(Nu Bossa-nova, Jazz, Abstract, Downtempo, Trip Hop) Arto Lindsay - Hyper Civilizado (Arto Lindsay Remixes) - 1996, FLAC (tracks.+cue) lossless

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 7. November 2009, 8:54
Arto Lindsay / Hyper Civilizado
Used drive  : TSSTcorpCDDVDW SH-S203B   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : No
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Not detected, thus appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : E:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  7:28.45 |         0    |    33644
        2  |  7:28.45 |  4:53.25 |     33645    |    55644
        3  | 12:21.70 |  6:16.65 |     55645    |    83909
        4  | 18:38.60 |  5:24.30 |     83910    |   108239
        5  | 24:03.15 |  6:07.00 |    108240    |   135764
        6  | 30:10.15 |  4:29.57 |    135765    |   155996
        7  | 34:39.72 |  1:20.13 |    155997    |   162009
        8  | 36:00.10 |  4:29.30 |    162010    |   182214
Track  1
     Filename F:\EAC Rips\01. Arto Lindsay - DJ Spooky , Mundo Civilizado Inversion Mix.wav
     Peak level 97.5 %
     Track quality 99.9 %
     Test CRC FF8CC927
     Copy CRC FF8CC927
     Accurately ripped (confidence 5)  [0E7CD73E]
     Copy OK
Track  2
     Filename F:\EAC Rips\02. Arto Lindsay - SPIT , Complicity Lyrical Mix.wav
     Peak level 95.8 %
     Track quality 100.0 %
     Test CRC 15B79677
     Copy CRC 15B79677
     Accurately ripped (confidence 5)  [AE56AD54]
     Copy OK
Track  3
     Filename F:\EAC Rips\03. Arto Lindsay - Sub Dub , Q Samba Sub Dub Mix.wav
     Peak level 100.0 %
     Track quality 100.0 %
     Test CRC 379D45EB
     Copy CRC 379D45EB
     Accurately ripped (confidence 6)  [6C21E693]
     Copy OK
Track  4
     Filename F:\EAC Rips\04. Arto Lindsay - We , Q Samba Dub Mix.wav
     Peak level 94.4 %
     Track quality 99.9 %
     Test CRC 756B4F02
     Copy CRC 756B4F02
     Accurately ripped (confidence 5)  [8EF1261B]
     Copy OK
Track  5
     Filename F:\EAC Rips\05. Arto Lindsay - DJ Soul Slinger & SPIT , Mundo Civilizado Illuminati Mix.wav
     Peak level 99.9 %
     Track quality 100.0 %
     Test CRC 19A9D498
     Copy CRC 19A9D498
     Accurately ripped (confidence 5)  [FC834334]
     Copy OK
Track  6
     Filename F:\EAC Rips\06. Arto Lindsay - DJ Mutamassik & SPIT , Complicity M28 Mix.wav
     Peak level 100.0 %
     Track quality 100.0 %
     Test CRC 0752186A
     Copy CRC 0752186A
     Accurately ripped (confidence 5)  [BADE6D02]
     Copy OK
Track  7
     Filename F:\EAC Rips\07. Arto Lindsay - Marcio , Omulu.wav
     Peak level 84.8 %
     Track quality 100.0 %
     Test CRC 2E57FE7D
     Copy CRC 2E57FE7D
     Accurately ripped (confidence 5)  [6B0635A9]
     Copy OK
Track  8
     Filename F:\EAC Rips\08. Arto Lindsay - Elated System , Complicity Opulent Mix (down and left).wav
     Peak level 44.6 %
     Track quality 100.0 %
     Test CRC FE556D7B
     Copy CRC FE556D7B
     Accurately ripped (confidence 5)  [5C3ECB36]
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report

REM DISCID 4D097D08
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Arto Lindsay"
TITLE "Hyper Civilizado"
FILE "01. Arto Lindsay - DJ Spooky , Mundo Civilizado Inversion Mix.wav" WAVE
  TRACK 01 AUDIO
    TITLE "DJ Spooky / Mundo Civilizado Inversion Mix"
    PERFORMER "Arto Lindsay"
    INDEX 01 00:00:00
FILE "02. Arto Lindsay - SPIT , Complicity Lyrical Mix.wav" WAVE
  TRACK 02 AUDIO
    TITLE "SPIT / Complicity Lyrical Mix"
    PERFORMER "Arto Lindsay"
    INDEX 01 00:00:00
FILE "03. Arto Lindsay - Sub Dub , Q Samba Sub Dub Mix.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Sub Dub / Q Samba Sub Dub Mix"
    PERFORMER "Arto Lindsay"
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "We / Q Samba Dub Mix"
    PERFORMER "Arto Lindsay"
    INDEX 00 06:13:67
FILE "04. Arto Lindsay - We , Q Samba Dub Mix.wav" WAVE
    INDEX 01 00:00:00
FILE "05. Arto Lindsay - DJ Soul Slinger & SPIT , Mundo Civilizado Illuminati Mix.wav" WAVE
  TRACK 05 AUDIO
    TITLE "DJ Soul Slinger & SPIT / Mundo Civilizado Illuminati Mix"
    PERFORMER "Arto Lindsay"
    INDEX 01 00:00:00
FILE "06. Arto Lindsay - DJ Mutamassik & SPIT , Complicity M28 Mix.wav" WAVE
  TRACK 06 AUDIO
    TITLE "DJ Mutamassik & SPIT / Complicity M28 Mix"
    PERFORMER "Arto Lindsay"
    INDEX 01 00:00:00
FILE "07. Arto Lindsay - Marcio , Omulu.wav" WAVE
  TRACK 07 AUDIO
    TITLE "Marcio / Omulu"
    PERFORMER "Arto Lindsay"
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Elated System / Complicity Opulent Mix (down and left)"
    PERFORMER "Arto Lindsay"
    INDEX 00 01:15:60
FILE "08. Arto Lindsay - Elated System , Complicity Opulent Mix (down and left).wav" WAVE
    INDEX 01 00:00:00

