(Fusion, Jazz-Rock, Experimental) Percy Jones - Cape Catastrophe - 1990, FLAC (image+.cue), lossless

Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 12. January 2012, 10:07
Percy Jones / Cape Catastrophe
Used drive  : Optiarc DVD RW AD-7170A   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : User Defined Encoder
Selected bitrate                : 320 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
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        1  |  0:00.32 |  2:40.00 |        32    |    12031
        2  |  2:40.32 | 10:39.00 |     12032    |    59956
        3  | 13:19.32 |  6:09.00 |     59957    |    87631
        4  | 19:28.32 |  4:41.00 |     87632    |   108706
        5  | 24:09.32 | 23:07.00 |    108707    |   212731
        6  | 47:16.32 |  5:00.00 |    212732    |   235231
        7  | 52:16.32 |  7:01.00 |    235232    |   266806
        8  | 59:17.32 |  4:10.00 |    266807    |   285556
Range status and errors
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     Filename C:\EAC\Downloads\Percy Jones - Cape Catastrophe.wav
     Peak level 100.0 %
     Extraction speed 5.1 X
     Range quality 100.0 %
     Test CRC 849EC8EA
     Copy CRC 849EC8EA
     Copy OK
No errors occurred
AccurateRip summary
Track  1  accurately ripped (confidence 1)  [B4177D43]  (AR v1)
Track  2  accurately ripped (confidence 1)  [7A573265]  (AR v1)
Track  3  accurately ripped (confidence 1)  [0459FE42]  (AR v1)
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Track  5  accurately ripped (confidence 1)  [126610F8]  (AR v1)
Track  6  accurately ripped (confidence 1)  [24F80235]  (AR v1)
Track  7  accurately ripped (confidence 1)  [FAD57E6C]  (AR v1)
Track  8  accurately ripped (confidence 1)  [2433AA6D]  (AR v1)
All tracks accurately ripped
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==== Log checksum 516AC281ED6889A8ED6FCA9A7B04EFF8CF55A7F632EFE72CF4D5062D139AE9C5 ====

REM GENRE Fusion
REM DATE 1990
REM DISCID 620EDF08
REM COMMENT "ExactAudioCopy v1.0b2"
PERFORMER "Percy Jones"
TITLE "Cape Catastrophe"
FILE "Percy Jones - Cape Catastrophe.flac" WAVE
  TRACK 01 AUDIO
    TITLE "The Lie"
    PERFORMER "Percy Jones"
    INDEX 00 00:00:00
    INDEX 01 00:00:32
  TRACK 02 AUDIO
    TITLE "Cape Catastrophe"
    PERFORMER "Percy Jones"
    INDEX 00 02:36:32
    INDEX 01 02:40:32
  TRACK 03 AUDIO
    TITLE "Slick"
    PERFORMER "Percy Jones"
    INDEX 00 13:16:32
    INDEX 01 13:19:32
  TRACK 04 AUDIO
    TITLE "Hex"
    PERFORMER "Percy Jones"
    INDEX 00 19:24:32
    INDEX 01 19:28:32
  TRACK 05 AUDIO
    TITLE "Barrio"
    PERFORMER "Percy Jones"
    INDEX 00 24:05:32
    INDEX 01 24:09:32
  TRACK 06 AUDIO
    TITLE "Tunnels"
    PERFORMER "Percy Jones"
    INDEX 00 47:12:32
    INDEX 01 47:16:32
  TRACK 07 AUDIO
    TITLE "Thin Line"
    PERFORMER "Percy Jones"
    INDEX 00 52:12:32
    INDEX 01 52:16:32
  TRACK 08 AUDIO
    TITLE "Symphony in F Major"
    PERFORMER "Percy Jones"
    INDEX 00 59:13:32
    INDEX 01 59:17:32

Fusion bassists, including the utterly unique and underpraised Percy Jones, have always labored in the shadow of Weather Report's Jaco Pastorius. Of all the musicians who strapped on fretless electric basses during the '70s through to today, Jones certainly deserves attention beyond the seemingly inevitable Pastorius comparisons. Most assuredly, the '70s and '80s British fusion outfit Brand X would have sounded far more ordinary without Jones, as would such classic Brian Eno LPs as Another Green World and Before and After Science. After his years in the heyday of British fusion and art rock, Jones moved to New York City and began occasionally showing up as a performer on the so-called downtown scene, as logical a place for him to attempt a fresh start as any. He recorded Cape Catastrophe in 1988 and 1989 at a studio in East Harlem. Using an array of the era's available hardware (including, as the product-placing liners indicate, a Casio synthesizer, Roland sequencer, Yamaha drum machine, and Korg digital delay), Jones laid down tracks ranging from two-and-a-half minutes to over 23 minutes in length, and then accompanied the tracks live on his five-string (Wal V, for those interested in brands) bass as the direct-to-digital recording was made. The results were generally quite impressive, and stand the test of time well over a decade later. There is certainly a lot here for electric bass-aholics to enjoy; Jones' burbles, pops, and plonks are all here, and his tone on the sustained notes is rich with harmonic overtones as expected. But the music through which the bass slips and slides is often more like twisted instrumental techno-funk than fusion, along with ominous electronic textures that sometimes sound like an ethereal choir or gruff, agitated shouts distorted beyond recognition. Sometimes the rhythms are steady enough that dancing wouldn't be out of the question (on "Hex," for example), but most of the time, Jones' drum machine is used to syncopate even the conventional four- or eight-beat measures in jarring and unexpected ways, which would probably send today's dance-oriented audiences into conniption fits. Some of the music tends to meander a bit -- Jones has chops to burn and isn't shy about putting them on full display -- but he usually keeps everything moving along so that listener interest rarely flags, even on the multi-sectioned opus "Barrio," the CD's previously referenced longest track. Otherwise, missteps are few, and criticisms of them would tend to fall in the category of conceptual quibbles (e.g., Jones' bass sings in the fusion ballad opening and closing to "Slick," but these passages seem somewhat illogically pasted on the thrashing workout at the center of the piece). Jones composed everything on Cape Catastrophe except the final track which, surprisingly, turns out to be an arrangement of Thomas Arne's Symphony in F major, tinged with a bit of the feeling of '70s experimental German synth rock. Cape Catastrophe is an intriguing example of fusion moving toward electronica, and perhaps because it falls between the two camps, it didn't receive the attention it deserved. The CD shouldn't be overlooked, however, any more than the comparatively well-known music that Percy Jones played on albums by Eno and Brand X back during the '70s prog rock and fusion years.

Percy Jones Arranger, Bass, Drum Programming, Producer, Synthesizer