(Hard Bop, World Fusion) [CD] Yusef Lateef - Cry!-Tender - 1959 (1990 OJC), FLAC (image+.cue), lossless

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 30. March 2009, 11:59
Yusef Lateef / Cry! - Tender
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Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
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        7  | 25:52.57 |  4:49.13 |    116457    |   138144
        8  | 30:41.70 |  6:30.20 |    138145    |   167414
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     Filename C:\Documents and Settings\Proprietario.RT\Desktop\R\Yusef Lateef - Cry! - Tender.wav
     Peak level 97.6 %
     Range quality 99.9 %
     Copy CRC 97A90E76
     Copy OK
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End of status report

REM GENRE Jazz
REM DATE 1959
REM DISCID 6508B808
REM COMMENT "ExactAudioCopy v0.99pb4"
PERFORMER "Yusef Lateef"
TITLE "Cry!-Tender"
FILE "Yusef Lateef - Cry!-Tender.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Sea Breeze"
    PERFORMER "Yusef Lateef"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Dopolous"
    PERFORMER "Yusef Lateef"
    INDEX 00 03:09:12
    INDEX 01 03:11:50
  TRACK 03 AUDIO
    TITLE "Cry!-Tender"
    PERFORMER "Yusef Lateef"
    INDEX 00 06:27:17
    INDEX 01 06:29:60
  TRACK 04 AUDIO
    TITLE "Butter's Blues"
    PERFORMER "Yusef Lateef"
    INDEX 00 12:27:07
    INDEX 01 12:30:40
  TRACK 05 AUDIO
    TITLE "Yesterdays"
    PERFORMER "Yusef Lateef"
    INDEX 00 18:13:32
    INDEX 01 18:15:47
  TRACK 06 AUDIO
    TITLE "The Snow Is Green"
    PERFORMER "Yusef Lateef"
    INDEX 00 22:36:42
    INDEX 01 22:39:52
  TRACK 07 AUDIO
    TITLE "If You Could See Me Now"
    PERFORMER "Yusef Lateef"
    INDEX 00 25:50:42
    INDEX 01 25:52:57
  TRACK 08 AUDIO
    TITLE "Ecaps"
    PERFORMER "Yusef Lateef"
    INDEX 00 30:39:25
    INDEX 01 30:41:70

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In 1959, Yusef Lateef began using the oboe in his recording sessions and on live dates. This album marks that occasion, and is thus a turning point in an amazingly long and varied career. Accompanied by Lonnie Hillyer on trumpet, Hugh Lawson on piano, bassist Herman Wright, and drummer Frank Gant, Lateef was digging deeply into a new lyricism that was Eastern-tinged (the full flavor of that obsession would be issued two years later on Eastern Sounds and had been touched upon two years earlier on Other Sounds, released on New Jazz, where Lateef had used an argol as well as his sax and flute), modally informed, and distinctly light in texture -- with the exception of the deep, dark, arco work at the beginning of "Dopolous," by Wright. Lateef was already moving away from what most people would call jazz by this time, yet, as evidenced here, his music remained challenging and very accessible. This is meditative music with a stunningly rich rhythmic palette for how muted and edgeless it is. And, like John Cage or Morton Feldman, the absence of those edges was written in; it's not random. On tunes like the aforementioned, "Butter's Blues," or even "If You Could See Me Now," Lateef could take the blues and move it into shadowy territory, pulling out of the intervals and changes certain harmonic concepts to turn the music back on itself. If restraint got practiced in the dynamic range, the drama in the music would be all the greater because of the wider harmonic palette -- because it could be heard, not just felt. The result is a seamless, velvety, yet poignant take on the blues that echoed the tears referenced in the title of the album. And yet, the beauty, such a tender beauty, was so unspeakably fragile that the brass and reed instruments seemed to hover over the rhythm section and cut holes in the air like fine razors that can only be praised for the fineness of their slash. This was the beginning of Lateef's change in direction and, as a result, it deserves to be noted for that. However, it needs to be doubly noted for its truly magnificent sound, texture, playing, composition, and choice of tunes.