(Hard Bop) [CD] Miles Davis - E.S.P. - 1965 (2015 MFSL), FLAC (tracks+.cue), lossless

Miles Davis - E.S.P. Жанр: Hard Bop Носитель: CD Страна-производитель диска (релиза): США Год издания: 2015 Издатель (лейбл): Mobile Fidelity Sound Lab Номер по каталогу: UDSACD 2170 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 48:37 Источник (релизер): mclarenspy Наличие сканов в содержимом раздачи: да Треклист: 01. E.S.P. (Shorter) - 5:34 02. Eighty-One (Carter-Davis) - 6:17 03. Little One (Hancock) - 7:26 04. R.J. (Carter) - 4:03 05. Agitation (Davis) - 7:49 06. Iris (Shorter) - 8:36 07. Mood (Carter-Davis) - 8:52 Состав: Miles Davis - trumpet Wayne Shorter - tenor saxophone Herbie Hancock - piano Ron Carter - bass Tony Williams - drums Recorded at Columbia Studios, Los Angeles, CA on January 20–22, 1965.   Лог создания рипа Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 17. July 2017, 15:37 Miles Davis / E.S.P. (2016 MFSL) Used drive : PLEXTOR CD-R PREMIUM Adapter: 1 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 30 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 768 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -6 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:33.55 | 0 | 25029 2 | 5:33.55 | 6:17.24 | 25030 | 53328 3 | 11:51.04 | 7:26.08 | 53329 | 86786 4 | 19:17.12 | 4:03.01 | 86787 | 105012 5 | 23:20.13 | 7:48.41 | 105013 | 140153 6 | 31:08.54 | 8:35.45 | 140154 | 178823 7 | 39:44.24 | 8:51.40 | 178824 | 218688 Track 1 Filename C:\tmp\00_RIPS\01 - E.S.P..wav Pre-gap length 0:00:02.00 Peak level 87.0 % Extraction speed 9.0 X Track quality 100.0 % Test CRC D5628038 Copy CRC D5628038 Accurately ripped (confidence 8) [F8F4435F] (AR v2) Copy OK Track 2 Filename C:\tmp\00_RIPS\02 - Eighty-One.wav Pre-gap length 0:00:04.90 Peak level 96.1 % Extraction speed 10.2 X Track quality 100.0 % Test CRC 633C2021 Copy CRC 633C2021 Accurately ripped (confidence 8) [EC413DFC] (AR v2) Copy OK Track 3 Filename C:\tmp\00_RIPS\03 - Little One.wav Pre-gap length 0:00:04.88 Peak level 80.1 % Extraction speed 11.5 X Track quality 100.0 % Test CRC 6D4055FD Copy CRC 6D4055FD Accurately ripped (confidence 8) [C87708B7] (AR v2) Copy OK Track 4 Filename C:\tmp\00_RIPS\04 - R.J..wav Pre-gap length 0:00:04.86 Peak level 87.9 % Extraction speed 10.3 X Track quality 99.9 % Test CRC 32E8C526 Copy CRC 32E8C526 Accurately ripped (confidence 8) [EDCB8106] (AR v2) Copy OK Track 5 Filename C:\tmp\00_RIPS\05 - Agitation.wav Pre-gap length 0:00:04.77 Peak level 86.3 % Extraction speed 13.4 X Track quality 100.0 % Test CRC A898E072 Copy CRC A898E072 Accurately ripped (confidence 8) [90AB6755] (AR v2) Copy OK Track 6 Filename C:\tmp\00_RIPS\06 - Iris.wav Pre-gap length 0:00:04.89 Peak level 72.1 % Extraction speed 13.2 X Track quality 99.9 % Test CRC 2C82B44A Copy CRC 2C82B44A Accurately ripped (confidence 8) [CE91BB52] (AR v2) Copy OK Track 7 Filename C:\tmp\00_RIPS\07 - Mood.wav Pre-gap length 0:00:04.90 Peak level 81.8 % Extraction speed 13.3 X Track quality 99.9 % Test CRC 4ECEDD85 Copy CRC 4ECEDD85 Accurately ripped (confidence 8) [112EEC6D] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: 2Xpr.N1sdXV7Mi6n1Y3rKCoAByY-] found Submit result: 2Xpr.N1sdXV7Mi6n1Y3rKCoAByY- has been confirmed Track | CTDB Status 1 | (14/14) Accurately ripped 2 | (14/14) Accurately ripped 3 | (14/14) Accurately ripped 4 | (14/14) Accurately ripped 5 | (14/14) Accurately ripped 6 | (14/14) Accurately ripped 7 | (13/14) Accurately ripped ==== Log checksum 14840AD5A48C38BD5213BB039F9FBE38E678602818102D6ACEAD9FAC2BDB131B ====     Содержание индексной карты (.CUE) REM GENRE Jazz REM DATE 1965 REM DISCID 520B6307 REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Miles Davis" TITLE "E.S.P." FILE "01 - E.S.P..wav" WAVE TRACK 01 AUDIO TITLE "E.S.P." PERFORMER "Miles Davis" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Eighty-One" PERFORMER "Miles Davis" INDEX 00 05:28:62 FILE "02 - Eighty-One.