(Hard Bop, Post-Bop) Tommy Smith & Brian Kellock - Bezique - 2002, FLAC (image+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 12. November 2013, 19:32
Tommy Smith & Brian Kellock / Bezique
Used drive  : ASUS    DRW-24B1LT   Adapter: 5  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.01 | 10:09.14 |         1    |    45689
        2  | 10:09.15 |  8:15.59 |     45690    |    82873
        3  | 18:24.74 |  7:45.54 |     82874    |   117802
        4  | 26:10.53 |  8:12.69 |    117803    |   154771
        5  | 34:23.47 |  7:51.09 |    154772    |   190105
        6  | 42:14.56 |  8:09.62 |    190106    |   226842
        7  | 50:24.43 |  9:05.67 |    226843    |   267784
        8  | 59:30.35 |  6:11.47 |    267785    |   295656
        9  | 65:42.07 |  4:40.33 |    295657    |   316689
Range status and errors
Selected range
     Filename F:\audio\Tommy Smith & Brian Kellock - Bezique.wav
     Peak level 100.0 %
     Extraction speed 6.3 X
     Range quality 100.0 %
     Test CRC 4966B22B
     Copy CRC 4966B22B
     Copy OK
No errors occurred
AccurateRip summary
Track  1  accurately ripped (confidence 2)  [59BC8519]  (AR v2)
Track  2  accurately ripped (confidence 2)  [FF3A795D]  (AR v2)
Track  3  accurately ripped (confidence 2)  [D6759605]  (AR v2)
Track  4  accurately ripped (confidence 2)  [77E1A9CF]  (AR v2)
Track  5  accurately ripped (confidence 2)  [26661FD5]  (AR v2)
Track  6  accurately ripped (confidence 2)  [C57A57C0]  (AR v2)
Track  7  accurately ripped (confidence 2)  [98D0462E]  (AR v2)
Track  8  accurately ripped (confidence 2)  [E02ACAC5]  (AR v2)
Track  9  accurately ripped (confidence 2)  [E999081C]  (AR v2)
All tracks accurately ripped
End of status report
---- CUETools DB Plugin V2.1.3
[CTDB TOCID: pVKAFi6yxMULutldsppqTiZmdNY-] disk not present in database, Submit result: discs with pregaps not supported in this protocol version
==== Log checksum 5D3C88CD6F006A9B34711C8F5467BCB6568AAFFA8BCEEE70935E718D216FD7B7 ====

REM GENRE Jazz
REM DATE 2002
REM DISCID 6E107E09
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Tommy Smith & Brian Kellock"
TITLE "Bezique"
FILE "Tommy Smith & Brian Kellock - Bezique.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Bud Powell"
    PERFORMER "Tommy Smith & Brian Kellock"
    INDEX 00 00:00:00
    INDEX 01 00:00:01
  TRACK 02 AUDIO
    TITLE "Very Early"
    PERFORMER "Tommy Smith & Brian Kellock"
    INDEX 01 10:09:15
  TRACK 03 AUDIO
    TITLE "Never Let Me Go"
    PERFORMER "Tommy Smith & Brian Kellock"
    INDEX 01 18:24:74
  TRACK 04 AUDIO
    TITLE "Come Rain or Come Shine"
    PERFORMER "Tommy Smith & Brian Kellock"
    INDEX 01 26:10:53
  TRACK 05 AUDIO
    TITLE "The Thrill Is Gone"
    PERFORMER "Tommy Smith & Brian Kellock"
    INDEX 01 34:23:47
  TRACK 06 AUDIO
    TITLE "Ladies in Mercedes"
    PERFORMER "Tommy Smith & Brian Kellock"
    INDEX 01 42:14:56
  TRACK 07 AUDIO
    TITLE "Don't You Know I Care"
    PERFORMER "Tommy Smith & Brian Kellock"
    INDEX 01 50:24:43
  TRACK 08 AUDIO
    TITLE "Parker 51"
    PERFORMER "Tommy Smith & Brian Kellock"
    INDEX 01 59:30:35
  TRACK 09 AUDIO
    TITLE "Lush Life"
    PERFORMER "Tommy Smith & Brian Kellock"
    INDEX 01 65:42:07

[CUETools log; Date: 12.11.2013 19:37:54; Version: 2.1.4]
Pregap length 00:00:01.
[CTDB TOCID: pVKAFi6yxMULutldsppqTiZmdNY-] found.
Track | CTDB Status
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  2   | (1/1) Accurately ripped
  3   | (1/1) Accurately ripped
  4   | (1/1) Accurately ripped
  5   | (1/1) Accurately ripped
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  7   | (1/1) Accurately ripped
  8   | (1/1) Accurately ripped
  9   | (1/1) Accurately ripped
[AccurateRip ID: 0019e9ad-00bb6f39-6e107e09] found.
Track   [  CRC   |   V2   ] Status
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 02     [595ec429|ff3a795d] (0+2/2) Accurately ripped
 03     [685a6b41|d6759605] (0+2/2) Accurately ripped
 04     [db1636d9|77e1a9cf] (0+2/2) Accurately ripped
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 06     [c399b0aa|c57a57c0] (0+2/2) Accurately ripped
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 09     [a514a1ab|e999081c] (0+2/2) Accurately ripped
Track Peak [ CRC32  ] [W/O NULL] [  LOG   ]
 --  100,0 [4966B22B] [9DB12D5E]   CRC32
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 02   94,0 [1E8A51FC] [BD96F072]
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 08  100,0 [9AEE5C22] [9D277E24]
 09   54,9 [47316A09] [C7772FAB]

These are two of the most formidable soloists on the Scottish scene, pretty much in straightahead mode.
Saxophonist Smith, as he has demonstrated with the American Joanne Brackeen, is a good duo collaborator with pianists, his more languorous Jan Garbarek-like aspect in other settings put aside in favour of a surging, hard-swinging style. But his formidable range, particularly in sustaining a remarkable purity on long, high sounds, is fully unwrapped on this collection of 11 standards old and new, including traditionals such as Billy Strayhorn's Lush Life, and Steve Swallow's Ladies in Mercedes - the latter opening with an abstractedly Monkish piano intro from Kellock.
The pianist is a powerfully inventive improviser who develops solos in unpredictable directions - appropriately scalding double-time, for instance, on Chick Corea's Bud Powell. He varies them with fragmented figures, tempo suspensions, and constant supplies of fresh melodic motifs. Smith's uncanny softness on slow music is one of the great attractions of the set - as on Very Early, Never Let Me Go, The Thrill Is Gone and a deliciously smoky Lush Life. On faster pieces, the two occasionally sound a little demented by the pressure to keep up a drummerless swing, but two-thirds of this album is very engaging.