(Jazz / Crossover Jazz) Pat Metheny - Orchestrion (Japan Mini LP WPCR-13761) - 2010, FLAC (image+.cue+scans) lossless

Pat Metheny - Orchestrion (Japan Mini LP) Жанр: Jazz / Crossover Jazz Страна-производитель диска: United States (NEW YORK) Год издания диска: 2010 Издатель (лейбл): Nonesuch Номер по каталогу: WPCR-13761 Страна: Japan Аудио кодек: FLAC (*.flac) Тип рипа: image+.cue+scans Битрейт аудио: lossless Продолжительность: 00:52:05 Источник (релизер): mgrcin [AvaxHome] Наличие сканов в содержимом раздачи: да Треклист: 01. Orchestrion (15:52) 02. Entry Point (10:28) 03. Expansion- (8:37) 04. Soul Search (9:20) 05. Spirit of the Air (7:44)   Лог создания рипа Exact Audio Copy V0.99 prebeta 4 from 23. January 2008 EAC extraction logfile from 18. September 2010, 10:52 Pat Metheny / Orchestrion Used drive : ASUS DRW-2014S1 Adapter: 0 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : No Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; Stereo TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 15:52.73 | 0 | 71472 2 | 15:52.73 | 10:28.19 | 71473 | 118591 3 | 26:21.17 | 8:37.68 | 118592 | 157434 4 | 34:59.10 | 9:20.11 | 157435 | 199445 5 | 44:19.21 | 7:44.66 | 199446 | 234311 Range status and errors Selected range Filename F:\Pat Metheny - Orchestrion.wav Peak level 99.8 % Range quality 100.0 % Test CRC 5BD573E6 Copy CRC 5BD573E6 Copy OK No errors occurred End of status report CUE Sheet REM GENRE Jazz REM DATE 2010 REM DISCID 380C3405 REM COMMENT "ExactAudioCopy v0.99pb4" PERFORMER "Pat Metheny" TITLE "Orchestrion" FILE "Pat Metheny - Orchestrion.flac" WAVE TRACK 01 AUDIO TITLE "Orchestrion" PERFORMER "Pat Metheny" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Entry Point" PERFORMER "Pat Metheny" INDEX 00 15:48:14 INDEX 01 15:52:73 TRACK 03 AUDIO TITLE "Expansion" PERFORMER "Pat Metheny" INDEX 01 26:21:17 TRACK 04 AUDIO TITLE "Soul Search" PERFORMER "Pat Metheny" INDEX 00 34:55:65 INDEX 01 34:59:10 TRACK 05 AUDIO TITLE "Spirit Of The Air" PERFORMER "Pat Metheny" INDEX 00 44:16:62 INDEX 01 44:19:21 Audiochecker AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Started at: понедельник, 20. 09. 2010. - 18:29.01 1 file found 1 -===- K:\Music\Раздачи audio\Pat Metheny - Orchestrion (Japan Mini LP WPCR-13761) 2010 (Flac lossless)\Pat Metheny - Orchestrion.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted. Finished at: понедельник, 20. 09. 2010. - 18:38.42 (operation time: 0:09.40)     Об альбоме (сборнике) Pat Metheny's "Orchestrion" refers to a 19th century hybrid musical instrument of the same name that contained (usually) a wind orchestra, various percussion instruments, and sometimes a piano played by a pinned cylinder or a music roll - like a player piano. Metheny designed and plays one here thanks to a commissioned group of inventors, advanced solenoid switch technology, and pneumatics. This invention includes pianos, marimbas, bells, basses, "guitarbots," percussion, cymbals, drums, loads of tuned bottles, and synth and fabricated acoustic instruments, played by Metheny triggering everything with his guitar. While it may have been simpler using a laptop with the latest sampling and MIDI technology, he explains in the booklet that the "acoustoelectric" sound and the "human element" he sought would have been impossible to achieve. Here, his extensively written compositions are a complete engagement with his trademark harmonic and lyric investigations and improvisations. Despite mechanics, everything here sounds and feels organic. Drums and percussion instruments swing, basslines flow in concert with and counterpoint to his guitar and piano lines. These five cuts showcase different sides of Metheny's compositional acumen and poetic sense of detail without losing his euphoric, spacious sense of complex harmonic engagement or songlike melodic sensibilities. Biography Pat Metheny was born in Kansas City on August 12, 1954 into a musical family. Starting on trumpet at the age of 8, Metheny switched to guitar at age 12. By the age of 15, he was working regularly with the best jazz musicians in Kansas City, receiving valuable on-the-bandstand experience at an unusually young