(Jazz) Gerry Mulligan - Original Tentet & Quartet (with Chet Baker) - 1996, FLAC (tracks+.cue)

Gerry Mulligan - Original Tentet & Quartet (with Chet Baker) Жанр: Jazz Год выпуска диска: 1996 Производитель диска: USA Аудио кодек: FLAC Тип рипа: tracks+.cue Продолжительность: 42:39 Трэклист: 01. Love Me or Leave Me (3:16) 02. Swing House (3:24) 03. Westwood Walk (2:36) 04. Simbah (3:00) 05. Walkin' Shoes (3:39) 06. Rocker (2:30) 07. A Ballad (2:55) 08. Taking a Chance on Love (2:52) 09. Flash (3:05) 10. Ontet (3:19) 11. Varsity Drag (2:24) 12. Speak Low (2:09) 13. Half Nelson (3:02) 14. Lady Bird (4:28) Доп. информация:  Отчёт EACEAC extraction logfile from 7. March 2007, 0:55 for CD Gerry Mulligan / Tentet and Quartet featuring Chet BakerUsed drive : PLEXTOR CD-R PX-230A Adapter: 1 ID: 0 Read mode : Secure with NO C2, accurate stream, disable cache Read offset correction : 738 Overread into Lead-In and Lead-Out : NoUsed output format : C:\Program Files\EAC\flac.exe (User Defined Encoder) 320 kBit/s Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %sOther options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Installed external ASPI interfaceTrack 1 Filename D:\Fiamma\Gerry Mulligan - Original Tentet & Quartet w Chet Baker (1996) [FLAX] {Remaster}\01 - Westwood Walk.wav Pre-gap length 0:00:02.00 Peak level 98.5 % Track quality 100.0 % Test CRC 32C33AD4 Copy CRC 32C33AD4 Copy OKTrack 2 Filename D:\Fiamma\Gerry Mulligan - Original Tentet & Quartet w Chet Baker (1996) [FLAX] {Remaster}\02 - Simbah.wav Pre-gap length 0:00:02.40 Peak level 100.0 % Track quality 100.0 % Test CRC 832DECAA Copy CRC 832DECAA Copy OKTrack 3 Filename D:\Fiamma\Gerry Mulligan - Original Tentet & Quartet w Chet Baker (1996) [FLAX] {Remaster}\03 - Walkin' Shoes.wav Pre-gap length 0:00:02.42 Peak level 100.0 % Track quality 100.0 % Test CRC A48AF8B9 Copy CRC A48AF8B9 Copy OKTrack 4 Filename D:\Fiamma\Gerry Mulligan - Original Tentet & Quartet w Chet Baker (1996) [FLAX] {Remaster}\04 - Rocker.wav Pre-gap length 0:00:02.37 Peak level 100.0 % Track quality 100.0 % Test CRC 67954073 Copy CRC 67954073 Copy OKTrack 5 Filename D:\Fiamma\Gerry Mulligan - Original Tentet & Quartet w Chet Baker (1996) [FLAX] {Remaster}\05 - A Ballad.wav Pre-gap length 0:00:02.26 Peak level 100.0 % Track quality 100.0 % Test CRC BB026C91 Copy CRC BB026C91 Copy OKTrack 6 Filename D:\Fiamma\Gerry Mulligan - Original Tentet & Quartet w Chet Baker (1996) [FLAX] {Remaster}\06 - Taking a Chance on Love.wav Pre-gap length 0:00:02.70 Peak level 100.0 % Track quality 100.0 % Test CRC 92ED50DA Copy CRC 92ED50DA Copy OKTrack 7 Filename D:\Fiamma\Gerry Mulligan - Original Tentet & Quartet w Chet Baker (1996) [FLAX] {Remaster}\07 - Flash.wav Pre-gap length 0:00:02.13 Peak level 100.0 % Track quality 100.0 % Test CRC 08C35F7B Copy CRC 08C35F7B Copy OKTrack 8 Filename D:\Fiamma\Gerry Mulligan - Original Tentet & Quartet w Chet Baker (1996) [FLAX] {Remaster}\08 - Ontet.wav Pre-gap length 0:00:02.57 Peak level 100.0 % Track quality 99.9 % Test CRC 9C1B18E1 Copy CRC 9C1B18E1 Copy OKTrack 9 Filename D:\Fiamma\Gerry Mulligan - Original Tentet & Quartet w Chet Baker (1996) [FLAX] {Remaster}\09 - Varsity Drag.wav Pre-gap length 0:00:04.66 Peak level 70.9 % Track quality 100.0 % Test CRC 32476CC8 Copy CRC 32476CC8 Copy OKTrack 10 Filename D:\Fiamma\Gerry Mulligan - Original Tentet & Quartet w Chet Baker (1996) [FLAX] {Remaster}\10 - Speak Low.wav Pre-gap length 0:00:00.66 Peak level 69.5 % Track quality 100.0 % Test CRC 407D8AB5 Copy CRC 407D8AB5 Copy OKTrack 11 Filename D:\Fiamma\Gerry Mulligan - Original Tentet & Quartet w Chet Baker (1996) [FLAX] {Remaster}\11 - Half Nelson.wav Pre-gap length 0:00:01.60 Peak level 62.5 % Track quality 99.9 % Test CRC 4B00B1B8 Copy CRC 4B00B1B8 Copy OKTrack 12 Filename D:\Fiamma\Gerry Mulligan - Original Tentet & Quartet w Chet Baker (1996) [FLAX] {Remaster}\12 - Lady Bird.wav Pre-gap length 0:00:01.09 Peak level 75.7 % Track quality 100.0 % Test CRC E87CA302 Copy CRC E87CA302 Copy OKTrack 13 Filename D:\Fiamma\Gerry Mulligan - Original Tentet & Quartet w Chet Baker (1996) [FLAX] {Remaster}\13 - Love Me or Leave Me.wav Pre-gap length 0:00:02.70 Peak level 85.5 % Track quality 100.0 % Test CRC DC77A385 Copy CRC DC77A385 Copy OKTrack 14 Filename D:\Fiamma\Gerry Mulligan - Original Tentet & Quartet w Chet Baker (1996) [FLAX] {Remaster}\14 - Swing House.wav Pre-gap length 0:00:00.57 Peak level 80.7 % Track quality 99.9 % Test CRC EA7BE9D6 Copy CRC EA7BE9D6 Copy OKNo errors occuredEnd of status report  описание, состав (англ.)Gerry Mulligan - Original Tentet and Quartet w Chet Baker (1996) [FLAC] {Reissue}Label GNP / Crescendo Orig Year 1996 All Time Sales Rank 51613 CDU Part# 1066611 Catalog# 56 Discs 1 Street Date Nov 26, 1996 Studio/Live Studio Mono/Stereo Stereo Recorded in 1953 various datesGerry Mulligan Tentet: Gerry Mulligan (baritone saxophone, piano); Chet Baker (trumpet); Bud Shank (alto saxophone); Don Davison (baritone saxophone); Pete Candoli (trumpet); John Graas (French horn); Bob Enevoldsen (trombone); Ray Seigel (tuba); Joe Mondragon (bass); Chico Hamilton (drums). Gerry Mulligan Quartet: Gerry Mulligan (baritone saxophone); Chet Baker (trumpet); Carson Smith (bass); Larry Bunker (drums). Recorded in the early 1950's. Includes liner notes by Gene Norman.Review by Gregg Juke, AMG 4 StarsThe Original Gerry Mulligan Tentet & Quartet is a reissue on Gene Norman's GNP/Crescendo label. Norman originally produced the sessions in 1953, but the music contained on this CD sounds timeless. A natural extension of Tadd Dameron's bop arranging for big band/big band arranging for small group concept, this album features one of Dameron's compositions ("Lady Bird"), along with a handful of standards: a Miles Davis original and eight Mulligan compositions that truly represent the West Coast style in both sound and spirit. A young but exciting Chet Baker is heard throughout on trumpet; other West Coast notables include Bud Shank, Pete Candoli, and Chico Hamilton, and the entire ensemble performs admirably. For those interested in the '50s West Coast scene, or new fans looking for quintessential Gerry Mulligan, look no further than Tentet & Quartet.Biography by Scott Yanow, AMGThe most famous and probably greatest jazz baritonist of all time, Gerry Mulligan was a giant. A flexible soloist who was always ready to jam with anyone from Dixielanders to the most advanced boppers, Mulligan brought a somewhat revolutionary light sound to his potentially awkward and brutal horn and played with the speed and dexterity of an altoist.Mulligan started on the piano before learning clarinet and the various saxophones. His initial reputation was as an arranger. In 1944 he wrote charts for Johnny Warrington's radio band and soon was making contributions to the books of Tommy Tucker and George Paxton. He moved to New York in 1946 and joined Gene Krupa's Orchestra as a staff arranger; his