(Post-Bop) Jurgen Friedrich - Pollock - 2009, MP3, 320 kbps

Jurgen Friedrich - Pollock Жанр: Post-Bop Страна исполнителя (группы): Германия Год издания: 2009 Аудиокодек: MP3 (конвертировано из lossless) Тип рипа: tracks Битрейт аудио: 320 kbps Продолжительность: 51:47 Наличие сканов в содержимом раздачи: даТреклист: 01. Drift (Friedrich) - 4:43 02. Round Midnight (Monk) - 7:08 03. Ripple (Friedrich) - 6:36 04. Wayward (Friedrich-Moreno) - 1:47 05. I Am Missing Her (Hebert) - 5:08 06. Samarkand (Friedrich) - 4:00 07. Enclosed (Friedrich-Hebert-Moreno) - 2:26 08. Billy No Mates (Hebert) - 4:17 09. Pollock (Friedrich-Hebert-Moreno) - 1:48 10. Over (Friedrich) - 7:29 11. Flauschangriff (Friedrich) - 6:25Состав: Jurgen Friedrich - piano John Hebert - bass Tony Moreno - drumsRecorded at Pirouet Studio, Munich on October 17-18, 2007.  Review by Dan McClenaghanJackson Pollock (1912-1956), the Abstract Expressionist American painter best known for his "drip paintings" produced from 1947 to 1950, loved and was inspired by jazz. The innovative music of that time in the genre was Bird (Charlie Parker), Dizzy Gillespie and the burgeoning bebop sounds that Pollack would listen to while he created. Jazz has loved and drawn inspiration from Pollack, too - in part, perhaps, due to the improvisational aspect of the painter's best known art. The original album cover of Ornette Coleman's Free Jazz (Atlantic Records, 1961) features the Pollock painting "White Light." Soprano saxophonist Jane Ira Bloom devoted an entire CD, Chasing Paint (Arabesque Recordings, 2003), to musical interpretations of Pollock paintings. And now German pianist Jurgen Friedrich tips a hat to the American painter with Pollack. Friedrich teams with two Americans - bassist John Hebert and drummer Tony Moreno - on this reflective and interactive piano trio outing. The disc's opener, the Friedrich-penned "Drift," drips to life of a series of delicate piano notes of seemingly random placement before it swells into an energetic rhythm of three-way interplay. Thelonious Monk's classic "Round Midnight" is up next. The trio engages in a spare reading of the familiar tune, not unlike the Bobo Stenson Trio's take of Stephen Sondheim's "Send in the Clowns" on Goodbye (ECM Records, 2005), with no notes wasted in its beautiful exploration of the melody. Hebert wrote two of the set's 11 tunes, with another penned by the leader in collaboration with Moreno. Five are Friedrich's compositions, and two more are trio improvisations, including the title tune. Throughout there is a sense of subtle complexity, immediacy and discovery, with an often searching quality, to go with a sparseness and refined use of space. Friedrich's "Over" has a feeling of poignancy, while Hebert's "Billy No Mates" goes darkly inward in the beginning, before Freidrich applies some bright colors. Leaning toward the pensive and cerebral, Pollack is a gorgeously spare and spontaneous work.