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Little One" PERFORMER "Miles Davis" INDEX 00 06:12:33 FILE "03 - Little One.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "R.J." PERFORMER "Miles Davis" INDEX 00 07:21:18 FILE "04 - R.J..wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Agitation" PERFORMER "Miles Davis" INDEX 00 03:58:18 FILE "05 - Agitation.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Iris" PERFORMER "Miles Davis" INDEX 00 07:43:49 FILE "06 - Iris.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Mood" PERFORMER "Miles Davis" INDEX 00 08:30:52 FILE "07 - Mood.wav" WAVE INDEX 01 00:00:00     Отчет CUETools [CUETools log; Date: 18.07.2017 14:42:31; Version: 2.1.5] [CTDB TOCID: 2Xpr.N1sdXV7Mi6n1Y3rKCoAByY-] found. Track | CTDB Status 1 | (15/15) Accurately ripped 2 | (15/15) Accurately ripped 3 | (15/15) Accurately ripped 4 | (15/15) Accurately ripped 5 | (15/15) Accurately ripped 6 | (15/15) Accurately ripped 7 | (14/15) Accurately ripped [AccurateRip ID: 000c5392-004b2431-520b6307] found. Track [ CRC | V2 ] Status 01 [e879671f|f8f4435f] (0+8/8) Accurately ripped 02 [dbcb2df2|ec413dfc] (0+8/8) Accurately ripped 03 [fae5f491|c87708b7] (0+8/8) Accurately ripped 04 [a34559b9|edcb8106] (0+8/8) Accurately ripped 05 [419155bb|90ab6755] (0+8/8) Accurately ripped 06 [becc9ce2|ce91bb52] (0+8/8) Accurately ripped 07 [7a0cb7b4|112eec6d] (0+8/8) Accurately ripped Track Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 96,1 [834C72CB] [AED33DC7] 01 87,0 [D5628038] [013BC9ED] CRC32 02 96,1 [633C2021] [64727EE6] CRC32 03 80,1 [6D4055FD] [31C0CB69] CRC32 04 87,9 [32E8C526] [D84A9D37] CRC32 05 86,3 [A898E072] [67E43160] CRC32 06 72,1 [2C82B44A] [06CA18FA] CRC32 07 81,8 [4ECEDD85] [8211B6E8] CRC32     AllMusic Review by Stephen Thomas Erlewine ESP marks the beginning of a revitalization for Miles Davis, as his second classic quintet -- saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams -- gels, establishing what would become their signature adventurous hard bop. Miles had been moving toward this direction in the two years preceding the release of ESP and he had recorded with everyone outside of Shorter prior to this record, but his addition galvanizes the group, pushing them toward music that was recognizably bop but as adventurous as jazz's avant-garde. Outwardly, this music doesn't take as many risks as Coltrane or Ornette Coleman's recordings of the mid-'60s, but by borrowing some of the same theories -- a de-emphasis of composition in favor of sheer improvisation, elastic definitions of tonality -- they created a unique sound that came to define the very sound of modern jazz. Certainly, many musicians have returned to this group for inspiration, but their recordings remain fresh, because they exist at this fine dividing line between standard bop and avant. On ESP, they tilt a bit toward conventional hard bop (something that's apparent toward the end of the record), largely because this is their first effort, but the fact is, this difference between this album and hard bop from the early '60s is remarkable. This is exploratory music, whether it's rushing by in a flurry of notes or elegantly reclining in Hancock's calm yet complex chords. The compositions are brilliantly structured as well, encouraging such free-form exploration with their elliptical yet memorable themes. This quintet may have cut more adventurous records, but ESP remains one of their very best albums.