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(Hard Bop, World Fusion) Yusef Lateef - The Sounds of Yusef - 1957, WavPack (image+.cue) lossless

Yusef Lateef - The Sounds of Yusef
Жанр: Hard Bop, World Fusion
Год издания диска: 1957
Издатель (лейбл): Prestige/OJC
Номер по каталогу: OJCCD-917-2 (P-7122)
Аудио кодек: WavPack (*.wv)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 31:36
Источник (релизер): ffsf (hqshare)
Наличие сканов в содержимом раздачи: да
Треклист:
01. Take the "A" Train (Strayhorn)
02. Playful Flute (Harden)
03. Love and Humor (Lateef)
04. Buckingham (Lateef)
05. Meditation (Lateef)
Состав:
Yusef Lateef - tenor saxophone, flute, argol, tambourine
Wilbur Harden - flugelhorn, balloon
Hugh Lawson - piano, Turkish finger cymbals, Seven-Up bottle, balloons, bells
Ernie Farrow - bass, rabat
Oliver Jackson - drums, Chinese gong, earth-board
Recorded on October 11, 1957 in Hackensack, NJ.
 
Лог создания рипа
Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 12. December 2010, 9:03
Yusef Lateef / The Sounds Of Yusef
Used drive  : HL-DT-STDVDRAM GT20N   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 | 11:14.30 |         0    |    50579
        2  | 11:14.30 |  4:18.60 |     50580    |    69989
        3  | 15:33.15 |  6:12.17 |     69990    |    97906
        4  | 21:45.32 |  5:10.22 |     97907    |   121178
        5  | 26:55.54 |  4:40.41 |    121179    |   142219
Range status and errors
Selected range
     Filename D:\EAC\Yusef Lateef - The Sounds Of Yusef\Yusef Lateef - The Sounds Of Yusef.wav
     Peak level 100.0 %
     Extraction speed 0.5 X
     Range quality 100.0 %
     Test CRC E78CB423
     Copy CRC E78CB423
     Copy OK
No errors occurred
AccurateRip summary
Track  1  accurately ripped (confidence 2)  [63B3CDCF]
Track  2  accurately ripped (confidence 2)  [7114B7D0]
Track  3  accurately ripped (confidence 2)  [90FDE895]
Track  4  accurately ripped (confidence 2)  [314D5564]
Track  5  accurately ripped (confidence 2)  [D25B6D0E]
All tracks accurately ripped
End of status report
==== Log checksum 2248297F02CA2E3963366D0B809456E3EF7CA962B4F0498B271EB8E80C50F94D ====
 
 
Review by Stacia Proefrock
Without delving into the complexity of some of Yusef Lateef's '60s era work, The Sounds of Yusef manages to chart some new territory amid his sea of late-'50s recordings. Many of the songs tilt their head toward the East, both rhythmically and in their instrumentation, but the album as a whole still has its feet firmly planted in the jazz tradition. Nowhere is that more obvious than the album's opener, a flute-led version of "Take the 'A' Train" where Lateef manages to polish the already bright and cheery melodic line of the standard to a new sheen with his exuberant playing. "Playful Flute" shows a heavy African influence, experimenting with more complex rhythmic structures; close listening reveals that it occasionally wanders off track, but Lateef's high flute line draws attention away from any imperfections. In the latter half of the song he employs a technique where he vocalizes and plays the flute at the same time. The result is a deeper, more textured, breathy sound that seems appropriate for his explorations here. Things really get interesting on the album's second side (beginning with track three) where the Asian-influenced composition opens with a shimmering Chinese gong then takes an occasionally fascinating, occasionally grating turn when a number of non-traditional instruments alternate with Lateef's flute line, including 7-Up bottles and the squeaky surface of balloons. The sound is amazingly avant-garde for 1957, making the experiment worth it, even if it is less accessible than the forward-looking jazz numbers that follow: "Buckingham," which allows Lateef to show off on tenor sax, and the contemplative, mellow "Meditation," which shows Lateef's quiet side at its graceful best.
23:21
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