(Hard Bop) [CD] Miles Davis - E.S.P. - 1965 (2015 MFSL), FLAC (tracks+.cue), lossless

Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 17. July 2017, 15:37
Miles Davis / E.S.P. (2016 MFSL)
Used drive  : PLEXTOR CD-R   PREMIUM   Adapter: 1  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 30
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
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    ---------------------------------------------------------
        1  |  0:00.00 |  5:33.55 |         0    |    25029
        2  |  5:33.55 |  6:17.24 |     25030    |    53328
        3  | 11:51.04 |  7:26.08 |     53329    |    86786
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        5  | 23:20.13 |  7:48.41 |    105013    |   140153
        6  | 31:08.54 |  8:35.45 |    140154    |   178823
        7  | 39:44.24 |  8:51.40 |    178824    |   218688
Track  1
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     Copy CRC D5628038
     Accurately ripped (confidence 8)  [F8F4435F]  (AR v2)
     Copy OK
Track  2
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Track  3
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Track  4
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Track  5
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Track  6
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Track  7
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All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.6
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Submit result: 2Xpr.N1sdXV7Mi6n1Y3rKCoAByY- has been confirmed
Track | CTDB Status
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  2   | (14/14) Accurately ripped
  3   | (14/14) Accurately ripped
  4   | (14/14) Accurately ripped
  5   | (14/14) Accurately ripped
  6   | (14/14) Accurately ripped
  7   | (13/14) Accurately ripped
==== Log checksum 14840AD5A48C38BD5213BB039F9FBE38E678602818102D6ACEAD9FAC2BDB131B ====

REM GENRE Jazz
REM DATE 1965
REM DISCID 520B6307
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Miles Davis"
TITLE "E.S.P."
FILE "01 - E.S.P..wav" WAVE
  TRACK 01 AUDIO
    TITLE "E.S.P."
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
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    PERFORMER "Miles Davis"
    INDEX 00 05:28:62
FILE "02 - Eighty-One.wav" WAVE
    INDEX 01 00:00:00
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FILE "03 - Little One.wav" WAVE
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  TRACK 04 AUDIO
    TITLE "R.J."
    PERFORMER "Miles Davis"
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  TRACK 05 AUDIO
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  TRACK 07 AUDIO
    TITLE "Mood"
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    INDEX 00 08:30:52
FILE "07 - Mood.wav" WAVE
    INDEX 01 00:00:00

[CUETools log; Date: 18.07.2017 14:42:31; Version: 2.1.5]
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Track | CTDB Status
  1   | (15/15) Accurately ripped
  2   | (15/15) Accurately ripped
  3   | (15/15) Accurately ripped
  4   | (15/15) Accurately ripped
  5   | (15/15) Accurately ripped
  6   | (15/15) Accurately ripped
  7   | (14/15) Accurately ripped
[AccurateRip ID: 000c5392-004b2431-520b6307] found.
Track   [  CRC   |   V2   ] Status
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 02     [dbcb2df2|ec413dfc] (0+8/8) Accurately ripped
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Track Peak [ CRC32  ] [W/O NULL] [  LOG   ]
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ESP marks the beginning of a revitalization for Miles Davis, as his second classic quintet -- saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams -- gels, establishing what would become their signature adventurous hard bop. Miles had been moving toward this direction in the two years preceding the release of ESP and he had recorded with everyone outside of Shorter prior to this record, but his addition galvanizes the group, pushing them toward music that was recognizably bop but as adventurous as jazz's avant-garde. Outwardly, this music doesn't take as many risks as Coltrane or Ornette Coleman's recordings of the mid-'60s, but by borrowing some of the same theories -- a de-emphasis of composition in favor of sheer improvisation, elastic definitions of tonality -- they created a unique sound that came to define the very sound of modern jazz. Certainly, many musicians have returned to this group for inspiration, but their recordings remain fresh, because they exist at this fine dividing line between standard bop and avant. On ESP, they tilt a bit toward conventional hard bop (something that's apparent toward the end of the record), largely because this is their first effort, but the fact is, this difference between this album and hard bop from the early '60s is remarkable. This is exploratory music, whether it's rushing by in a flurry of notes or elegantly reclining in Hancock's calm yet complex chords. The compositions are brilliantly structured as well, encouraging such free-form exploration with their elliptical yet memorable themes. This quintet may have cut more adventurous records, but ESP remains one of their very best albums.