(Modern Creative, Jewish, Piano, Clarinet) Jamie Saft - Borscht Belt Studies (w. Ben Goldberg, Larry Grenadier, Craig Santiago) {John Zorn, producer} {Tzadik TZ 8164, USA} - 2011, FLAC (image+.cue) lossless
Jamie Saft - Borscht Belt StudiesRadical Jewish Culture
Жанр: Modern Creative, Jewish, Piano, Clarinet
Страна-производитель диска: USA
Год издания диска: 2011
Издатель (лейбл): Tzadik (Radical Jewish Culture series)
Номер по каталогу: TZ 8164
Аудио кодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 00:52:47
Источник (релизер): собственный рип с оригинального фирменного CD (Darkman)
Наличие сканов в содержимом раздачи: да (полный комплект сканов, 300 dpi)Треклист:01. Issachar 5:15
02. Hellenville 3:52
03. Darkest Arts 3:30
04. Pinkus 5:13
05. The Pines 3:29
06. Darash 4:13
07. Solomon County 6:54
08. Jews For Joseph (Maneri) 7:01
09. Kutshers 4:34
10. Azulai 3:44
11. New Zion 4:58http://www.jamiesaft.comPersonnel:Jamie Saft - piano, fender rhodes
Ben Goldberg - clarinet (tracks 1, 3, 4, 6, 8, 10)
Larry Grenadier - acoustic bass (track 11)
Craig Santiago - drums (track 11)All compositions written by Jamie Saft
Pain Management, ASCAPProduced by Jamie Saft
Recorded and mixed by Jamie Saft, Potterville, NY
Piano tuned and prepared by Steve Greenstein RPTExecutive Producer - John Zorn
Associate Producer - Kazunori SugiyamaMastered by Scott Hull
Cover photo, c. 2010 - Jamie Saft
Obi portrait, c. 2010 - Vin Cin
Booklet portrait, c. 2010 - Nate Goldstock
Design - Heung-Heung Chin
Лог создания рипа (EAC Log)
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009EAC extraction logfile from 21. September 2011, 1:03Jamie Saft / Borscht Belt StudiesUsed drive : HL-DT-STDVD-RAM GSA-H54N Adapter: 0 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 102Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Used output format : User Defined EncoderSelected bitrate : 320 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exeAdditional command line options : -8 -V %sTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:15.40 | 0 | 23664 2 | 5:15.40 | 3:52.29 | 23665 | 41093 3 | 9:07.69 | 3:30.08 | 41094 | 56851 4 | 12:38.02 | 5:13.12 | 56852 | 80338 5 | 17:51.14 | 3:29.09 | 80339 | 96022 6 | 21:20.23 | 4:13.43 | 96023 | 115040 7 | 25:33.66 | 6:54.03 | 115041 | 146093 8 | 32:27.69 | 7:01.61 | 146094 | 177729 9 | 39:29.55 | 4:34.21 | 177730 | 198300 10 | 44:04.01 | 3:44.65 | 198301 | 215165 11 | 47:48.66 | 4:58.10 | 215166 | 237525Range status and errorsSelected range Filename C:\EAC\Jamie Saft - Borscht Belt Studies.wav Peak level 99.9 % Range quality 100.0 % Test CRC 2672FA1C Copy CRC 2672FA1C Copy OKNo errors occurredAccurateRip summaryTrack 1 not present in databaseTrack 2 not present in databaseTrack 3 not present in databaseTrack 4 not present in databaseTrack 5 not present in databaseTrack 6 not present in databaseTrack 7 not present in databaseTrack 8 not present in databaseTrack 9 not present in databaseTrack 10 not present in databaseTrack 11 not present in databaseNone of the tracks are present in the AccurateRip databaseEnd of status report
Содержание индексной карты (.CUE)
