(Modern Creative, Third Stream) [CD] Marius Neset & London Sinfonietta - Snowmelt - 2016 (ACT Music), FLAC (tracks+.cue), lossless
![(Modern Creative, Third Stream) [CD] Marius Neset & London Sinfonietta - Snowmelt - 2016 (ACT Music), FLAC (tracks+.cue), lossless](/upload/000/u2/3b/09/modern-creative-third-stream-cd-marius-neset-amp-london-s.jpg "(Modern Creative, Third Stream) [CD] Marius Neset & London Sinfonietta - Snowmelt - 2016 (ACT Music), FLAC (tracks+.cue), lossless")
Издатель (лейбл):
Marius Neset & London Sinfonietta / Snowmelt
Жанр: Modern Creative, Third Stream
Носитель: CD
Страна-производитель диска (релиза): Germany
Год издания: 2016
Издатель (лейбл): ACT Music
Номер по каталогу: ACT 9035-2
Страна исполнителя (группы): Norway / UK
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 52:08
Источник (релизер): Ludium
Наличие сканов в содержимом раздачи: front + pdf info
Треклист:
01. Prologue [02:14]
02. Arches of Nature: Sirens [01:53]
03. Arches of Nature: Acrobatics [04:10]
04. Arches of Nature: Circles [03:20]
05. Arches of Nature: Caves [02:21]
06. Arches of Nature: Paradise [05:54]
07. Arches of Nature: Rainbows [03:35]
08. Arches of Nature: Pyramiden [03:26]
09. The Storm Is Over [09:00]
10. Introduction to Snowmelt [04:16]
11. Snowmelt [11:54]
All music composed and arranged by Marius Neset
Recorded by Jon Bailey at AIR Studios, London,
16th and 17th March, 2015
Produced by Marius Neset with Anton Eger
Другие мои раздачи на трекере
Жанр: Modern Creative, Third Stream
Носитель: CD
Страна-производитель диска (релиза): Germany
Год издания: 2016
Издатель (лейбл): ACT Music
Номер по каталогу: ACT 9035-2
Страна исполнителя (группы): Norway / UK
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 52:08
Источник (релизер): Ludium
Наличие сканов в содержимом раздачи: front + pdf info
Треклист:
01. Prologue [02:14]
02. Arches of Nature: Sirens [01:53]
03. Arches of Nature: Acrobatics [04:10]
04. Arches of Nature: Circles [03:20]
05. Arches of Nature: Caves [02:21]
06. Arches of Nature: Paradise [05:54]
07. Arches of Nature: Rainbows [03:35]
08. Arches of Nature: Pyramiden [03:26]
09. The Storm Is Over [09:00]
10. Introduction to Snowmelt [04:16]
11. Snowmelt [11:54]
All music composed and arranged by Marius Neset
Recorded by Jon Bailey at AIR Studios, London,
16th and 17th March, 2015
Produced by Marius Neset with Anton Eger
Состав
Marius Neset / tenor and soprano saxophones
Ivo Neame / piano
Petter Eldh / bass
Anton Eger / drums
London Sinfonietta
conducted by Geoffrey Paterson
Ivo Neame / piano
Petter Eldh / bass
Anton Eger / drums
London Sinfonietta
conducted by Geoffrey Paterson
actmusic.com
Legendary US jazz magazine DOWNBEAT has selected Norwegian saxophonist Marius Neset as the only European resident among its “25 FOR THE FUTURE” list of young and upcoming musicians destined to shape the future of jazz. According to the magazine Neset is “one of the most exciting artists in jazz”, his “discography reveals not only an impressive technician but also a formidable composer” who “strives for deep originality in his music.”
The three main compositions on “Snowmelt” are the fruit of intense work during the period from 2012 to 2015. On the printed page, these carefully planned and thought-through works, meticulous in their attention to detail and brimming with life, contrast and inventiveness, cover no fewer than 239 pages of full orchestral score.
Neset burst onto the scene with his first album as leader in 2011, and was instantly hailed as combining “Brecker's power and Garbarek's tonal delicacy” and being “on his way to being one of the biggest new draws on the circuit” (Guardian). The album „snowmelt“ is his most ambitious, cherished and personal project to date. In these concentrated works, Neset has sought out chaos and dissonance, he has also been drawn to lyricism and tenderness, and then worked at finding a balance between the extremes, using compositional methods which subliminally bring out the continuities between them.
The origins of the album “Snowmelt” is a 15-minute piece for solo saxophone and chamber orchestra and five singers, commissioned by the Oslo Sinfonietta which had its first performance in March 2013. “I loved working with them and their instrumentation,” but that composition also gave Neset the impetus to take on some more ambitious goals. He wanted not only to work with a bigger body of strings, but also to do a whole album, and to include his quartet. “This is rhythmic music, and I needed the rhythm section from my own band to keep whole thing together.”
