(Post-Bop) [CD] Eri Yamamoto Trio - Up & Coming - 2001, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 2. June 2017, 8:55
Eri Yamamoto Trio / Up & Coming
Used drive  : HL-DT-STBD-RE  BH10LS30   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
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TOC of the extracted CD
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        8  | 37:29.69 |  5:08.26 |    168744    |   191869
        9  | 42:38.20 |  3:18.30 |    191870    |   206749
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Track  2
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Track  3
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Track  4
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Track  5
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Track  6
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Track  7
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Track  8
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Track  9
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All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum D6C7D880B92F060D3C05BA7F7865ED6D64204A19F9D6D71DC30C115B4EC3D4AE ====

REM GENRE Jazz
REM DATE 2001
REM DISCID 790AC409
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Eri Yamamoto"
TITLE "Up & Coming"
FILE "01 - Up & Coming.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Up & Coming"
    PERFORMER "Eri Yamamoto"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "All Blues"
    PERFORMER "Eri Yamamoto"
    INDEX 00 06:22:73
FILE "02 - All Blues.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "So Smooth"
    PERFORMER "Eri Yamamoto"
    INDEX 00 06:21:52
FILE "03 - So Smooth.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Tar Tar Sauce"
    PERFORMER "Eri Yamamoto"
    INDEX 00 05:57:41
FILE "04 - Tar Tar Sauce.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Half Moon"
    PERFORMER "Eri Yamamoto"
    INDEX 00 03:33:05
FILE "05 - Half Moon.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Without a Song"
    PERFORMER "Eri Yamamoto"
    INDEX 00 05:04:07
FILE "06 - Without a Song.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Tender Heart"
    PERFORMER "Eri Yamamoto"
    INDEX 00 05:30:63
FILE "07 - Tender Heart.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Billie's Bounce"
    PERFORMER "Eri Yamamoto"
    INDEX 00 04:17:53
FILE "08 - Billie's Bounce.wav" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "My Foolish Heart"
    PERFORMER "Eri Yamamoto"
    INDEX 00 05:04:26
FILE "09 - My Foolish Heart.wav" WAVE
    INDEX 01 00:00:00

How long does it take to become a great jazz musician? Would you believe five and a half years? That would seem to be the case with Eri Yamamoto who abandoned a budding classical career half a decade ago to pursue jazz studies at the New School. Yamamoto had no jazz background whatsoever when she arrived in New York from Kyoto-something I can personally attest to, having heard her stumble through standards some years back at the Loisaida bar that is now Manitoba's. Saloon din tended to drown out Yamamoto's trio until she started pulling out her originals, the attentive silence that greeted them clued me in that fresh ideas were on the way.
Yamamoto's maturity is instantly evidence on the title cut/opener of "UP&COMING,"her self-produced debut. The deceptively simple melody line demands perfect timing, and Yamamoto raises the degree of difficulty by upending it with a bridge in modified waltz-time. The way this impacts her solo is particularly breathtaking: On one chorus, she applies single-note lines reminiscent of Lennie Tristano; next, she alternates running trills with off-kilter phrases; and finally - just before a bass solo by John Graham Davis - she slides back and forth across drummer Ikuo Takeuchi's supple pulse.
And yet that's only a small sampling of the pianist's breadth and economy. The five originals included here are demonstrate an extraordinarily rich compositional sensibility - to say nothing of a delicate touch - and what's most impressive is how they outpace Yamamoto's takes on classics like Miles Davis's "ALL BLUES" and Vincent Youman's "WITHOUT A SONG." I haven't caught Yamamoto's trio since it took up residence in the Village at Arthur's Tavern two years ago, but if the album is any indication, the time she's spent at the rambunctious watering hole has taught
her hoe familiarity combined with subtlety can move a crowd. That understanding is crucial for any musician hoping to become a great player as quickly as she has.