REM GENRE "Radical Jewish Culture"REM DATE 2011REM DISCID 990C5F0BREM COMMENT "ExactAudioCopy v0.99pb5"PERFORMER "Jamie Saft"TITLE "Borscht Belt Studies"FILE "Jamie Saft - Borscht Belt Studies.flac" WAVE TRACK 01 AUDIO TITLE "Issachar" PERFORMER "Jamie Saft" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Hellenville" PERFORMER "Jamie Saft" INDEX 01 05:15:40 TRACK 03 AUDIO TITLE "Darkest Arts" PERFORMER "Jamie Saft" INDEX 01 09:07:69 TRACK 04 AUDIO TITLE "Pinkus" PERFORMER "Jamie Saft" INDEX 01 12:38:02 TRACK 05 AUDIO TITLE "The Pines" PERFORMER "Jamie Saft" INDEX 01 17:51:14 TRACK 06 AUDIO TITLE "Darash" PERFORMER "Jamie Saft" INDEX 01 21:20:23 TRACK 07 AUDIO TITLE "Solomon County" PERFORMER "Jamie Saft" INDEX 01 25:33:66 TRACK 08 AUDIO TITLE "Jews for Joseph (Maneri)" PERFORMER "Jamie Saft" INDEX 01 32:27:69 TRACK 09 AUDIO TITLE "Kutshers" PERFORMER "Jamie Saft" INDEX 01 39:29:55 TRACK 10 AUDIO TITLE "Azulai" PERFORMER "Jamie Saft" INDEX 01 44:04:01 TRACK 11 AUDIO TITLE "New Zion" PERFORMER "Jamie Saft" INDEX 01 47:48:66
... Отличный альбом ...
TzadikKeyboard virtuoso, dub-master supreme, heavy metal guitarist, soundtrack composer, versatile arranger, master butcher and zonked madman, Jamie Saft has been responsible for some of the wildest and most soulful sounds heard on the Tzadik Jewish series. After his startling heavy metal CD Black Shabbis, he returns to the keyboard for a moody and heartfelt tribute celebrating the rich creative legacy of the Borscht Belt! Featuring six remarkable duets with the masterful clarinetist Ben Goldberg, four hypnotic solo pieces and a reggae track with his newest band the New Zion Trio this is moody, wild, and lyrical music that takes Jewish music one step further into the 21st century.
CD Universe
Borscht Belt Studies is Jamie Saft's first record on Tzadik since 2009's stellar Black Shabbis, a death metal meditation on the historical persecution and homelessness of the Jewish people. Obviously, Borscht Belt Studies is stylistically different. Saft returns to more familiar territory here, playing only piano and Fender Rhodes throughout. He is accompanied by Ben Goldberg's clarinet on six of 11 cuts, and by his current group, the New Zion Trio with bassist Larry Grenadier and drummer Craig Santiago, on one. Saft divides the album into musical sections that alternate by cut. Some compositions are based on blues, jazz, and Yiddish melodies, some in modern composition and vanguard classical music, and the closing track in reggae! The set opens with "Issachar," with Saft on Rhodes playing a soulful jazz melody with Yiddish overtones with Goldberg, and vamping on the changes. This is contrasted with "Hellenville," an acoustic piano piece that delves into improvisation before resolving beautifully on variations of three sequential chords. "Pinkus" is a blues that Saft introduces on the Rhodes. His melodic invention, chord voicings, and harmonic restraint are feints when juxtaposed against his phrasing, colors, and the textural possibilities afforded by the instrument. When Goldberg enters, he extends Saft's lines almost exponentially. The most difficult piece here is "Jews for Joseph (Maneri)," but it is also one of the most satisfying, as a tribute to his advanced improvisation teacher. In duet with Goldberg, Saft explores various threads of microtonal improvisation based on Maneri's ideas, but he reflects back an extended harmonic line by paradoxically reining it in almost pointilistically; he moves that line further, almost imperceptibly, in increments, ending in a very different place than the point of origin. The dynamic exchanges between the duo in improvisation are instinctive. The set closes with "New Zion," the signature tune of Saft's new trio playing reggae jazz in near dub style (listen to Grenadier's rock-solid bassline). It's jazz all right, but it juxtaposes (with beautiful glissandi and ostinati) how close to reggae Yiddish folk song is as a form. It's a mysterious, labyrinthine piece that is a stunner in the end -- it reflects the rest of Borscht Belt Studies beautifully. ~ Thom Jurek (Allmusic)
Photo (Inside)
Jamie Saft
Disc