Neset says “there is a clear method pinning whole thing together.” This is done in compositional terms by taking a single melodic line and putting it through a kaleidoscope of permutations and a multiplicity of moods. At the beginning of part two, the melodic line is adapted into a twelve-tone row which is stated first by the bass, then the piano, and then bassoon.
The use of the tone-row is not a random element. It stands as a memory a decisive spur to the composition of these works. Neset's musical consciousness was deeply affected by hearing Berg's opera “Lulu” at the Copenhagen Opera in 2012.
Another decisive shadow hanging over the piece (notably in the tender sixth section of “Arches of Nature”) is the drawn-out melody in the adagio of Mahler's tenth symphony, that landmark composition in which Mahler peered furthest into a new world following the collapse of traditional tonality. Other influences from that period are also evident: Stravinsky – there are certainly echoes of the “Circus Polka” in the final section of “Arches of Nature”, in which themes from earlier in the work are combined.
The theme of balancing order and chaos is also a live issue within Neset's quartet, a long-standing working unit, three of whose members, Neset, bassist Petter Eldh and drummer Anton Eger have known each other since their student days most of a decade ago. The three were joined by pianist Ivo Neame in 2012. How do the personalities in this group combine? “Anton and I are planners,” says Neset, “we plan a lot of stuff. Petter and Ivo they are two players who need freedoms. If I suggest something, you can guarantee they will do something else. But I want those surprises. They have great taste and what they do gives me the impetus to create.”
Another feature in this album is the sheer variety of sounds which Marius Neset can derive from the soprano saxophone, which is the result of a conscious and concentrated effort on his part. “I have been working more with the soprano, looking for extremes finding contrasts,” he says. Neset's achievements here recall the long list which that supreme soprano saxophonist Steve Lacy put in his book “Findings,” of all the things that this sometimes unforgiving instrument can do. The soprano sax, wrote Lacy, “can moo hiss kiss whine sigh hoot peep pipe pop ....whirr bark caw...sneeze tease freeze." On this album, Neset does all of these - and many, many more.
“The Storm is Over” is an opposite pole to all the sequential logic, planning and forward movement of “Arches of Nature”. It holds and sustains a mood of positivity and contentment. The string section writing as the piece reaches its end all tenderness and calm, and the final section is a blissful farewell, never rising above a pianissimo.
“Snowmelt”, the last of the pieces to be written, has the constant rhythmic instability and swagger implicit in its (4 + 4 + 3) time signature. The string writing has echoes of Bartókian savagery, the bass clarinet has some gruff and angry petulance to offload. There is one open section when the quartet is let off the leash and goes where it wants, and other parts of this infectiously rhythmic piece where the three rhythm players dominate the texture and lead the orchestral dance.
Given Neset's long, considered process, the scale of the undertaking, and the sheer amount of work, time and thought that have gone into his compositions, it comes as no surprise that each listen brings seems to bring more revelations. There is always something more here for the listener to discover and unravel.
Neset says of this work that he aspires to is to “find the point when everything makes sense.” For the listener, the search for that point will bring its own rewards.
The three main compositions on “Snowmelt” are the fruit of intense work during the period from 2012 to 2015. On the printed page, these carefully planned and thought-through works, meticulous in their attention to detail and brimming with life, contrast and inventiveness, cover no fewer than 239 pages of full orchestral score.
Neset burst onto the scene with his first album as leader in 2011, and was instantly hailed as combining “Brecker's power and Garbarek's tonal delicacy” and being “on his way to being one of the biggest new draws on the circuit” (Guardian). The album „snowmelt“ is his most ambitious, cherished and personal project to date. In these concentrated works, Neset has sought out chaos and dissonance, he has also been drawn to lyricism and tenderness, and then worked at finding a balance between the extremes, using compositional methods which subliminally bring out the continuities between them.
The origins of the album “Snowmelt” is a 15-minute piece for solo saxophone and chamber orchestra and five singers, commissioned by the Oslo Sinfonietta which had its first performance in March 2013. “I loved working with them and their instrumentation,” but that composition also gave Neset the impetus to take on some more ambitious goals. He wanted not only to work with a bigger body of strings, but also to do a whole album, and to include his quartet. “This is rhythmic music, and I needed the rhythm section from my own band to keep whole thing together.”
Neset says “there is a clear method pinning whole thing together.” This is done in compositional terms by taking a single melodic line and putting it through a kaleidoscope of permutations and a multiplicity of moods. At the beginning of part two, the melodic line is adapted into a twelve-tone row which is stated first by the bass, then the piano, and then bassoon.
