(Hard Bop, Soul Jazz) Shirley Scott - Latin Shadows (Japan Edition) - 1966, WavPack (image+.cue) lossless
Shirley Scott - Latin Shadows
Жанр: Hard Bop, Soul Jazz
Страна-производитель диска: Япония
Год издания диска: 1966
Издатель (лейбл): Impulse!
Номер по каталогу: UCCI-9075 (AS-93)
Аудио кодек: WavPack (*.wv)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 34:45
Источник (релизер): scalamus (hqshare)
Наличие сканов в содержимом раздачи: да
Треклист:
01. Latin Shadows (McFarland)
02. Downtown (Hatch)
03. Who Can I Turn To? (When Nobody Needs Me) (Bricusse-Newley)
04. Can't Get Over the Bossa Nova (Lawrence-Gorme-Gins)
05. This Love of Mine (Parker-Sinatra-Sanicola)
06. Perhaps, Perhaps, Perhaps (Quizas, Quizas, Quizas) (Farres)
07. Soul Sauce (Gillespie-Pozo-DeLugg-Douglas)
08. Hanky Panky (McFarland)
09. Noche Azul (Scott)
10. Dreamsville (Mancini-Evans-Livingston)
11. Feeling Good (Bricusse-Newley)
Состав:
Shirley Scott - organ
Gary McFarland - vibraharp, conductor
Jimmy Raney - guitar
Bob Cranshaw, Richard Davis - bass
Willie Rodriguez - Latin percussion
Mel Lewis - drums
Charles McCracken, Eddie Sodero, Joe Tekula (Cello)
Leo Kruczek, Aaron Rosand, Harry Cykman, Charles Libove, Arnold Eidus - violin
Jerome Richardson - flute
Recorded in New York City, July 21 & 22, 1965.
Limited Edition Japanese pressing of this album comes housed in a miniature LP.
Жанр: Hard Bop, Soul Jazz
Страна-производитель диска: Япония
Год издания диска: 1966
Издатель (лейбл): Impulse!
Номер по каталогу: UCCI-9075 (AS-93)
Аудио кодек: WavPack (*.wv)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 34:45
Источник (релизер): scalamus (hqshare)
Наличие сканов в содержимом раздачи: да
Треклист:
01. Latin Shadows (McFarland)
02. Downtown (Hatch)
03. Who Can I Turn To? (When Nobody Needs Me) (Bricusse-Newley)
04. Can't Get Over the Bossa Nova (Lawrence-Gorme-Gins)
05. This Love of Mine (Parker-Sinatra-Sanicola)
06. Perhaps, Perhaps, Perhaps (Quizas, Quizas, Quizas) (Farres)
07. Soul Sauce (Gillespie-Pozo-DeLugg-Douglas)
08. Hanky Panky (McFarland)
09. Noche Azul (Scott)
10. Dreamsville (Mancini-Evans-Livingston)
11. Feeling Good (Bricusse-Newley)
Состав:
Shirley Scott - organ
Gary McFarland - vibraharp, conductor
Jimmy Raney - guitar
Bob Cranshaw, Richard Davis - bass
Willie Rodriguez - Latin percussion
Mel Lewis - drums
Charles McCracken, Eddie Sodero, Joe Tekula (Cello)
Leo Kruczek, Aaron Rosand, Harry Cykman, Charles Libove, Arnold Eidus - violin
Jerome Richardson - flute
Recorded in New York City, July 21 & 22, 1965.
Limited Edition Japanese pressing of this album comes housed in a miniature LP.
Лог создания рипа
EAC extraction logfile from 7. January 2008, 18:52 for CD
Shirley Scott / Latin Shadows
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Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
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44.100 Hz; 16 Bit; Stereo
Use compression offset : 30
Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface
Range status and errors
Selected range
Filename C:\Shirley Scott - Latin Shadows.wav
Peak level 82.7 %
Range quality 100.0 %
CRC 7811006A
Copy OK
No errors occured
End of status report
Об альбоме (сборнике)
My own approach to this album is from the Gary McFarland perspective. McFarland was an arranger, vibe player, and producer who operated for about a decade until his life was cut tragically short. He is the arranger (and one of the musicians) on this album.
This album is best seen as a collaboration between Scott and McFarland. As such, it bears the hallmarks of McFarland's sound. His sound at this time was particularly reflective of the bossa nova and latin sounds that rose to prominence in the early-to-mid '60s. Latin Shadows is an excellent and successful example of McFarland's work, with the lovely Ms. Scott starring as the featured soloist.
Scott is no less a featured player than she would be on any other of her albums. If her playing seems more restrained, it may be because that is what the music and arragements require. This is not something to "blame" McFarland for, the quality of the music is quite good. You wouldn't blame the Mizells for Black Byrd, would you? Producers and arrangers are instrumental in determining the direction and sound of studio jazz records, and the successful realization of an album doesn't always ---if ever--- rest wholly upon the featured player. Directors and actors work together to produce a film that works, and each colors the others' performance. -- justin d. baron (amazon)
This album is best seen as a collaboration between Scott and McFarland. As such, it bears the hallmarks of McFarland's sound. His sound at this time was particularly reflective of the bossa nova and latin sounds that rose to prominence in the early-to-mid '60s. Latin Shadows is an excellent and successful example of McFarland's work, with the lovely Ms. Scott starring as the featured soloist.
Scott is no less a featured player than she would be on any other of her albums. If her playing seems more restrained, it may be because that is what the music and arragements require. This is not something to "blame" McFarland for, the quality of the music is quite good. You wouldn't blame the Mizells for Black Byrd, would you? Producers and arrangers are instrumental in determining the direction and sound of studio jazz records, and the successful realization of an album doesn't always ---if ever--- rest wholly upon the featured player. Directors and actors work together to produce a film that works, and each colors the others' performance. -- justin d. baron (amazon)