(Post-Bop) Edward Simon - Trio Live in New York at Jazz Standard (w/ John Patitucci, Brian Blade) - 2013, FLAC (tracks+.cue), lossless

Edward Simon - Trio Live in New York at Jazz Standard Жанр: Post-Bop Страна-производитель диска: США Год издания: 2013 Издатель (лейбл): Sunnyside Records Номер по каталогу: SSC 1343 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 59:31 Источник (релизер): InStyle76 (what) Наличие сканов в содержимом раздачи: нет Треклист: 01. Poesia (Simon) - 11:18 02. Chovendo Na Roseira (Jobim) - 13:45 03. Pathless Path (Simon) - 15:37 04. Giant Steps (Coltrane) - 10:19 05. Pere (Simon) - 8:32 Состав: Edward Simon - piano John Patitucci - bass Brian Blade - drums Recorded live at Jazz Standard, New York on December 18-19, 2010.   Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 7. November 2013, 8:03 Edward Simon / Trio Live in New York at Jazz Standard Used drive : TSSTcorpDVD+-RW TS-H653H Adapter: 0 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 697 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 11:17.40 | 0 | 50814 2 | 11:17.40 | 13:45.23 | 50815 | 112712 3 | 25:02.63 | 15:36.68 | 112713 | 182980 4 | 40:39.56 | 10:19.12 | 182981 | 229417 5 | 50:58.68 | 8:31.46 | 229418 | 267788 Track 1 Filename C:\CD Rips\Edward Simon Trio - Live in New York at Jazz Standard (2013) [FLAC]\01 Poesia.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 2.4 X Track quality 100.0 % Test CRC CF8FD18B Copy CRC CF8FD18B Accurately ripped (confidence 1) [00FB6B38] (AR v2) Copy OK Track 2 Filename C:\CD Rips\Edward Simon Trio - Live in New York at Jazz Standard (2013) [FLAC]\02 Chovendo Na Poseria.wav Peak level 99.0 % Extraction speed 2.8 X Track quality 99.9 % Test CRC B06FEE20 Copy CRC B06FEE20 Accurately ripped (confidence 1) [49727047] (AR v2) Copy OK Track 3 Filename C:\CD Rips\Edward Simon Trio - Live in New York at Jazz Standard (2013) [FLAC]\03 Pathless Path.wav Peak level 99.6 % Extraction speed 3.3 X Track quality 99.9 % Test CRC 0F590F3C Copy CRC 0F590F3C Accurately ripped (confidence 1) [31B3E383] (AR v2) Copy OK Track 4 Filename C:\CD Rips\Edward Simon Trio - Live in New York at Jazz Standard (2013) [FLAC]\04 Giant Steps.wav Peak level 99.0 % Extraction speed 3.5 X Track quality 99.9 % Test CRC BC934A85 Copy CRC BC934A85 Accurately ripped (confidence 1) [9FFF7647] (AR v2) Copy OK Track 5 Filename C:\CD Rips\Edward Simon Trio - Live in New York at Jazz Standard (2013) [FLAC]\05 Pere.wav Peak level 99.4 % Extraction speed 3.5 X Track quality 99.9 % Test CRC FB49DF63 Copy CRC FB49DF63 Accurately ripped (confidence 1) [45984C86] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ---- CUETools DB Plugin V2.1.3 [CTDB TOCID: VTWmNCchQUW9lVlQHbzS2IS1L8Y-] found, Submit result: database access error: The remote name could not be resolved: 'db.cuetools.net' [e43ee24e] (1/1) Accurately ripped ==== Log checksum AFA2D6CF3697899D2C38F70CEC05E3D212E024B4AB09F9D457F842E552823432 ====     Содержание индексной карты (.CUE) REM GENRE Jazz REM DATE 2013 REM DISCID 360DF205 REM COMMENT "ExactAudioCopy v1.0b3" CATALOG 0016728134323 PERFORMER "Edward Simon" TITLE "Trio Live in New York at Jazz Standard" FILE "01 - Poesia.wav" WAVE TRACK 01 AUDIO TITLE "Poesia" PERFORMER "Edward Simon" ISRC US2W61334301 INDEX 01 00:00:00 FILE "02 - Chovendo Na Roseira.wav" WAVE TRACK 02 AUDIO TITLE "Chovendo Na Roseira" PERFORMER "Edward Simon" ISRC US2W61334302 INDEX 01 00:00:00 FILE "03 - Pathless Path.wav" WAVE TRACK 03 AUDIO TITLE "Pathless Path" PERFORMER "Edward Simon" ISRC US2W61334303 INDEX 01 00:00:00 FILE "04 - Giant Steps.wav" WAVE TRACK 04 AUDIO TITLE "Giant Steps" PERFORMER "Edward Simon" ISRC US2W61334304 INDEX 01 00:00:00 FILE "05 - Pere.wav" WAVE TRACK 05 AUDIO TITLE "Pere" PERFORMER "Edward Simon" ISRC US2W61334305 INDEX 01 00:00:00     Отчет CUETools [CUETools log; Date: 16.11.2013 18:58:35; Version: 2.1.4] [CTDB TOCID: VTWmNCchQUW9lVlQHbzS2IS1L8Y-] found. Track | CTDB Status 1 | (1/1) Accurately ripped 2 | (1/1) Accurately ripped 3 | (1/1) Accurately ripped 4 | (1/1) Accurately ripped 5 | (1/1) Accurately ripped [AccurateRip ID: 000cdfc4-003be60e-360df205] found. Track [ CRC | V2 ] Status 01 [79f3603b|00fb6b38] (0+1/1) Accurately ripped 02 [d5796004|49727047] (0+1/1) Accurately ripped 03 [f7259c81|31b3e383] (0+1/1) Accurately ripped 04 [f4fe67e6|9fff7647] (0+1/1) Accurately ripped 05 [4eee92f4|45984c86] (0+1/1) Accurately ripped Track Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 100,0 [67D1E063] [3D113C8A] 01 100,0 [CF8FD18B] [D69B4F24] CRC32 02 99,0 [B06FEE20] [A713A63D] CRC32 03 99,6 [0F590F3C] [E2802CA3] CRC32 04 99,0 [BC934A85] [16B9DFEC] CRC32 