The use of the tone-row is not a random element. It stands as a memory a decisive spur to the composition of these works. Neset's musical consciousness was deeply affected by hearing Berg's opera “Lulu” at the Copenhagen Opera in 2012.
Another decisive shadow hanging over the piece (notably in the tender sixth section of “Arches of Nature”) is the drawn-out melody in the adagio of Mahler's tenth symphony, that landmark composition in which Mahler peered furthest into a new world following the collapse of traditional tonality. Other influences from that period are also evident: Stravinsky – there are certainly echoes of the “Circus Polka” in the final section of “Arches of Nature”, in which themes from earlier in the work are combined.
The theme of balancing order and chaos is also a live issue within Neset's quartet, a long-standing working unit, three of whose members, Neset, bassist Petter Eldh and drummer Anton Eger have known each other since their student days most of a decade ago. The three were joined by pianist Ivo Neame in 2012. How do the personalities in this group combine? “Anton and I are planners,” says Neset, “we plan a lot of stuff. Petter and Ivo they are two players who need freedoms. If I suggest something, you can guarantee they will do something else. But I want those surprises. They have great taste and what they do gives me the impetus to create.”
Another feature in this album is the sheer variety of sounds which Marius Neset can derive from the soprano saxophone, which is the result of a conscious and concentrated effort on his part. “I have been working more with the soprano, looking for extremes finding contrasts,” he says. Neset's achievements here recall the long list which that supreme soprano saxophonist Steve Lacy put in his book “Findings,” of all the things that this sometimes unforgiving instrument can do. The soprano sax, wrote Lacy, “can moo hiss kiss whine sigh hoot peep pipe pop ....whirr bark caw...sneeze tease freeze." On this album, Neset does all of these - and many, many more.
“The Storm is Over” is an opposite pole to all the sequential logic, planning and forward movement of “Arches of Nature”. It holds and sustains a mood of positivity and contentment. The string section writing as the piece reaches its end all tenderness and calm, and the final section is a blissful farewell, never rising above a pianissimo.
“Snowmelt”, the last of the pieces to be written, has the constant rhythmic instability and swagger implicit in its (4 + 4 + 3) time signature. The string writing has echoes of Bartókian savagery, the bass clarinet has some gruff and angry petulance to offload. There is one open section when the quartet is let off the leash and goes where it wants, and other parts of this infectiously rhythmic piece where the three rhythm players dominate the texture and lead the orchestral dance.
Given Neset's long, considered process, the scale of the undertaking, and the sheer amount of work, time and thought that have gone into his compositions, it comes as no surprise that each listen brings seems to bring more revelations. There is always something more here for the listener to discover and unravel.
Neset says of this work that he aspires to is to “find the point when everything makes sense.” For the listener, the search for that point will bring its own rewards.
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 14. September 2016, 0:16
Marius Neset, London Sinfonietta / Snowmelt
Used drive : Optiarc DVD RW AD-5280S Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -e -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 2:14.12 | 0 | 10061
2 | 2:14.12 | 1:53.69 | 10062 | 18605
3 | 4:08.06 | 4:10.37 | 18606 | 37392
4 | 8:18.43 | 3:20.12 | 37393 | 52404
5 | 11:38.55 | 2:21.65 | 52405 | 63044
6 | 14:00.45 | 5:54.29 | 63045 | 89623
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8 | 23:30.32 | 3:26.72 | 105782 | 121303
9 | 26:57.29 | 9:00.36 | 121304 | 161839
10 | 35:57.65 | 4:16.10 | 161840 | 181049
11 | 40:14.00 | 11:54.08 | 181050 | 234607
Track 1
Filename C:\EAC Rips\Marius Neset, London Sinfonietta - Snowmelt (2016) [FLAC]\01 - Prologue.wav
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Peak level 56.9 %
Extraction speed 2.1 X
Track quality 100.0 %
Test CRC 1905F635
Copy CRC 1905F635
Accurately ripped (confidence 1) [A258D5FC] (AR v2)
Copy OK
Track 2
