(Post-Bop, Bop, Early Jazz) [CD] Jaki Byard - The Late Show: An Evening with Jaki Byard: Live at the Keystone Korner, Vol.3 - 1979 (2014), FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 6 from 9. April 2015
EAC extraction logfile from 30. August 2015, 20:17
Jaki Byard / The Late Show
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Track  5
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Track  9
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Track 10
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Track 11
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Track 12
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Track 13
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Track 14
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Track 15
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Track 16
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==== Log checksum 9EFCD0CDEB0761CB349E50C0A3D6F457ADA3D10905FB7141FB3B72A697BA5750 ====

REM GENRE Jazz
REM DATE 1979
REM DISCID DB0F3610
REM COMMENT "ExactAudioCopy v1.0b6"
PERFORMER "Jaki Byard"
TITLE "The Late Show: An Evening with Jaki Byard"
FILE "01 - Opening Remarks by Todd Barkan and Jaki Byard.wav" WAVE
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    PERFORMER "Jaki Byard"
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FILE "02 - Hello Young Lovers.wav" WAVE
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FILE "03 - In Your Own Sweet Way.wav" WAVE
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    INDEX 01 00:00:00
FILE "04 - Introductory Remarks.wav" WAVE
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FILE "05 - Family Suite.wav" WAVE
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FILE "09 - Introductory Remarks.wav" WAVE
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FILE "10 - European Episode.wav" WAVE
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FILE "11 - Medley.wav" WAVE
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FILE "14 - Sweet Georgia Brown.wav" WAVE
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FILE "16 - For All We Know.wav" WAVE
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A multi-instrumentalist who also played trumpet and tenor saxophone, Jaki Byard was best known as a jazz pianist, and there may not have been a more versatile one in the whole history of the genre. Byard blended musical forms effortlessly on the piano, gliding from bop to classical, stride, ragtime, blues, funk, swing, honky tonk, and anything else he felt like tossing into the mix, sometimes all within the same tune, and all of it done with an easy and elegant grace. He was a regular performer at San Francisco's famed Keystone Korner in the 1970s, and this intimate set is the third release from HighNote Records to document some of those appearances. Byard was brilliant in a group or ensemble setting, but the full feel for his piano playing is best displayed solo, and here, that is what we get -- Jaki Byard relaxed and comfortable in front of a respectful and appreciative audience. It's difficult to pull highlights from this set, since it all flows together as one evening's performance in the best sense, but his three selections from his "Family Suite" and a fun, lively, and ever-shifting turn through "Sweet Georgia Brown" are particularly enjoyable, as are Byard's low-key, warm, and often amusing introductions to some of the pieces. Byard was a jazz player by trade, but his real allegiance was to the piano itself, and few players have brought so much variety out of the instrument and still made it seem like it was all cut from the same elegant and comfortable cloth. All of that is on display here.