Arto Lindsay has made a lifelong habit of crossing both geographical and musical borders. Born in the United States and raised in Brazil during the heyday of that country's pointedly eclectic Tropicália movement of the 1960s, the multi-faceted songwriter/producer/vocalist/guitarist has forged an international reputation as an artist whose work is as seductive as it is challenging. From his late ‘70s recordings of abrasive “no wave” through his acclaimed series of solo albums beginning in the late ‘90s, Lindsay has bonded rhythms and melodies from diverse cultures and genres in provocative new ways, crafting inimitable soundscapes whose impact can range from fragile pop pleasure to sheer sonic assault.
It was the 1978 four-band sampler No New York (produced by Brian Eno) which brought an early taste of international (albeit underground) notoriety to Lindsay's first band, DNA. Critic Lester Bangs admiringly described the trio's screamed vocals and deliberately primitive, speaker-shredding guitar as “horrible noise.” Lindsay and his bandmates frequently inserted Portuguese phrases in their lyrics and even tried to appropriate Brazilian drumming techniques, “but nobody could really tell,” he now recalls. While the group only lasted a brief time, its influence can still be heard in the work of countless noise-rock experimentalists ever since.
Lindsay remained a key figure in the downtown Manhattan scene throughout the 1980s, playing with early versions of the Lounge Lizards and the Golden Palominos, producing tracks for Laurie Anderson and David Byrne, collaborating with John Zorn, contributing lyric translations to compilations of Brazilian music on Byrne's label Luaka Bop, even popping up in the films Desperately Seeking Susan and Candy Mountain. With keyboardist Peter Scherer he founded the Ambitious Lovers, recording three albums (Envy, Greed, and Lust) which incorporated elements of Brazilian, experimental, funk, R&B, and soul styles.
The 1990s launched an ongoing series of solo releases — O Corpo Sutil / The Subtle Body, Mundo Civilizado, Noon Chill and Prize. Lindsay's new album, Invoke, continues to explore samba, bossa nova and more recent Brazilian song structures on his own terms. Each of these albums has been followed by a disc of remixes by a diverse group of electronic music artists from around the world, making explicit the connections between Lindsay's aesthetic and such genres as drum-and-bass, illbient and underground hip-hop.
Lindsay's critical reputation brought him back to Brazil to work as a producer on recordings by Caetano Veloso, Vinicius Cantuária, Gal Costa, and Carlinhos Brown, among others. A 1999 New York Times article on the legacy of the Tropicália movement hailed Lindsay's contributions to “the finest Brazilian pop albums of the past dozen years,” and he earned a Latin Grammy for “Best Brazilian Contemporary Pop Album” for his production work on the platinum-selling Marisa Monte album, Memórias, Crônicas e Declarações de Amor. Lindsay's longstanding association with Monte subsequently led to his producing the music for her recent live DVD.
On yet another front, Lindsay has long been active in the field of sound art as both a curator and as an installation artist in his own right. Frequently working with sound designer /artist Ben Rubin, Arto has curated music and audio art for Brazil's Carlton Arts Festival, London's Barbican Centre and the nightclub Tonic in downtown New York. In the process, he has become one of the first musicians to use Dolby Digital 5.1 surround-sound in a live concert format. Lindsay's past collaborators include German theater director Heiner Muller, Japanese composer Ryuichi Sakamoto, American multidisciplinary artist Vito Acconci and British producer/conceptualist Brian Eno, and he has recently been commissioned by choreographer Richard Move, a mainstay of New York's legendary Jackie 60 nightclub, to compose music for a full-evening dance/theater piece for Mikhail Baryshnikov's White Oak Dance Company.
Pop musician, audio provocateur, sought-after producer: regardless of the title, Arto Lindsay is an artist.