(Hard Bop, World Fusion) Yusef Lateef - The Sounds of Yusef - 1957, WavPack (image+.cue) lossless

Yusef Lateef - The Sounds of Yusef Жанр: Hard Bop, World Fusion Год издания диска: 1957 Издатель (лейбл): Prestige/OJC Номер по каталогу: OJCCD-917-2 (P-7122) Аудио кодек: WavPack (*.wv) Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 31:36 Источник (релизер): ffsf (hqshare) Наличие сканов в содержимом раздачи: да Треклист: 01. Take the "A" Train (Strayhorn) 02. Playful Flute (Harden) 03. Love and Humor (Lateef) 04. Buckingham (Lateef) 05. Meditation (Lateef) Состав: Yusef Lateef - tenor saxophone, flute, argol, tambourine Wilbur Harden - flugelhorn, balloon Hugh Lawson - piano, Turkish finger cymbals, Seven-Up bottle, balloons, bells Ernie Farrow - bass, rabat Oliver Jackson - drums, Chinese gong, earth-board Recorded on October 11, 1957 in Hackensack, NJ.   Лог создания рипа Exact Audio Copy V1.0 beta 1 from 15. November 2010 EAC extraction logfile from 12. December 2010, 9:03 Yusef Lateef / The Sounds Of Yusef Used drive : HL-DT-STDVDRAM GT20N Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 667 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; Stereo TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 11:14.30 | 0 | 50579 2 | 11:14.30 | 4:18.60 | 50580 | 69989 3 | 15:33.15 | 6:12.17 | 69990 | 97906 4 | 21:45.32 | 5:10.22 | 97907 | 121178 5 | 26:55.54 | 4:40.41 | 121179 | 142219 Range status and errors Selected range Filename D:\EAC\Yusef Lateef - The Sounds Of Yusef\Yusef Lateef - The Sounds Of Yusef.wav Peak level 100.0 % Extraction speed 0.5 X Range quality 100.0 % Test CRC E78CB423 Copy CRC E78CB423 Copy OK No errors occurred AccurateRip summary Track 1 accurately ripped (confidence 2) [63B3CDCF] Track 2 accurately ripped (confidence 2) [7114B7D0] Track 3 accurately ripped (confidence 2) [90FDE895] Track 4 accurately ripped (confidence 2) [314D5564] Track 5 accurately ripped (confidence 2) [D25B6D0E] All tracks accurately ripped End of status report ==== Log checksum 2248297F02CA2E3963366D0B809456E3EF7CA962B4F0498B271EB8E80C50F94D ====     Review by Stacia Proefrock Without delving into the complexity of some of Yusef Lateef's '60s era work, The Sounds of Yusef manages to chart some new territory amid his sea of late-'50s recordings. Many of the songs tilt their head toward the East, both rhythmically and in their instrumentation, but the album as a whole still has its feet firmly planted in the jazz tradition. Nowhere is that more obvious than the album's opener, a flute-led version of "Take the 'A' Train" where Lateef manages to polish the already bright and cheery melodic line of the standard to a new sheen with his exuberant playing. "Playful Flute" shows a heavy African influence, experimenting with more complex rhythmic structures; close listening reveals that it occasionally wanders off track, but Lateef's high flute line draws attention away from any imperfections. In the latter half of the song he employs a technique where he vocalizes and plays the flute at the same time. The result is a deeper, more textured, breathy sound that seems appropriate for his explorations here. Things really get interesting on the album's second side (beginning with track three) where the Asian-influenced composition opens with a shimmering Chinese gong then takes an occasionally fascinating, occasionally grating turn when a number of non-traditional instruments alternate with Lateef's flute line, including 7-Up bottles and the squeaky surface of balloons. The sound is amazingly avant-garde for 1957, making the experiment worth it, even if it is less accessible than the forward-looking jazz numbers that follow: "Buckingham," which allows Lateef to show off on tenor sax, and the contemplative, mellow "Meditation," which shows Lateef's quiet side at its graceful best.