(Post-Bop, Free Funk) Steve Coleman and Five Elements - On the Rising of the 64 Paths - 2003, FLAC (tracks+.cue), lossless

Steve Coleman and Five Elements - On the Rising of the 64 Paths Жанр: Post-Bop, Free Funk Страна-производитель диска: Франция Год издания: 2003 Издатель (лейбл): Label Bleu Номер по каталогу: LBLC 6653 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 70:19 Источник (релизер): roloho (demonoid) Наличие сканов в содержимом раздачи: даТреклист: 01. 64 Path Bindings (Coleman) - 6:58 02. Mist and Counterpoise (Coleman) - 6:42 03. Call for Transformation (Coleman) - 10:43 04. The Movement in Self (Coleman) - 6:16 05. Dizzy Atmosphere (Gillespie) - 6:07 06. Eight Base Probing (Coleman) - 12:47 07. Dizzy Atmosphere (alternate take) (Gillespie) - 7:09 08. Fire Revisited (Coleman) - 13:37Состав: Steve Coleman - alto saxophone Jonathan Finlayson - trumpet Malik Mezzadri - flute, vocals Anthony Tidd - electric bass Reggie Washington - acoustic bass Sean Rickman - drumsRecorded at Studio Gil Evans and at the Festival "Musiques de Jazz et d'Ailleurs" in Amiens, France on March 30, 31 and April 1, 2002.  Лог создания рипа Exact Audio Copy V0.99 prebeta 4 from 23. January 2008EAC extraction logfile from 28. February 2009, 13:42Steve Coleman / On the Rising of the 64 PathsUsed drive : HP DVD Writer 640b Adapter: 4 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 102Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Installed external ASPI interfaceGap handling : Appended to previous trackUsed output format : Internal WAV RoutinesSample format : 44.100 Hz; 16 Bit; StereoTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 6:58.70 | 0 | 31419 2 | 6:58.70 | 6:42.37 | 31420 | 61606 3 | 13:41.32 | 10:43.17 | 61607 | 109848 4 | 24:24.49 | 6:16.52 | 109849 | 138100 5 | 30:41.26 | 6:07.73 | 138101 | 165698 6 | 36:49.24 | 12:47.63 | 165699 | 223286 7 | 49:37.12 | 7:09.57 | 223287 | 255518 8 | 56:46.69 | 13:37.65 | 255519 | 316858Track 1 Filename C:\steve coleman - on the rising of the 64 paths\01Steve Coleman64 Path Bindings.wav Pre-gap length 0:00:02.00 Peak level 96.6 % Track quality 100.0 % Copy CRC 3EC9DD9F Accurately ripped (confidence 5) [EA25D13B] Copy OKTrack 2 Filename C:\steve coleman - on the rising of the 64 paths\02Steve ColemanMist and Counterpoise.wav Pre-gap length 0:00:22.28 Peak level 96.7 % Track quality 100.0 % Copy CRC 637E9E6D Accurately ripped (confidence 5) [AB5FC107] Copy OKTrack 3 Filename C:\steve coleman - on the rising of the 64 paths\03Steve ColemanCall for Transformation.wav Pre-gap length 0:00:08.19 Peak level 96.2 % Track quality 100.0 % Copy CRC 08FC159E Accurately ripped (confidence 4) [B6FDFF9B] Copy OKTrack 4 Filename C:\steve coleman - on the rising of the 64 paths\04Steve ColemanThe Movement in Self.wav Peak level 96.8 % Track quality 100.0 % Copy CRC F9025F78 Accurately ripped (confidence 5) [E9FD749D] Copy OKTrack 5 Filename C:\steve coleman - on the rising of the 64 paths\05Steve ColemanDizzy Atmosphere.wav Pre-gap length 0:00:19.10 Peak level 96.9 % Track quality 100.0 % Copy CRC AA1383E4 Accurately ripped (confidence 5) [B6E136F0] Copy OKTrack 6 Filename C:\steve coleman - on the rising of the 64 paths\06Steve ColemanEight Base Probing.wav Pre-gap length 0:03:01.22 Peak level 96.9 % Track quality 100.0 % Copy CRC 8937AB48 Accurately ripped (confidence 5) [7BAF2523] Copy OKTrack 7 Filename C:\steve coleman - on the rising of the 64 paths\07Steve ColemanDizzy Atmosphere (alternate take).wav Pre-gap length 0:00:02.00 Peak level 96.9 % Track quality 100.0 % Copy CRC CFAFF4A1 Accurately ripped (confidence 3) [C4F14996] Copy OKTrack 8 Filename C:\steve coleman - on the rising