(Hard Bop) [CD] Phil Woods And His European Rhythm Machine - At The Montreux Jazz Festival (1969) - 2016 {Japan Verve 60th Rare Albums SHM-CD Reissue Series, UCCV-9612}, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 29. November 2016, 22:11
Phil Woods And His European Rhythm Machine / At The Montreux Jazz Festival
Used drive  : HL-DT-STDVDRAM GP50NW41   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\FLAC Frontend\tools\flac.exe
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TOC of the extracted CD
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        1  |  0:00.00 | 11:05.06 |         0    |    49880
        2  | 11:05.06 | 10:44.11 |     49881    |    98191
        3  | 21:49.17 | 11:11.54 |     98192    |   148570
        4  | 33:00.71 |  6:47.30 |    148571    |   179125
Track  1
     Filename D:\_EAC\Phil Woods And His European Rhythm Machine - At The Montreux Jazz Festival (1969) [FLAC] {UCCV-9612}\01 - Capricci Cavallereschi.wav
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     Copy CRC 234DA1D4
     Track not present in AccurateRip database
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Track  2
     Filename D:\_EAC\Phil Woods And His European Rhythm Machine - At The Montreux Jazz Festival (1969) [FLAC] {UCCV-9612}\02 - I Remember Bird.wav
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     Track not present in AccurateRip database
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Track  3
     Filename D:\_EAC\Phil Woods And His European Rhythm Machine - At The Montreux Jazz Festival (1969) [FLAC] {UCCV-9612}\03 - Ad Inifinitum.wav
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     Track not present in AccurateRip database
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Track  4
     Filename D:\_EAC\Phil Woods And His European Rhythm Machine - At The Montreux Jazz Festival (1969) [FLAC] {UCCV-9612}\04 - Riot.wav
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     Track quality 100.0 %
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     Copy CRC 01B23796
     Track not present in AccurateRip database
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None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum F114930B3AD017D8B220876A2CFE7263EB16A53D01282AA7827C938C61AA4364 ====

REM GENRE Jazz
REM DATE 1969
REM DISCID 2F095404
REM COMMENT "ExactAudioCopy v1.1"
PERFORMER "Phil Woods And His European Rhythm Machine"
TITLE "At The Montreux Jazz Festival"
FILE "01 - Capricci Cavallereschi.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Capricci Cavallereschi"
    PERFORMER "Phil Woods And His European Rhythm Machine"
    INDEX 01 00:00:00
FILE "02 - I Remember Bird.wav" WAVE
  TRACK 02 AUDIO
    TITLE "I Remember Bird"
    PERFORMER "Phil Woods And His European Rhythm Machine"
    INDEX 01 00:00:00
FILE "03 - Ad Inifinitum.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Ad Inifinitum"
    PERFORMER "Phil Woods And His European Rhythm Machine"
    INDEX 01 00:00:00
FILE "04 - Riot.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Riot"
    PERFORMER "Phil Woods And His European Rhythm Machine"
    INDEX 01 00:00:00

Verve 60th Anniversary Rare Albums SHM-CD Reissue Series. Reissue with SHM-CD format. Phil Woods' recordings with his short-lived European Rhythm Machine are among the most adventurous of his career, though few of them have been available in the CD era. This 1969 concert at the Montreux Jazz Festival features the alto saxophonist with pianist George Gruntz, bassist Henri Texier and drummer Daniel Humair in a wide ranging set.
Gruntz's "Capricci Cavaleschi" begins with slash-and-burn solos by both Woods and Gruntz before giving way to Texier's soft solo, which is backed by Humair's hand drumming. Liner note writer Leonard Feather's bluesy tribute to Charlie Parker, "I Remember Bird," is revisited by Woods with gusto. Carla Bley's samba-flavored "Ad Infinitum" is especially appealing, while a blazing (though brief) run through Herbie Hancock's "Riot," features the leader's almost screaming sax (backed initially only by Humair) closes the set with a flourish.