(Hard Bop, Post Bop) Chris Massey's Nue Jazz Project - Vibrainium - 2010, FLAC (image+.cue), lossless
Chris Massey's Nue Jazz Project / Vibrainium
Жанр: Hard Bop, Post Bop
Страна-производитель диска: US
Год издания диска: 2010
Издатель (лейбл): Spectra Records
Номер по каталогу: 505
Страна: US
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 45:49
Источник (релизер): bolt.cd
Наличие сканов в содержимом раздачи: нет
Треклист:
1. Galactus [Massey] (10:00)
2. Smooth [Malloy] (05:26)
3. Inner Urge [Henderson] (05:00)
4. Chango [Massey] (02:45)
5. Windows [Corea] (04:59)
6. Vibranium [Massey] (11:13)
7. Mr. Twilight [Drazen] (06:23)
Доп. информация:
Жанр: Hard Bop, Post Bop
Страна-производитель диска: US
Год издания диска: 2010
Издатель (лейбл): Spectra Records
Номер по каталогу: 505
Страна: US
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 45:49
Источник (релизер): bolt.cd
Наличие сканов в содержимом раздачи: нет
Треклист:
1. Galactus [Massey] (10:00)
2. Smooth [Malloy] (05:26)
3. Inner Urge [Henderson] (05:00)
4. Chango [Massey] (02:45)
5. Windows [Corea] (04:59)
6. Vibranium [Massey] (11:13)
7. Mr. Twilight [Drazen] (06:23)
Лог создания рипа
CUERipper v2.0.9 Copyright (C) 2008-10 Gregory S. Chudov
EAC extraction logfile from 3. March 2011, 1:31
Chris Massey's "Nue Jazz Project" / Vibrainium
Used drive : Memorex 52MAXX 3252AJ1 Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 10:00.56 | 0 | 45055
2 | 10:00.56 | 5:26.16 | 45056 | 69521
3 | 15:26.72 | 5:00.45 | 69522 | 92066
4 | 20:27.42 | 2:45.43 | 92067 | 104484
5 | 23:13.10 | 4:59.67 | 104485 | 126976
6 | 28:13.02 | 11:13.49 | 126977 | 177500
7 | 39:26.51 | 6:23.14 | 177501 | 206239
Range status and errors
Selected range
Filename C:\Users\M@ce\Music\Chris Massey's _Nue Jazz Project_\2010 - Vibrainium\Chris Massey's _Nue Jazz Project_ - Vibrainium.wav
Peak level 98.7 %
Range quality 100.0 %
Test CRC 631F057F
Copy CRC 631F057F
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
None of the tracks are present in the AccurateRip database
End of status report
Лог проверки качества
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. ------------------------------------------------------------ Processing file: [01. Galactus.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [02. Smooth.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [03. Inner Urge.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [04. Chango.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [05. Windows.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [06. Vibrainium.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [07. Mr. Twilight.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Final Conclusion: ------------------------------------------------------------ These tracks looks like CDDA with probability 100%
Review
Saxophonist Wayne Shorter is one of the few jazz icons on record as a self-admitted comic book fan. The fantastic four-color mythologies of both Marvel and D.C. imprints have at least indirectly inspired several of his compositions over the decades, most conspicuously with the classic “Kryptonite”. Drummer Chris Massey appears in possession of a similar admiration as the title of this self-released album makes clear. Vibrainium is a pun on Vibranium, one of a host of rarified fictional metals perhaps most famous as material constituting Captain America’s shield. It’s also one of the principal natural resources of Wakanda, the African nation home to Black Panther, the first black superhero in American mainstream comics and a cultural connection that no doubt resonates strongly with Massey.
Musically, Massey’s influences reside firmly in the advanced hardbop of the Blue Note Sixties, another common ground with Shorter. His “Nue Jazz Project”, a quintet comprising the horns of Donald Malloy and Benjamin Drazen and a rhythm section completed by pianist Evgeny Lebedev and bassist David Ostrem. The cerebral connotation in the title and another commonality with Shorter comes through in Massey’s clever compositions and arrangements. Borrowing its title from the world-eating celestial villain of the same name, “Galactus” joins the title piece in directly referencing elements from comics. Both run close to twice the length of the other cuts and open up ample modal space for the players to solo and interact.
Drazen’s alto owns the burning rendering of Joe Henderson’s “Inner Urge”. Name-checking the Yoruban god of thunder, “Chango” gives Massey brief space to flex his sticks in a solo setting while Chick Corea’s “Windows” naturally shifts the focus to Lebedev’s keys and gives both Malloy and Drazen a breather. Massey keeps a brisk and variable selection of rhythms cycling around and beneath his sidemen and the album zooms by. Drazen’s “Mr. Twilight”, a superhero moniker ready-made, closes the album out in much the manner it began with a propulsive vamp from Lebedev and darting horn unisons and a steady frothing beat. Spinning these effervescent sounds, it’s not hard to come up with an early Kirby-Lee collaboration as convenient visual analogue. --Derek Taylor
Musically, Massey’s influences reside firmly in the advanced hardbop of the Blue Note Sixties, another common ground with Shorter. His “Nue Jazz Project”, a quintet comprising the horns of Donald Malloy and Benjamin Drazen and a rhythm section completed by pianist Evgeny Lebedev and bassist David Ostrem. The cerebral connotation in the title and another commonality with Shorter comes through in Massey’s clever compositions and arrangements. Borrowing its title from the world-eating celestial villain of the same name, “Galactus” joins the title piece in directly referencing elements from comics. Both run close to twice the length of the other cuts and open up ample modal space for the players to solo and interact.
Drazen’s alto owns the burning rendering of Joe Henderson’s “Inner Urge”. Name-checking the Yoruban god of thunder, “Chango” gives Massey brief space to flex his sticks in a solo setting while Chick Corea’s “Windows” naturally shifts the focus to Lebedev’s keys and gives both Malloy and Drazen a breather. Massey keeps a brisk and variable selection of rhythms cycling around and beneath his sidemen and the album zooms by. Drazen’s “Mr. Twilight”, a superhero moniker ready-made, closes the album out in much the manner it began with a propulsive vamp from Lebedev and darting horn unisons and a steady frothing beat. Spinning these effervescent sounds, it’s not hard to come up with an early Kirby-Lee collaboration as convenient visual analogue. --Derek Taylor
Состав
Chris Massey Producer, Arranger, Drums
Benjamin Drazen Saxophone (Alto), Saxophone (Soprano)
Evgeny Lebedev Piano
Donald Malloy Trumpet
David Ostrem Bass
Benjamin Drazen Saxophone (Alto), Saxophone (Soprano)
Evgeny Lebedev Piano
Donald Malloy Trumpet
David Ostrem Bass