(Jazz-Rock) [2LP] [24/96] Pat Metheny - What's It All About - 2011, FLAC (tracks+.cue)

Pat Metheny - What's It All About Жанр: Jazz-Rock Год выпуска: 2011 Лейбл: Nonesuch 180g 2xLP-Set, Cat.#: 528173 Страна-производитель: USA, Pressed at Pallas Аудио кодек: FLAC Тип рипа: tracks+.cue Формат записи: 24/192 Формат раздачи: 24/96 Продолжительность: 01:06:22 Треклист: A1 The Sound Of Silence 6:33 A2 Cherish 5:25 A3 Alfie 7:41 B1 Pipeline 3:23 B2 Garota De Ipanema 5:07 B3 Rainy Days And Mondays 7:10 C1 That's The Way I've Always Heard It Should Be 5:57 C2 Slow Hot Wind 4:23 C3 Betcha By Golly Wow 5:12 D1 And I Love Her 4:22 D2 'Round Midnight 6:37 D3 This Nearly Was Mine 4:29Credits Guitar [42-string] – Pat Metheny (tracks: A1) Guitar [6-string] – Pat Metheny (tracks: B1) Guitar [Nylon-string] – Pat Metheny (tracks: D1) Producer, Guitar [Baritone] – Pat Metheny (tracks: A2, A3, B2, B3, C1, C2, C3, D2, D3)Источник оцифровки: aksman, AvaxHome Код класса состояния винила: Ex Устройство воспроизведения: Music Hall MMF 9.1 Turntable Предварительный усилитель: Brocksieper Phonomax (Tube Phono PreAmp) АЦП: E-MU 0404 external USB 2.0 Audiointerface Программа-оцифровщик: WaveLab 6 recording software Обработка: В технической информации  Спектр, АЧХ, Уровень записи Доп. информация: Mastered by Ted Jensen @ Sterling Sound, NYC  Техническая информацияTechnical Log RCM Hannl 'limited' with "Rotating Brush" Music Hall MMF 9.1 Turntable Tonearm: Pro-Ject 9cc evo with Pure Silver Wires Cartridge: Nagaoka MP-500 Brocksieper Phonomax (Tube Phono PreAmp) E-MU 0404 external USB 2.0 Audiointerface Interconnections : Silent Wire NF5 WaveLab 6 recording software Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal > analyze (no clipping, no DC Bias offset) > resampling and dithering with iZotope RX Advanced 2.00 > split into individual Tracks > FLAC encoded (Vers. 1.21) No silence been removed, please burn gapless to match original tracklayout.Personal Note (from aksman) With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.Dynamic Range Analysis -------------------------------------------------------------------------------- Analyzed: Pat Metheny / What's It All About [Nonesuch 180g 2xLP-Set] -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR12 -4.20 dB -20.55 dB 6:30 01-The Sound of Silence DR11 -3.61 dB -18.91 dB 5:26 02-Cherish DR11 -5.55 dB -20.97 dB 7:37 03-Alfie DR12 -3.81 dB -19.13 dB 3:26 04-Pipeline DR14 -4.00 dB -22.83 dB 5:10 05-Garota de Ipanema DR13 -3.44 dB -19.62 dB 7:03 06-Rainy Days and Mondays DR11 -2.78 dB -18.46 dB 6:00 07-That's the Way I've Always Heard It Should Be DR12 -3.53 dB -20.24 dB 4:26 08-Slow Hot Wind DR11 -1.06 dB -16.48 dB 5:07 09-Betcha by Golly, Wow DR13 -4.38 dB -20.23 dB 4:19 10-And I Love Her DR13 -4.10 dB -20.46 dB 6:39 11-'Round Midnight (Thelonious Monk) DR11 -4.05 dB -18.88 dB 4:32 12-This Nearly Was Mine -------------------------------------------------------------------------------- Number of tracks: 12 Maximum peak difference (-1.06 dB - -5.55 dB): 4.49 dB Official DR value (Song Mode): DR12 ==============================================================