most notable chart was "Disc Jockey Jump." The rare times he played with Krupa's band was on alto and the same situation existed when he was with Claude Thornhill in 1948.Gerry Mulligan's first notable recorded work on baritone was with Miles Davis' Birth of the Cool nonet (1948-50) but once again his arrangements ("Godchild," "Darn That Dream" and three of his originals "Jeru," "Rocker" and "Venus de Milo") were more significant than his short solos. Mulligan spent much of 1949 writing for Elliot Lawrence's orchestra and playing anonymously in the saxophone section. It was not until 1951 that he began to get a bit of attention for his work on baritone. Mulligan recorded with his own nonet for Prestige, displaying an already recognizable sound. After he traveled to Los Angeles, he wrote some arrangements for Stan Kenton (including "Youngblood," "Swing House" and "Walking Shoes"), worked at the Lighthouse and then gained a regular Monday night engagement at the Haig. Around this time Mulligan realized that he enjoyed the extra freedom of soloing without a pianist. He jammed with trumpeter Chet Baker and soon their magical rapport was featured in his piano-less quartet. The group caught on quickly in 1952 and made both Mulligan and Baker into stars.A drug bust put Mulligan out of action and ended that quartet but, when he was released from jail in 1954, Mulligan began a new musical partnership with valve trombonist Bob Brookmeyer that was just as successful. Trumpeter Jon Eardley and Zoot Sims on tenor occasionally made the group a sextet and in 1958 trumpeter Art Farmer was featured in Mulligan's Quartet. Being a very flexible player with respect for other stylists, Mulligan went out of his way to record with some of the great musicians he admired. At the 1958 Newport Jazz Festival he traded off with baritonist Harry Carney on "Prima Bara Dubla" while backed by the Duke Ellington Orchestra, and during 1957-60 he recorded separate albums with Thelonious Monk, Paul Desmond, Stan Getz, Ben Webster and Johnny Hodges. Mulligan played on the classic Sound of Jazz television special in 1958 and appeared in the movies I Want to Live and The Subterraneans.During 1960-64 Mulligan led his Concert Jazz Band which gave him an opportunity to write, play baritone and occasionally double on piano. The orchestra at times included Brookmeyer, Sims, Clark Terry and Mel Lewis. Mulligan was a little less active after the big band broke up but he toured extensively with the Dave Brubeck Quartet (1968-72), had a part-time big band in the 1970s (the Age of Steam), doubled on soprano for a period, led a mid-'70s sextet that included vibraphonist Dave Samuels, and in 1986 jammed on a record with Scott Hamilton. In the 1990s he toured the world with his excellent "no-name" quartet and led a "Rebirth of the Cool Band" that performed and recorded remakes of the Miles Davis Nonet classics. Up until the end, Gerry Mulligan was always eager to play.Among Mulligan's compositions were "Walkin' Shoes," "Line for Lyons," "Bark for Barksdale," "Nights at the Turntable," "Utter Chaos," "Soft Shoe," "Bernie's Tune," "Blueport," "Song for Strayhorn," "Song for an Unfinished Woman" and "I Never Was a Young Man" (which he often sang). He recorded extensively through the years for such labels as Prestige, Pacific Jazz, Capitol, Vogue, EmArcy, Columbia, Verve, Milestone, United Artists, Philips, Limelight, A&M, CTI, Chiaroscuro, Who's Who, DRG, Concord and GRP.