(Modern Creative, Contemporary Jazz) Andre Canniere - As Of Yet - 2006, FLAC (tracks+.cue), lossless
Andre Canniere / As Of Yet
Жанр: Modern Creative, Contemporary Jazz
Страна-производитель диска: US
Год издания: 2006
Издатель (лейбл): Omatic Records
Номер по каталогу: -
Страна: US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 61:36
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
1. As Of Yet 11:53
2. Bridges 7:03
3. Accelerated Decrepitude 6:15
4. The Rest 6:06
5. Thirteenth Species (Live Bonus) 7:33
6. As Of Yet (Live Bonus) 13:59
7. Accelerated Decrepitude (Live Bonus) 8:28
Доп. информация:
Жанр: Modern Creative, Contemporary Jazz
Страна-производитель диска: US
Год издания: 2006
Издатель (лейбл): Omatic Records
Номер по каталогу: -
Страна: US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 61:36
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
1. As Of Yet 11:53
2. Bridges 7:03
3. Accelerated Decrepitude 6:15
4. The Rest 6:06
5. Thirteenth Species (Live Bonus) 7:33
6. As Of Yet (Live Bonus) 13:59
7. Accelerated Decrepitude (Live Bonus) 8:28
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 27. August 2013, 1:05
Andre Canniere / As Of Yet
Used drive : TSSTcorpCDDVDW SH-222AB Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 11:55.18 | 0 | 53642
2 | 11:55.18 | 7:05.57 | 53643 | 85574
3 | 19:01.00 | 6:17.04 | 85575 | 113853
4 | 25:18.04 | 6:08.30 | 113854 | 141483
5 | 31:26.34 | 7:40.00 | 141484 | 175983
6 | 39:06.34 | 14:01.53 | 175984 | 239111
7 | 53:08.12 | 8:28.01 | 239112 | 277212
Track 1
Filename D:\zzz\01 - As Of Yet.wav
Pre-gap length 0:00:02.00
Peak level 100.0 %
Extraction speed 3.0 X
Track quality 100.0 %
Test CRC 039BAAB1
Copy CRC 039BAAB1
Accurately ripped (confidence 1) [B1538A1A] (AR v1)
Copy OK
Track 2
Filename D:\zzz\02 - Bridges.wav
Peak level 100.0 %
Extraction speed 2.9 X
Track quality 100.0 %
Test CRC 4C621C7D
Copy CRC 4C621C7D
Accurately ripped (confidence 1) [B03A2345] (AR v1)
Copy OK
Track 3
Filename D:\zzz\03 - Accelerated Decrepitude.wav
Peak level 100.0 %
Extraction speed 2.9 X
Track quality 100.0 %
Test CRC 03270A49
Copy CRC 03270A49
Accurately ripped (confidence 1) [AE8B74B9] (AR v1)
Copy OK
Track 4
Filename D:\zzz\04 - The Rest.wav
Peak level 100.0 %
Extraction speed 2.8 X
Track quality 100.0 %
Test CRC 6066C975
Copy CRC 6066C975
Accurately ripped (confidence 1) [9E6911BC] (AR v1)
Copy OK
Track 5
Filename D:\zzz\05 - Thirteenth Species (Live Bonus).wav
Peak level 70.7 %
Extraction speed 2.9 X
Track quality 100.0 %
Test CRC 33432559
Copy CRC 33432559
Accurately ripped (confidence 1) [2AAE8097] (AR v1)
Copy OK
Track 6
Filename D:\zzz\06 - As Of Yet (Live Bonus).wav
Peak level 100.0 %
Extraction speed 3.0 X
Track quality 100.0 %
Test CRC 31DD3367
Copy CRC 31DD3367
Accurately ripped (confidence 1) [24D18D25] (AR v1)
Copy OK
Track 7
Filename D:\zzz\07 - Accelerated Decrepitude (Live Bonus).wav
Peak level 100.0 %
Extraction speed 2.9 X
Track quality 100.0 %
Test CRC 85395A2A
Copy CRC 85395A2A
Accurately ripped (confidence 1) [71C9E945] (AR v1)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 26101299ECD4E88DDA0B42B03FDF755E761B6014DAEACEAA1E4A1505ADC300FD ====
Содержание индексной карты (.CUE)
REM GENRE "Contemporary Jazz"
REM DATE 2006
REM DISCID 590E7007
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Andre Canniere"
TITLE "As Of Yet"
FILE "01 - As Of Yet.wav" WAVE
TRACK 01 AUDIO
TITLE "As Of Yet"
PERFORMER "Andre Canniere"
INDEX 01 00:00:00
FILE "02 - Bridges.wav" WAVE
TRACK 02 AUDIO
TITLE "Bridges"
PERFORMER "Andre Canniere"
INDEX 01 00:00:00
FILE "03 - Accelerated Decrepitude.wav" WAVE
TRACK 03 AUDIO
TITLE "Accelerated Decrepitude"
PERFORMER "Andre Canniere"
INDEX 01 00:00:00
FILE "04 - The Rest.wav" WAVE
TRACK 04 AUDIO
TITLE "The Rest"
