(Modern Creative) [CD] Mike Nock - BigSmallBand Live - 2004, FLAC (tracks+.cue), lossless
![(Modern Creative) [CD] Mike Nock - BigSmallBand Live - 2004, FLAC (tracks+.cue), lossless](/upload/000/u2/17/dc/modern-creative-cd-mike-nock-bigsmallband-live-2004-fla.jpg "(Modern Creative) [CD] Mike Nock - BigSmallBand Live - 2004, FLAC (tracks+.cue), lossless")
Mike Nock / BigSmallBand Live
Жанр: Modern Creative
Носитель: CD
Год издания: 2004
Издатель (лейбл): ABC Jazz
Номер по каталогу: 981567-6
Страна исполнителя (группы): New Zealand/ Australia
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 01:08:00
Источник (релизер): Maldoror777
Наличие сканов в содержимом раздачи: нет
Треклист:
1 Current Reality;
2 Dance of the Global Village;
3 COurting the Edge of Angst and Ecstasy;
4 Nu Upline;
5 Three Portraits of a Simpleton;
6 Slum Goddess;
7 Open the Window (And Let in the Moon);
8 Zalktis
Recorded live on tour in October 2002 and released in January 2004
Жанр: Modern Creative
Носитель: CD
Год издания: 2004
Издатель (лейбл): ABC Jazz
Номер по каталогу: 981567-6
Страна исполнителя (группы): New Zealand/ Australia
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 01:08:00
Источник (релизер): Maldoror777
Наличие сканов в содержимом раздачи: нет
Треклист:
1 Current Reality;
2 Dance of the Global Village;
3 COurting the Edge of Angst and Ecstasy;
4 Nu Upline;
5 Three Portraits of a Simpleton;
6 Slum Goddess;
7 Open the Window (And Let in the Moon);
8 Zalktis
Recorded live on tour in October 2002 and released in January 2004
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 20. March 2015, 22:23
Mike Nock / Bigsmallband Live
Used drive : ASUS SDRW-08D2S-U Adapter: 6 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
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7 | 51:08.23 | 6:35.74 | 230123 | 259821
8 | 57:44.22 | 10:16.44 | 259822 | 306065
Track 1
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Track 2
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Track 3
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Track 4
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Track 5
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Track 6
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Track 7
Filename Q:\RIP2\07 - Open The Window (And Let In The Moon).wav
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Track 8
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All tracks accurately ripped
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End of status report
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Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2002
REM DISCID 720FF008
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Mike Nock"
TITLE "Bigsmallband Live"
FILE "01 - Current Reality.wav" WAVE
TRACK 01 AUDIO
TITLE "Current Reality"
PERFORMER "Mike Nock"
PREGAP 00:00:30
INDEX 01 00:00:00
FILE "02 - Dance Of The Global Village.wav" WAVE
TRACK 02 AUDIO
TITLE "Dance Of The Global Village"
PERFORMER "Mike Nock"
INDEX 01 00:00:00
FILE "03 - Courting TThe Edge Of Angst And Extasy.wav" WAVE
TRACK 03 AUDIO
TITLE "Courting TThe Edge Of Angst And Extasy"
PERFORMER "Mike Nock"
INDEX 01 00:00:00
FILE "04 - No Upline.wav" WAVE
TRACK 04 AUDIO
TITLE "No Upline"
PERFORMER "Mike Nock"
INDEX 01 00:00:00
FILE "05 - Three Portraits Of A Simpleton.wav" WAVE
TRACK 05 AUDIO
TITLE "Three Portraits Of A Simpleton"
PERFORMER "Mike Nock"
INDEX 01 00:00:00
FILE "06 - Slum Goddess.wav" WAVE
TRACK 06 AUDIO
TITLE "Slum Goddess"
PERFORMER "Mike Nock"
INDEX 01 00:00:00
FILE "07 - Open The Window (And Let In The Moon).wav" WAVE
TRACK 07 AUDIO
TITLE "Open The Window (And Let In The Moon)"
PERFORMER "Mike Nock"
INDEX 01 00:00:00
FILE "08 - Zalkits.wav" WAVE
TRACK 08 AUDIO
TITLE "Zalkits"
PERFORMER "Mike Nock"
INDEX 01 00:00:00
Об альбоме (сборнике)
Reviews of the band during the tour when this CD was recorded:
“…Nock’s big band voice, with its frontline of tuba, trombone, trumpet, alto sax, flute and tenor sax provides a texture that is uncommon. This band deserves to be recorded and hopefully will continue to play an important role in the development of Australian jazz.”
– Gary Lee, The West Australian, 30 Oct 2002
“And while the band played on the audience listened with rapt and wonder-full enjoyment.”
– Michael Foster, Canberra Times, 22 Oct 2002
“…Nock’s big band voice, with its frontline of tuba, trombone, trumpet, alto sax, flute and tenor sax provides a texture that is uncommon. This band deserves to be recorded and hopefully will continue to play an important role in the development of Australian jazz.”
– Gary Lee, The West Australian, 30 Oct 2002
“And while the band played on the audience listened with rapt and wonder-full enjoyment.”
