(Jazz) Monty Alexander & Ernest Ranglin - Rocksteady - 2004, FLAC (image+.cue), lossless

Monty Alexander & Ernest Ranglin - Rocksteady - 2004 Жанр: Jazz Год выпуска диска: 2004 Производитель диска: США Аудио кодек: FLAC Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 57:31 Трэклист: 01 Double Barrel (4:55) 02 Confucius (4:44) 03 Stalag 17 (4:25) 04 Marcus Garvey (4:33) 05 Nightwork (5:21) 06 East of the River Nile (5:15) 07 Israelites (4:16) 08 Row Fisherman (4:52) 09 Freedom Street (4:37) 10 Pressure Drop (4:56) 11 At the Feast (5:42) 12 Redemption Song (3:55) Доп. информация: Архив с рипом (flac+cue) стянут с WWW. Содержимое архива раздается без изменений.   EAC log EAC extraction logfile from 3. June 2007, 23:33 for CD Monty Alexander & Ernest Ranglin / Rocksteady Used drive : PLEXTOR CD-R PX-W5224A Adapter: 4 ID: 0 Read mode : Secure with NO C2, accurate stream, disable cache Read offset correction : 30 Overread into Lead-In and Lead-Out : Yes Used output format : C:\Program Files\Tools Audio\Flac\flac.exe (User Defined Encoder) 320 kBit/s Additional command line options : --best %s Other options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Native Win32 interface for Win NT & 2000 Range status and errors Selected range Filename E:\Audio\Monty Alexander & Ernest Ranglin - Rocksteady\CDImage.flac.wav Peak level 100.0 % Range quality 100.0 % CRC 8E158563 Copy OK No errors occured End of status report     auCDtect report D:\Download\!maa\MAAERR>aucdtect -v -m0 CDImage.wav auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. ------------------------------------------------------------ Processing file: [CDImage.wav] Detected average hi-boundary frequency: 2.040928e+004 Hz Detected average lo-boundary frequency: 1.328027e+004 Hz Detected average hi-cut frequency: 2.104744e+004 Hz Detected average lo-cut frequency: 8.696157e+003 Hz Maximum probablis boundary frequency: 2.189100e+004 Hz Coefficient of nonlinearity of a phase: 2.406398e-001 First order smothness: 4.672332e-001 Second order smothness: 5.436846e-001 ------------------------------------------------------------ This track looks like CDDA with probability 100%     Tau-Analyzer spectrum       Немного об исполнителях (eng) Prior to becoming an ace mainstream jazz pianist in the U.S., native Jamaican Monty Alexander played on countless sessions at Studio One in Kingston -- well before reggae, rocksteady, and even ska crossed the seas. Since 1998, secure in his jazz credentials, he has been reminding listeners of those roots, cranking out album after album and managing to unite jazz and reggae in a sometimes irresistible fusion. This time, Alexander reaches further back to pre-reggae Jamaican pop from the late '60s/early '70s, bringing along a guitar-slinging friend from the old days, Ernest Ranglin. On previous Jamaican-accented albums, Alexander sometimes sounded as if he was making an effort to hold back his prodigious technique in order to keep things simple. But here he sounds more comfortable paring down his playing to the basics while still throwing in an occasional sly quote or monster lick, now going more and more to his evocative melodica playing. Ranglin brings a brittle, staccato touch to everything he touches, and the rhythm section careens gently along, with only rare hints of a ska feel and without the overpowering dub-flavored bass of previous Alexander Jamaican outings like "Meets Sly and Robbie" and parts of "Goin' Yard." Desmond Dekker's "Israelites," one of the first genuine Jamaican hits in the U.S., moves and grooves much like the original while allowing for some jazz licks. Less well-known in America, perhaps, are some other choices like Ken Boothe's "Freedom Street" and the Congos' "Row Fisherman." Moving up a bit on the time scale, Alexander and Ranglin include the Burning Spear signature tune "Marcus Garvey" and with heads bowed, they close the album with a dignified duo rendition of the Hon. Robert Nesta Marley's "Redemption Song." The six-channel surround mix on this hybrid SACD is simple and strikingly consistent, with Quentin Baxter's drums and Junior Jazz's scratching rhythm guitar coming from the rear channels, and Alexander, Ranglin, and occasional hand percussion coming from the front.     О происхождении рипа Вероятно рип сделан с гибрида [Telarc SACD-63581].     Раздача в MP3 (VBR 192-320 kbps) http://rutracker.org/forum/viewtopic.php?t=672119