PERFORMER "Andre Canniere"
INDEX 01 00:00:00
FILE "05 - Thirteenth Species (Live Bonus).wav" WAVE
TRACK 05 AUDIO
TITLE "Thirteenth Species (Live Bonus)"
PERFORMER "Andre Canniere"
INDEX 01 00:00:00
FILE "06 - As Of Yet (Live Bonus).wav" WAVE
TRACK 06 AUDIO
TITLE "As Of Yet (Live Bonus)"
PERFORMER "Andre Canniere"
INDEX 01 00:00:00
FILE "07 - Accelerated Decrepitude (Live Bonus).wav" WAVE
TRACK 07 AUDIO
TITLE "Accelerated Decrepitude (Live Bonus)"
PERFORMER "Andre Canniere"
INDEX 01 00:00:00
Лог проверки качества
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. As Of Yet.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02. Bridges.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03. Accelerated Decrepitude.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04. The Rest.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [05. Thirteenth Species (Live Bonus).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [06. As Of Yet (Live Bonus).wav]
------------------------------------------------------------
Could not qualify the source of this track.
------------------------------------------------------------
Processing file: [07. Accelerated Decrepitude (Live Bonus).wav]
------------------------------------------------------------
Could not qualify the source of this track.
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%
Album Info & AAJ Review
All compositions & arrangements by Andre Canniere
Tracks 1-4 recorded July 13th, 2005 in New York City by Josh McDonnell
Track 5 recorded September 23rd, 2005 at Kavehaz, NYC by Red Wierenga, with additional mastering by Christopher Ariza
Tracks 6-7 recorded July 12th, 2005 at The C-Note, NYC by James Hirschfeld
All tracks mixed + edited by Josh McDonnell
Photography & design by Madeline Sturm
Trumpeter André Canniere's debut is aural evidence that good things can descend from the Ivory Tower. Every one of the players on As of Yet is an Eastman School of Music grad (Canniere in 2003), but they transcend the typical stereotypes often associated with university-trained musicians, the most common being that they "think" the music, rather than "feel" it. As this album shows, much of what used to be considered academic music has now been assimilated by a new generation of musicians who are as comfortable on the fringes as they are in the pocket. (In the interest of full disclosure, I've known several of these players for years.)
The recording opens with the title track, a slowly building collection of intricate melodies over a rock-solid bass line from Ike Sturm. Canniere and saxophonist Josh Rutner step into the ring to bob and weave around each other as the piece builds to a climax. The loose but intricate tune would be quite at home on a Dave Douglas or Ben Allison record.
Rutner opens "Bridges" in Brecker-Berg style—an aspect of his playing that's come out more in his Latin work than in his main band, The Respect Sextet. The loping gospel melody is propelled by the rolling drums of Ted Poor, who's been making a name for himself over the past few years in a trio led by trumpeter Cuong Vu.
"Accelerated Decrepitude" has a Balkan-influenced melody that leads into strong trumpet work from Canniere. Guitarist Ryan Ferreira opens the piece with long attack-less tones, then switches to pointed comping under the solos.
One programmatic issue with the record is a preponderance of slow, airy tunes. After the opening two tracks, the disc could probably have done without "The Rest," another slow creeper. Cutting it, though, would mean doing without Ferreira's pointillistic and lovely guitar solo. It's not surprising that Ferreira is Canniere's guitarist of choice, given the trumpeter's previous work with Ben Monder, another guitarist who works wonders with wide-open spaces.