of the 64 paths\08Steve ColemanFire Revisited.wav Pre-gap length 0:00:22.39 Peak level 100.0 % Track quality 99.9 % Copy CRC 9D123611 Accurately ripped (confidence 4) [79FAD4B8] Copy OKAll tracks accurately rippedNo errors occurredEnd of status report  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 2003REM DISCID 66108008REM COMMENT "ExactAudioCopy v0.99pb4"PERFORMER "Steve Coleman and Five Elements"TITLE "On the Rising of the 64 Paths"FILE "01 - 64 Path Bindings.wav" WAVE TRACK 01 AUDIO TITLE "64 Path Bindings" PERFORMER "Steve Coleman and Five Elements" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Mist and Counterpoise" PERFORMER "Steve Coleman and Five Elements" INDEX 00 06:36:42FILE "02 - Mist and Counterpoise.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Call for Transformation" PERFORMER "Steve Coleman and Five Elements" INDEX 00 06:34:18FILE "03 - Call for Transformation.wav" WAVE INDEX 01 00:00:00FILE "04 - The Movement in Self.wav" WAVE TRACK 04 AUDIO TITLE "The Movement in Self" PERFORMER "Steve Coleman and Five Elements" INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Dizzy Atmosphere" PERFORMER "Steve Coleman and Five Elements" INDEX 00 05:57:42FILE "05 - Dizzy Atmosphere.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Eight Base Probing" PERFORMER "Steve Coleman and Five Elements" INDEX 00 03:06:51FILE "06 - Eight Base Probing.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Dizzy Atmosphere (alternate take)" PERFORMER "Steve Coleman and Five Elements" INDEX 00 12:45:63FILE "07 - Dizzy Atmosphere (alternate take).wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Fire Revisited" PERFORMER "Steve Coleman and Five Elements" INDEX 00 06:47:18FILE "08 - Fire Revisited.wav" WAVE INDEX 01 00:00:00  Лог проверки качества auCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.------------------------------------------------------------Processing file: [01 - 64 Path Bindings.wav]Detected average hi-boundary frequency: 2.044054e+004 HzDetected average lo-boundary frequency: 1.396924e+004 HzDetected average hi-cut frequency: 2.170811e+004 HzDetected average lo-cut frequency: 1.462874e+004 HzMaximum probablis boundary frequency: 2.189100e+004 HzCoefficient of nonlinearity of a phase: 1.768272e-001First order smothness: 4.254181e-001Second order smothness: 5.991081e-001------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [02 - Mist and Counterpoise.wav]Detected average hi-boundary frequency: 2.024518e+004 HzDetected average lo-boundary frequency: 1.424528e+004 HzDetected average hi-cut frequency: 2.164774e+004 HzDetected average lo-cut frequency: 1.337586e+004 HzMaximum probablis boundary frequency: 2.189100e+004 HzCoefficient of nonlinearity of a phase: 2.299048e-001First order smothness: 3.660282e-001Second order smothness: 6.542811e-001------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [03 - Call for Transformation.wav]Detected average hi-boundary frequency: 2.023238e+004 HzDetected average lo-boundary frequency: 1.318306e+004 HzDetected average hi-cut frequency: 2.174997e+004 HzDetected average lo-cut frequency: 1.168491e+004 HzMaximum probablis boundary frequency: 2.189100e+004 HzCoefficient of nonlinearity of a phase: 3.466727e-001First order smothness: 3.872924e-001Second order smothness: 6.159399e-001------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [04 - The Movement in Self.wav]Detected average hi-boundary frequency: 2.014344e+004 HzDetected average lo-boundary frequency: 1.337855e+004 HzDetected average hi-cut frequency: 2.176240e+004 HzDetected average lo-cut frequency: 1.124322e+004 HzMaximum probablis boundary frequency: 2.189100e+004 