conclusion and all three players are both wiry and supple on "Universal Constant." When Hébert's opening "Creep" is reprised at the disc's close, it recalls an Art Ensemble Of Chicago feeling of mournful yearning. ~ Martin Longley, AAJ     EAC Report Exact Audio Copy V0.99 prebeta 5 from 4. May 2009 EAC extraction logfile from 18. February 2010, 19:23 Michael Attias / Renku in Coimbra Used drive : hp DVD-RAM GH40L Adapter: 0 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 667 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -6" %s TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.28 | 7:14.27 | 28 | 32604 2 | 7:14.55 | 6:23.40 | 32605 | 61369 3 | 13:38.20 | 6:01.25 | 61370 | 88469 4 | 19:39.45 | 2:52.70 | 88470 | 101439 5 | 22:32.40 | 5:59.08 | 101440 | 128372 6 | 28:31.48 | 5:59.09 | 128373 | 155306 7 | 34:30.57 | 6:57.26 | 155307 | 186607 8 | 41:28.08 | 5:05.42 | 186608 | 209524 Range status and errors Selected range Filename C:\Users\Igor\Music\eac\Michael Attias - Renku in Coimbra.wav Peak level 100.0 % Range quality 100.0 % Test CRC C92C75F1 Copy CRC C92C75F1 Copy OK No errors occurred AccurateRip summary Track 1 not present in database Track 2 not present in database Track 3 not present in database Track 4 not present in database Track 5 not present in database Track 6 not present in database Track 7 not present in database Track 8 not present in database None of the tracks are present in the AccurateRip database End of status report