age. Metheny first burst onto the international jazz scene in 1974. Over the course of his three-year stint with vibraphone great Gary Burton, the young Missouri native already displayed his soon-to-become trademarked playing style, which blended the loose and flexible articulation customarily reserved for horn players with an advanced rhythmic and harmonic sensibility - a way of playing and improvising that was modern in conception but grounded deeply in the jazz tradition of melody, swing, and the blues. With the release of his first album, Bright Size Life (1975), he reinvented the traditional "jazz guitar" sound for a new generation of players. Throughout his career, Pat Metheny has continued to re-define the genre by utilizing new technology and constantly working to evolve the improvisational and sonic potential of his instrument. Metheny's versatility is almost nearly without peer on any instrument. Over the years, he has performed with artists as diverse as Steve Reich to Ornette Coleman to Herbie Hancock to Jim Hall to Milton Nascimento to David Bowie. He has been part of a writing team with keyboardist Lyle Mays for more than twenty years - an association that has been compared to the Lennon/McCartney and Ellington/Strayhorn partnerships by critics and listeners alike. Metheny’s body of work includes compositions for solo guitar, small ensembles, electric and acoustic instruments, large orchestras, and ballet pieces, with settings ranging from modern jazz to rock to classical. As well as being an accomplished musician, Metheny has also participated in the academic arena as a music educator. At 18, he was the youngest teacher ever at the University of Miami. At 19, he became the youngest teacher ever at the Berklee College of Music, where he also received an honorary doctorate more than twenty years later (1996). He has also taught music workshops all over the world, from the Dutch Royal Conservatory to the Thelonius Monk Institute of Jazz to clinics in Asia and South America. He has also been a true musical pioneer in the realm of electronic music, and was one of the very first jazz musicians to treat the synthesizer as a serious musical instrument. Years before the invention of MIDI technology, Metheny was using the Synclavier as a composing tool. He also been instrumental in the development of several new kinds of guitars such as the soprano acoustic guitar, the 42-string Pikasso guitar, Ibanez1s PM-100 jazz guitar, and a variety of other custom instruments. It is one thing to attain popularity as a musician, but it is another to receive the kind of acclaim Metheny has garnered from critics and peers. Over the years, Metheny has won countless polls as "Best Jazz Guitarist" and awards, including three gold records for (Still Life) Talking, Letter from Home, and Secret Story. He has also won seventeen Grammy Awards spread out over a variety of different categories including Best Rock Instrumental, Best Contemporary Jazz Recording, Best Jazz Instrumental Solo, Best Instrumental Composition. The Pat Metheny Group won an unprecedented seven consecutive Grammies for seven consecutive albums. Metheny has spent most of his life on tour, averaging between 120-240 shows a year since 1974. At the time of this writing, he continues to be one of the brightest stars of the jazz community, dedicating time to both his own projects and those of emerging artists and established veterans alike, helping them to reach their audience as well as realizing their own artistic visions.     Об исполнителе (группе) All music performed by Pat Metheny, guitar and orchestrionics (pianos, marimba, vibraphone, orchestra bells, basses, guitarbots, percussion, cymbals and drums, blown bottles, and other custom-fabricated acoustic mechanical instruments, keyboard) Состав группы: Pat Metheny - Acoustic, Electric, Synth & Slide Guitars Lyle Mays - Acoustic Piano, Keyboards Steve Rodby - Acoustic & Electric Bass, Cello Cuong Vu - Trumpet, Voice, Percussion, Guitar Antonio Sanchez - Drums, Electric Bass Grégoire Maret - Harmonica, Guitar, Vocals, Percussion, Electric Bass Nando Lauria - Guitars, Vocals, Misc. Percussion & Instruments