HzCoefficient of nonlinearity of a phase: 5.409525e-001First order smothness: 3.059665e-001Second order smothness: 6.607495e-001------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [05 - Dizzy Atmosphere.wav]Detected average hi-boundary frequency: 2.038021e+004 HzDetected average lo-boundary frequency: 1.392739e+004 HzDetected average hi-cut frequency: 2.166677e+004 HzDetected average lo-cut frequency: 1.499024e+004 HzMaximum probablis boundary frequency: 2.189100e+004 HzCoefficient of nonlinearity of a phase: 2.355171e-001First order smothness: 3.759494e-001Second order smothness: 5.546835e-001------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [06 - Eight Base Probing.wav]Detected average hi-boundary frequency: 2.038519e+004 HzDetected average lo-boundary frequency: 1.368250e+004 HzDetected average hi-cut frequency: 2.170416e+004 HzDetected average lo-cut frequency: 1.405921e+004 HzMaximum probablis boundary frequency: 2.189100e+004 HzCoefficient of nonlinearity of a phase: 9.222947e-002First order smothness: 3.897647e-001Second order smothness: 6.528014e-001------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [07 - Dizzy Atmosphere (alternate take).wav]Detected average hi-boundary frequency: 2.034967e+004 HzDetected average lo-boundary frequency: 1.427259e+004 HzDetected average hi-cut frequency: 2.166322e+004 HzDetected average lo-cut frequency: 1.459175e+004 HzMaximum probablis boundary frequency: 2.189100e+004 HzCoefficient of nonlinearity of a phase: 1.257057e-001First order smothness: 3.608337e-001Second order smothness: 5.757707e-001------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [08 - Fire Revisited.wav]Detected average hi-boundary frequency: 2.033694e+004 HzDetected average lo-boundary frequency: 1.421144e+004 HzDetected average hi-cut frequency: 2.153090e+004 HzDetected average lo-cut frequency: 1.066637e+004 HzMaximum probablis boundary frequency: 2.189100e+004 HzCoefficient of nonlinearity of a phase: 6.441855e-002First order smothness: 4.065473e-001Second order smothness: 5.714639e-001------------------------------------------------------------This track looks like CDDA with probability 100%  Review by Alain DrouotThe hermeticism and rigor of some of Steve Coleman's previous work has discouraged certain listeners from investigating his music further. This time, he has chosen to record a set of complex yet accessible numbers. Coleman makes the best use of a three-horn front line, supplemented by drums and two basses -- the electric one fulfilling for the most part the role of a guitar. The program is varied and, for instance, one of its highlights is "The Movement in Self," a deeply introspective duet with drummer Sean Rickman whose explosive style and polyrhythms are predominantly featured on the other pieces. The saxophonist wins on all counts, his writing being just as inspired as his playing. "Mist and Counterpoise" ranks among the most beautiful pieces Coleman has ever written and the two breathtaking uptempo readings of Gillespie's "Dizzy Atmosphere" allow for a full appreciation of the leader's arranging skills, as the sextet works its way to the theme through two different paths. The improvisational segments are never formulaic, offering solos or duets over wonderfully nonchalant horn riffs. "Eight Base Probing" presents some intricate and dazzling interplay between alto, trumpet, and flute/vocals. Coleman has rarely sounded so expressive and lyrical, and he has found in flutist Malik Mezzadri, also known as Magic Malik, a perfect foil for his sharp-edged alto. Superior playing and memorable compositions make this session count as one of Steve Coleman's finest achievements.