(MPB, brazilian, bossa-nova,) [CD] Emilio Santiago - Aquarela Latina - 2003, FLAC (image+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 27. March 2014, 3:05
Emílio Santiago / Aquarela Latina
Used drive  : ASUS    DRW-22B2L   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : User Defined Encoder
Selected bitrate                : 128 kBit/s
Quality                         : High
Add ID3 tag                     : Yes
Command line compressor         : C:\Program Files (x86)\FLAC\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
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        1  |  0:00.00 |  3:48.52 |         0    |    17151
        2  |  3:48.52 |  4:54.50 |     17152    |    39251
        3  |  8:43.27 |  3:56.73 |     39252    |    57024
        4  | 12:40.25 |  3:56.32 |     57025    |    74756
        5  | 16:36.57 |  4:21.35 |     74757    |    94366
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        7  | 24:37.70 |  6:05.60 |    110845    |   138279
        8  | 30:43.55 |  5:06.67 |    138280    |   161296
        9  | 35:50.47 |  3:32.15 |    161297    |   177211
       10  | 39:22.62 |  5:11.43 |    177212    |   200579
       11  | 44:34.30 |  4:22.60 |    200580    |   220289
       12  | 48:57.15 |  3:56.00 |    220290    |   237989
       13  | 52:53.15 |  4:10.50 |    237990    |   256789
Range status and errors
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     Filename H:\Donkey Files\Emilio Santiago - Aquarela Latina. Boleros e Succesos Aquarela em Espanhol (2003, Albatroz) [eac-flac-scans] byDrBull\Emilio Santiago - Aquarela Latina.wav
     Peak level 96.9 %
     Extraction speed 5.5 X
     Range quality 100.0 %
     Test CRC D00F7ACD
     Copy CRC D00F7ACD
     Copy OK
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[CTDB TOCID: J4735BfIeMdi_fWyFicdK9RsliQ-] disk not present in database
Submit result: J4735BfIeMdi_fWyFicdK9RsliQ- has been uploaded

Emílio Santiago, an excellent interpreter of sambas and other swinging musics, finally found his way to a massive popularity as a romantic singer: the Aquarelas Brasileiras project, coordinated by Roberto Menescal at Som Livre, brought Santiago seven LPs, national and international projection, and the sum of four million copies sold, along with six platinum records, seven gold ones, and the Sharp prize.
As a law school student, Emílio Santiago found it more interesting to profit from the active cultural scene provided by the university students organization to oppose dictatorship -- many university festivals supplied the wannabe musicians with plenty of starting opportunities. Encouraged by the acceptance he was enjoying in such performances, he competed in some TV contests, winning third place in a Flávio Cavalcanti one (TV Tupi). Between 1971 and 1975, he became a crooner in several ball orchestras like those of Anselmo Mazzoni's, Maestro Formiga's, and Ed Lincoln's. In 1973, Santiago recorded his first single, continuing to perform in nightclubs. His first LP (Emílio Santiago) came out in 1975. Several albums later, in 1982, he won the Rede Globo Festival with "Pelo Amor de Deus" (Paulo Bebétio/Paulinho Resende). Three years later, in the same festival, he was awarded Best Interpreter with the song "Elis Elis" (Estevan Natolo Jr./Marcelo Simões). Established as a romantic interpreter, he had high popularity in sophisticated productions like Perdido de Amor, a tribute to Dick Farney.