(Hard Bop, World Fusion) Yusef Lateef - The Sounds of Yusef - 1957, WavPack (image+.cue) lossless
Yusef Lateef - The Sounds of Yusef
Жанр: Hard Bop, World Fusion
Год издания диска: 1957
Издатель (лейбл): Prestige/OJC
Номер по каталогу: OJCCD-917-2 (P-7122)
Аудио кодек: WavPack (*.wv)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 31:36
Источник (релизер): ffsf (hqshare)
Наличие сканов в содержимом раздачи: да
Треклист:
01. Take the "A" Train (Strayhorn)
02. Playful Flute (Harden)
03. Love and Humor (Lateef)
04. Buckingham (Lateef)
05. Meditation (Lateef)
Состав:
Yusef Lateef - tenor saxophone, flute, argol, tambourine
Wilbur Harden - flugelhorn, balloon
Hugh Lawson - piano, Turkish finger cymbals, Seven-Up bottle, balloons, bells
Ernie Farrow - bass, rabat
Oliver Jackson - drums, Chinese gong, earth-board
Recorded on October 11, 1957 in Hackensack, NJ.
Лог создания рипа
Review by Stacia Proefrock
Жанр: Hard Bop, World Fusion
Год издания диска: 1957
Издатель (лейбл): Prestige/OJC
Номер по каталогу: OJCCD-917-2 (P-7122)
Аудио кодек: WavPack (*.wv)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 31:36
Источник (релизер): ffsf (hqshare)
Наличие сканов в содержимом раздачи: да
Треклист:
01. Take the "A" Train (Strayhorn)
02. Playful Flute (Harden)
03. Love and Humor (Lateef)
04. Buckingham (Lateef)
05. Meditation (Lateef)
Состав:
Yusef Lateef - tenor saxophone, flute, argol, tambourine
Wilbur Harden - flugelhorn, balloon
Hugh Lawson - piano, Turkish finger cymbals, Seven-Up bottle, balloons, bells
Ernie Farrow - bass, rabat
Oliver Jackson - drums, Chinese gong, earth-board
Recorded on October 11, 1957 in Hackensack, NJ.
Exact Audio Copy V1.0 beta 1 from 15. November 2010 EAC extraction logfile from 12. December 2010, 9:03 Yusef Lateef / The Sounds Of Yusef Used drive : HL-DT-STDVDRAM GT20N Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 667 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; Stereo TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 11:14.30 | 0 | 50579 2 | 11:14.30 | 4:18.60 | 50580 | 69989 3 | 15:33.15 | 6:12.17 | 69990 | 97906 4 | 21:45.32 | 5:10.22 | 97907 | 121178 5 | 26:55.54 | 4:40.41 | 121179 | 142219 Range status and errors Selected range Filename D:\EAC\Yusef Lateef - The Sounds Of Yusef\Yusef Lateef - The Sounds Of Yusef.wav Peak level 100.0 % Extraction speed 0.5 X Range quality 100.0 % Test CRC E78CB423 Copy CRC E78CB423 Copy OK No errors occurred AccurateRip summary Track 1 accurately ripped (confidence 2) [63B3CDCF] Track 2 accurately ripped (confidence 2) [7114B7D0] Track 3 accurately ripped (confidence 2) [90FDE895] Track 4 accurately ripped (confidence 2) [314D5564] Track 5 accurately ripped (confidence 2) [D25B6D0E] All tracks accurately ripped End of status report ==== Log checksum 2248297F02CA2E3963366D0B809456E3EF7CA962B4F0498B271EB8E80C50F94D ====
Without delving into the complexity of some of Yusef Lateef's '60s era work, The Sounds of Yusef manages to chart some new territory amid his sea of late-'50s recordings. Many of the songs tilt their head toward the East, both rhythmically and in their instrumentation, but the album as a whole still has its feet firmly planted in the jazz tradition. Nowhere is that more obvious than the album's opener, a flute-led version of "Take the 'A' Train" where Lateef manages to polish the already bright and cheery melodic line of the standard to a new sheen with his exuberant playing. "Playful Flute" shows a heavy African influence, experimenting with more complex rhythmic structures; close listening reveals that it occasionally wanders off track, but Lateef's high flute line draws attention away from any imperfections. In the latter half of the song he employs a technique where he vocalizes and plays the flute at the same time. The result is a deeper, more textured, breathy sound that seems appropriate for his explorations here. Things really get interesting on the album's second side (beginning with track three) where the Asian-influenced composition opens with a shimmering Chinese gong then takes an occasionally fascinating, occasionally grating turn when a number of non-traditional instruments alternate with Lateef's flute line, including 7-Up bottles and the squeaky surface of balloons. The sound is amazingly avant-garde for 1957, making the experiment worth it, even if it is less accessible than the forward-looking jazz numbers that follow: "Buckingham," which allows Lateef to show off on tenor sax, and the contemplative, mellow "Meditation," which shows Lateef's quiet side at its graceful best.