– Michael Foster, Canberra Times, 22 Oct 2002
AAJ
With relatively few recordings as a leader over a career that is now in its fifth decade, any new release from New Zealand pianist Mike Nock is an event. After living in the US for twenty years where, amongst other things, he was a member of the early fusion group Fourth Way, Nock returned to Australia. He has lived there ever since, becoming a leading figure as performer, educator, and mentor to up-and-coming musicians on the Australian jazz scene. He's also had a key role with the now-defunct Naxos Jazz imprint, where he recorded three albums as a leader and two with the New York Jazz Collective.
Nock has typically worked in small ensemble settings, so his latest record, Live , with his ten-piece Bigsmallband, is something of a departure. Still, the recording fits perfectly within the Nock oeuvre, with compositions that continue to demonstrate his broad reach, albeit this time in a context that gives him more colours on the palette than ever before.
Always the democratic leader, fans of Nock's occasionally oblique, forward-reaching but always thoughtfully constructed piano style may be disappointed by the relative lack of solo space that he afford himself. But Live is more about composition, collective improvisation and ensemble than being simply a showcase for Nock's distinctive style—for that, check out his trio release, Changing Seasons (DIW, '03), featuring bassist Brett Hirst and drummer Toby Hall, the core of the Bigsmallband rhythm section.
Nock's charts comfortably sit on the knife's edge between through composition and loose extemporization, liberally incorporating diverse ideas without losing sight of his own voice. "Zalktis," for example, blends African polyrhythms, a canonic section inspired by Gorecki and an irregularly-metered collective improvisation section. "Current Reality" may be based on an up-tempo Latin jazz groove, but there are multiple shifts in feel before the tune settles into a solo section that features young guitarist Cameron Deyell, who, while informed by John Scofield in terms of sound and approach, is not without some tricks of his own. Like another young Australian guitarist, James Muller, Deyell is clearly someone to watch.
Interestingly enough, with Nock's complex and multi-hued compositions, it is the sole non-Nock piece that may be the recording's highlight. "Three Portraits of a Simpleton," by emerging composer Andrea Keller, begins as an impressionistic piece with Nock soloing over rich long tones from the brass. After breaking down into an a capella section by Nock, Toby Hall's abstract drum solo leads into a somewhat funky irregular-meter groove that is peppered with shots from the rhythm section, introducing a lengthy solo by trumpeter Simon Sweeney that displays elements of Kenny Wheeler, albeit less melancholy in tone. And that's only the first half of the eleven-minute piece.
Unpredictable yet accessible, Live is a high point in Nock's career, a recording that presents all his qualities in rich profile: compelling writing, an intuitive strength as an accompanist and soloist, and a broader sense of equality within the ensemble. Unquestionably one of the best large ensemble records of the year.
Nock has typically worked in small ensemble settings, so his latest record, Live , with his ten-piece Bigsmallband, is something of a departure. Still, the recording fits perfectly within the Nock oeuvre, with compositions that continue to demonstrate his broad reach, albeit this time in a context that gives him more colours on the palette than ever before.
Always the democratic leader, fans of Nock's occasionally oblique, forward-reaching but always thoughtfully constructed piano style may be disappointed by the relative lack of solo space that he afford himself. But Live is more about composition, collective improvisation and ensemble than being simply a showcase for Nock's distinctive style—for that, check out his trio release, Changing Seasons (DIW, '03), featuring bassist Brett Hirst and drummer Toby Hall, the core of the Bigsmallband rhythm section.
Nock's charts comfortably sit on the knife's edge between through composition and loose extemporization, liberally incorporating diverse ideas without losing sight of his own voice. "Zalktis," for example, blends African polyrhythms, a canonic section inspired by Gorecki and an irregularly-metered collective improvisation section. "Current Reality" may be based on an up-tempo Latin jazz groove, but there are multiple shifts in feel before the tune settles into a solo section that features young guitarist Cameron Deyell, who, while informed by John Scofield in terms of sound and approach, is not without some tricks of his own. Like another young Australian guitarist, James Muller, Deyell is clearly someone to watch.
Interestingly enough, with Nock's complex and multi-hued compositions, it is the sole non-Nock piece that may be the recording's highlight. "Three Portraits of a Simpleton," by emerging composer Andrea Keller, begins as an impressionistic piece with Nock soloing over rich long tones from the brass. After breaking down into an a capella section by Nock, Toby Hall's abstract drum solo leads into a somewhat funky irregular-meter groove that is peppered with shots from the rhythm section, introducing a lengthy solo by trumpeter Simon Sweeney that displays elements of Kenny Wheeler, albeit less melancholy in tone. And that's only the first half of the eleven-minute piece.
Unpredictable yet accessible, Live is a high point in Nock's career, a recording that presents all his qualities in rich profile: compelling writing, an intuitive strength as an accompanist and soloist, and a broader sense of equality within the ensemble. Unquestionably one of the best large ensemble records of the year.
Состав
Mike Nock’s BigSmallBand
Simon Sweeney – trumpet
Dave Panichi – trombone
David Basedon – tuba
Roger Manins – tenor sax / bass clarinet
Matt Ottignon – tenor sax / flute
Andrew Robson – alto sax / clarinet
Cameron Deyell – guitar
Brett Hirst – bass
Toby Hall – drums
Mike Nock – piano
Simon Sweeney – trumpet
Dave Panichi – trombone
David Basedon – tuba
Roger Manins – tenor sax / bass clarinet
Matt Ottignon – tenor sax / flute
Andrew Robson – alto sax / clarinet
Cameron Deyell – guitar
Brett Hirst – bass
Toby Hall – drums
Mike Nock – piano