The CD closes with three live tracks of better-than-bootleg quality recorded at various New York City clubs in 2005. Ryan Ferreira mutates into a different creature on "Thirteenth Species." Gone is the Frisell sound and Mack truck-sized space between each note, replaced by a driving fuzz chop that propels Rutner to screaming heights. Then the music takes another left turn and Poor and Ferreira start a monstrous Metallica march behind Canniere's solo. Heady stuff. Live versions of "As of Yet and "Accelerated Decrepitude close the recording.
Despite a few more slow spots than necessary, As of Yet is a strong opening statement from Canniere, who has immersed himself in the New York scene with everyone from Maria Schneider and Donny McCaslin to the Westchester Chamber Orchestra and the New York Repertory Orchestra. His debut gives listeners a reason to wait at the bottom of the Ivory Tower to see what else might come down from the hallowed halls of academia.
Tracks 1-4 recorded July 13th, 2005 in New York City by Josh McDonnell
Track 5 recorded September 23rd, 2005 at Kavehaz, NYC by Red Wierenga, with additional mastering by Christopher Ariza
Tracks 6-7 recorded July 12th, 2005 at The C-Note, NYC by James Hirschfeld
All tracks mixed + edited by Josh McDonnell
Photography & design by Madeline Sturm
Trumpeter André Canniere's debut is aural evidence that good things can descend from the Ivory Tower. Every one of the players on As of Yet is an Eastman School of Music grad (Canniere in 2003), but they transcend the typical stereotypes often associated with university-trained musicians, the most common being that they "think" the music, rather than "feel" it. As this album shows, much of what used to be considered academic music has now been assimilated by a new generation of musicians who are as comfortable on the fringes as they are in the pocket. (In the interest of full disclosure, I've known several of these players for years.)
The recording opens with the title track, a slowly building collection of intricate melodies over a rock-solid bass line from Ike Sturm. Canniere and saxophonist Josh Rutner step into the ring to bob and weave around each other as the piece builds to a climax. The loose but intricate tune would be quite at home on a Dave Douglas or Ben Allison record.
Rutner opens "Bridges" in Brecker-Berg style—an aspect of his playing that's come out more in his Latin work than in his main band, The Respect Sextet. The loping gospel melody is propelled by the rolling drums of Ted Poor, who's been making a name for himself over the past few years in a trio led by trumpeter Cuong Vu.
"Accelerated Decrepitude" has a Balkan-influenced melody that leads into strong trumpet work from Canniere. Guitarist Ryan Ferreira opens the piece with long attack-less tones, then switches to pointed comping under the solos.
One programmatic issue with the record is a preponderance of slow, airy tunes. After the opening two tracks, the disc could probably have done without "The Rest," another slow creeper. Cutting it, though, would mean doing without Ferreira's pointillistic and lovely guitar solo. It's not surprising that Ferreira is Canniere's guitarist of choice, given the trumpeter's previous work with Ben Monder, another guitarist who works wonders with wide-open spaces.
The CD closes with three live tracks of better-than-bootleg quality recorded at various New York City clubs in 2005. Ryan Ferreira mutates into a different creature on "Thirteenth Species." Gone is the Frisell sound and Mack truck-sized space between each note, replaced by a driving fuzz chop that propels Rutner to screaming heights. Then the music takes another left turn and Poor and Ferreira start a monstrous Metallica march behind Canniere's solo. Heady stuff. Live versions of "As of Yet and "Accelerated Decrepitude close the recording.
Despite a few more slow spots than necessary, As of Yet is a strong opening statement from Canniere, who has immersed himself in the New York scene with everyone from Maria Schneider and Donny McCaslin to the Westchester Chamber Orchestra and the New York Repertory Orchestra. His debut gives listeners a reason to wait at the bottom of the Ivory Tower to see what else might come down from the hallowed halls of academia.
Состав
Andre Canniere: trumpet
Josh Rutner: tenor saxophone
Ryan Ferreira: guitar
Ike Sturm: bass
Ted Poor: drums
Josh Rutner: tenor saxophone
Ryan Ferreira: guitar
Ike Sturm: bass
Ted Poor: drums