(Hard Bop, Post-Bop) [LP] [16/44.1] Mal Waldron & Gary Peacock - First Encounter - 1971, FLAC (tracks)

Mal Waldron & Gary Peacock - First Encounter Жанр: Hard Bop, Post-Bop Год выпуска: 1971 Лейбл: Catalyst (CAT 7906) Страна-производитель: США Аудио кодек: FLAC Тип рипа: tracks Формат записи: неизвестно Формат раздачи: 16/44.1 Продолжительность: 47:48Треклист: A1. She Walks, in Beauty (Waldron) - 12:42 A2. The Heart of the Matter (Waldron) - 12:18 B1. What's That (Peacock) - 9:17 B2. Walking Way (Waldron) - 13:31Состав: Mal Waldron - piano Gary Peacock - bass Hiroshi Murakami - drumsRecorded in Tokyo on March 8, 1971.Источник оцифровки: третьим лицом  Спектр  АЧХ  Уровень записи  aucdtect.logauCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. ------------------------------------------------------------ Processing file: [01 - She Walks, in Beauty.wav] Detected average hi-boundary frequency: 2.019728e+004 Hz Detected average lo-boundary frequency: 1.390076e+004 Hz Detected average hi-cut frequency: 2.128361e+004 Hz Detected average lo-cut frequency: 7.925499e+003 Hz Maximum probablis boundary frequency: 2.189100e+004 Hz Coefficient of nonlinearity of a phase: 1.105959e-001 First order smothness: 3.772090e-001 Second order smothness: 5.752590e-001------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Processing file: [02 - The Heart of the Matter.wav] Detected average hi-boundary frequency: 2.017350e+004 Hz Detected average lo-boundary frequency: 1.368702e+004 Hz Detected average hi-cut frequency: 2.113008e+004 Hz Detected average lo-cut frequency: 6.150613e+003 Hz Maximum probablis boundary frequency: 2.189100e+004 Hz Coefficient of nonlinearity of a phase: 1.073089e-001 First order smothness: 3.580231e-001 Second order smothness: 3.982145e-001------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Processing file: [03 - What's That.wav] Detected average hi-boundary frequency: 2.026541e+004 Hz Detected average lo-boundary frequency: 1.377006e+004 Hz Detected average hi-cut frequency: 2.130226e+004 Hz Detected average lo-cut frequency: 7.532263e+003 Hz Maximum probablis boundary frequency: 2.189100e+004 Hz Coefficient of nonlinearity of a phase: 8.576908e-002 First order smothness: 3.950000e-001 Second order smothness: 4.525000e-001------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Processing file: [04 - Walking Way.wav] Detected average hi-boundary frequency: 2.030401e+004 Hz Detected average lo-boundary frequency: 1.473301e+004 Hz Detected average hi-cut frequency: 2.122226e+004 Hz Detected average lo-cut frequency: 7.501701e+003 Hz Maximum probablis boundary frequency: 2.189100e+004 Hz Coefficient of nonlinearity of a phase: 6.832491e-002 First order smothness: 3.930616e-001 Second order smothness: 5.175177e-001------------------------------------------------------------ This track looks like CDDA with probability 100%  Review by Scott YanowPianist Mal Waldron made many recordings (mostly in Europe) during 1969-72. This particular out-of-print Lp was cut in Japan in a trio with bassist Gary Peacock and drummer Hiroshi Murakami. The long improvisations on the four originals (three by Waldron and one from Peacock) are melancholy, usually introverted and subtle. The interplay between Waldron and Peacock on the inside/outside music is the main asset to this obscure but generally rewarding session.