Filename C:\EAC Rips\Marius Neset, London Sinfonietta - Snowmelt (2016) [FLAC]\02 - Arches of Nature- Sirens.wav
Peak level 89.1 %
Extraction speed 2.1 X
Track quality 100.0 %
Test CRC 607E0715
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Accurately ripped (confidence 1) [112390C1] (AR v2)
Copy OK
Track 3
Filename C:\EAC Rips\Marius Neset, London Sinfonietta - Snowmelt (2016) [FLAC]\03 - Arches of Nature- Acrobatics.wav
Peak level 89.1 %
Extraction speed 2.7 X
Track quality 100.0 %
Test CRC 66990C96
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Accurately ripped (confidence 1) [ADB83A44] (AR v2)
Copy OK
Track 4
Filename C:\EAC Rips\Marius Neset, London Sinfonietta - Snowmelt (2016) [FLAC]\04 - Arches of Nature- Circles.wav
Peak level 89.1 %
Extraction speed 2.4 X
Track quality 99.9 %
Test CRC 9C1F82CB
Copy CRC 9C1F82CB
Accurately ripped (confidence 1) [CB8229F5] (AR v2)
Copy OK
Track 5
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Peak level 89.3 %
Extraction speed 2.8 X
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Test CRC 3AF3CF3C
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Accurately ripped (confidence 1) [3466E7A6] (AR v2)
Copy OK
Track 6
Filename C:\EAC Rips\Marius Neset, London Sinfonietta - Snowmelt (2016) [FLAC]\06 - Arches of Nature- Paradise.wav
Peak level 89.3 %
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Track quality 100.0 %
Test CRC 03EC53A2
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Accurately ripped (confidence 1) [DC089B05] (AR v2)
Copy OK
Track 7
Filename C:\EAC Rips\Marius Neset, London Sinfonietta - Snowmelt (2016) [FLAC]\07 - Arches of Nature- Rainbows.wav
Peak level 89.1 %
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Track quality 99.9 %
Test CRC 36476EAE
Copy CRC 36476EAE
Accurately ripped (confidence 1) [FD57A10B] (AR v2)
Copy OK
Track 8
Filename C:\EAC Rips\Marius Neset, London Sinfonietta - Snowmelt (2016) [FLAC]\08 - Arches of Nature- Pyramiden.wav
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Test CRC 96A56F97
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Accurately ripped (confidence 1) [0EDA7A60] (AR v2)
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Track 9
Filename C:\EAC Rips\Marius Neset, London Sinfonietta - Snowmelt (2016) [FLAC]\09 - The Storm is Over.wav
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Extraction speed 4.0 X
Track quality 99.9 %
Test CRC 71BDE9D1
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Accurately ripped (confidence 1) [F7806180] (AR v2)
Copy OK
Track 10
Filename C:\EAC Rips\Marius Neset, London Sinfonietta - Snowmelt (2016) [FLAC]\10 - Introduction to Snowmelt.wav
Peak level 73.1 %
Extraction speed 4.3 X
Track quality 100.0 %
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Copy CRC 7875EAB5
Accurately ripped (confidence 1) [E8D8F93E] (AR v2)
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Track 11
Filename C:\EAC Rips\Marius Neset, London Sinfonietta - Snowmelt (2016) [FLAC]\11 - Snowmelt.wav
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Test CRC 4D62AAD8
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Accurately ripped (confidence 1) [F67A6D4A] (AR v2)
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All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.3
[CTDB TOCID: GkYA1w77iMO3So1NunNIzO3Bh.4-] found, Submit result: already submitted
[ea24608b] (2/2) Accurately ripped
==== Log checksum 8E5DD818DB1844A52D9B039EAC8BB3802CA2BFC6077F2D8AFC3B7665BFA324D3 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2016
REM DISCID 750C380B
REM COMMENT "ExactAudioCopy v1.0b3"
FILE "01 - Prologue.wav" WAVE
TRACK 01 AUDIO
INDEX 01 00:00:00
FILE "02 - Arches of Nature- Sirens.wav" WAVE
TRACK 02 AUDIO
INDEX 01 00:00:00
FILE "03 - Arches of Nature- Acrobatics.wav" WAVE
TRACK 03 AUDIO
INDEX 01 00:00:00
FILE "04 - Arches of Nature- Circles.wav" WAVE
TRACK 04 AUDIO
INDEX 01 00:00:00
FILE "05 - Arches of Nature- Caves.wav" WAVE
TRACK 05 AUDIO
INDEX 01 00:00:00
FILE "06 - Arches of Nature- Paradise.wav" WAVE
TRACK 06 AUDIO
INDEX 01 00:00:00
FILE "07 - Arches of Nature- Rainbows.wav" WAVE
TRACK 07 AUDIO
INDEX 01 00:00:00
FILE "08 - Arches of Nature- Pyramiden.wav" WAVE
TRACK 08 AUDIO
INDEX 01 00:00:00
FILE "09 - The Storm is Over.wav" WAVE
TRACK 09 AUDIO
INDEX 01 00:00:00
FILE "10 - Introduction to Snowmelt.wav" WAVE
TRACK 10 AUDIO
INDEX 01 00:00:00
FILE "11 - Snowmelt.wav" WAVE
TRACK 11 AUDIO
INDEX 01 00:00:00