05 99,4 [FB49DF63] [33A68988] CRC32     Review by John Kelman Some artists maintain a busy release schedule, putting out an album a year—sometimes, in the case of musicians like guitarist Bill Frisell, even more frequently—while others, for a variety of reasons, are less prolific. Pianist Edward Simon has, in recent years, been issuing albums with broader distribution under his own name—which automatically discounts 2010's independently released but undeniably fine Danny Boy—about once every three years on labels ranging from The Netherlands' Criss Cross to Italy's Cam Jazz. Live in New York at Jazz Standard is the third in a consecutive string of recordings to feature his seven year-old trio with bassist John Patitucci and ubiquitous drummer Brian Blade, but it's both his first live recording and the first to be issued on the American Sunnyside imprint. Sometimes, making your fans wait is a good thing; in this case, Simon's set, recorded at New York's Jazz Standard—drawing primarily from Unicity (Cam Jazz, 2006) and from Poesia (Cam Jazz, 2009), but also containing a surprise or two—has unequivocally been worth the wait, and continues to position the ever-inventive pianist as one of his generation's most watch-worthy. In a recent discussion with Richie Beirach, the pianist suggested that one of the characteristics of "real improvisers" is being motif-driven and, while his statement might be a controversial one that will engender plenty of discussion and debate, it certainly fits Simon's approach. Whether soloing in the somewhat more constricted (time-wise) confines of the recording studio or stretching out as he does here, Simon has always been a thoughtful player whose solos often build from evolving motifs; cerebral, even, but as evidenced on tunes like the irregularly metered, Latin-esque "Pere"—the modal set-closer, drawn from a much earlier collaboration with saxophonist David Binney, Afinidad (RED, 2001)—the pianist proves that music of the head need not preclude the heart, as his solo builds, carefully, considerately, inevitably, to its climactic conclusion before settling into an ostinato-based feature for Blade, a name for whom the term "incendiary" has always been a synonym. Dynamic, but peppered with thunderous crashes and audible whoops and hollers, Blade's as unfettered as it gets—a player, in some ways, the antithesis of Simon in his almost entirely instinctive approach—and, perhaps, the very reason they work so well together. Patitucci—whose early years were spent largely in fusion and near-smooth jazz territory with artists like pianists Chick Corea and David Benoit, and saxophonist Eric Marienthal—has completely reinvented himself over the past decade, largely through his work in saxophonist Wayne Shorter's quartet (also with Blade), heard recently on the exploratory excellence of Without a Net (Blue Note, 2013). Here, he proves himself equally imaginative, whether swinging with unrelenting fervor on Simon's set-opening title track from Poesia, or contributing soaring arco to the more abstract terrain of the pianist's "Pathless Path," from Unicity, stretched here to nearly three times its original length. Bookended by a first-time look at Antonio Carlos Jobim's "Chovendo na Roseira"—beginning with an a cappella pizzicato solo from Patitucci that leads to a more pulse-driven but still ethereal reading, only settling into more recognizable reverence halfway through its nearly 14-minute duration—and Simon's ambling take on saxophonist John Coltrane's change-driven rite of passage, "Giant Steps," first heard on Poesia, "Pathless Path" becomes the dramatic centerpiece to Live's hour-long set. Simon remains a busy player, in particular with his ongoing work as a member of the SFJAZZ Collective, last heard live and on record performing the music of soul legend Stevie Wonder, and in the Ninety Miles (Concord, 2011) touring band, with vibraphonist Stefon Harris, saxophonist David Sanchez and trumpeter Nicholas Payton (replacing the album's Christian Scott), which clocked considerable road time in 2012 includinga terrific stop at the TD Ottawa Jazz Festival. He may not release his own albums as often as some might like, but when a record like Live in New York at Jazz Standard comes along—a stellar date that combines head and heart, mainstream and more eclectic concerns, and appealing, broad-reaching originals with distinctive arrangements of well-known standards, all played by a trio clearly at the top of its game—then all is forgiven and, while waiting for Simon's next release, there's a growing discography with one more fine entry to return to, time and again.