(Jazz) [2X LP][24/96] Miles Davis - Agharta - 1976, [dutch 1st pressing], FLAC (tracks+.cue) lossless

Miles Davis / Agharta Жанр: Jazz Год издания диска: 1976 Аудио кодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 1:36:26 Источник (релизер): aksman Наличие сканов в содержимом раздачи: нет Треклист: A - Prelude (Part 1) B1 - Prelude (Part 2) B2 - Maiysha C - Interlude D - Theme From Jack Johnson  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 1976REM COMMENT Dutch 1st PressingPERFORMER "Miles Davis"TITLE "Agharta"FILE "A - Prelude (Part 1).flac" WAVE TRACK 01 AUDIO TITLE "Prelude (Part 1)" INDEX 01 00:00:00FILE "B1 - Prelude (Part 2).flac" WAVE TRACK 02 AUDIO TITLE "Prelude (Part 2)" INDEX 01 00:00:00FILE "B2 - Maiysha.flac" WAVE TRACK 03 AUDIO TITLE "Maiysha" INDEX 01 00:00:00FILE "C - Interlude.flac" WAVE TRACK 04 AUDIO TITLE "Interlude" INDEX 01 00:00:00FILE "D -Theme From Jack Johnson.flac" WAVE TRACK 05 AUDIO TITLE "Theme From Jack Johnson" INDEX 01 00:00:00  Technical LogRCM Hannl 'limited' with "Rotating Brush" Music Hall MMF 9.1 Turntable Tonearm: Pro-Ject 9cc evo with Pure Silver Wires Cartridge: Nagaoka MP-500 Brocksieper Phonomax (Tube Phono PreAmp) E-MU 0404 external USB 2.0 Audiointerface Interconnections : Silent Wire NF5 WaveLab 6 recording software iZotope RX Advanced 1.21 for resampling and ditheringVacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal > analyze (no clipping, no DC Bias offset) > converted to 24/96 (16/44.1) with iZotope RX Advanced 1.21 > split into individual Tracks > FLAC encoded (Vers. 1.21)No silence been removed, please burn gapless to match original tracklayout.  Скриншот спектра частот  Комментарии оцифровщикаWith my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, *Life is full of surface noises.* In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.  СоставMiles Davis - electric trumpet with Wah Wah, organ Sonny Fortune - soprano saxophone, alto saxophone, flute Pete Cosey - electric guitar, Synthesizer, percussion Reggie Lucas - electric guitar Michael Henderson - electric bass Al Foster - drums Mtume - conga, percussion, water drum, rhythm boxProductionProducer - Teo Macero Director - Keiichi Nakamura Engineer - Tamoo Suzuki