(Fusion, Jazz-Rock) [CD] Tribal Tech (Scott Henderson, Gary Willis) - Face First - 1993 (2015 Japan Edition), FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
Отчёт EAC об извлечении, выполненном 27. марта 2016, 22:03
Tribal Tech / Face First
Дисковод: Optiarc DVD RW AD-7203S   Adapter: 1  ID: 0
Режим чтения                 : Достоверность
Использование точного потока : Да
Отключение кэша аудио        : Да
Использование указателей C2  : Нет
Коррекция смещения при чтении                     : 48
Способность читать области Lead-in и Lead-out     : Нет
Заполнение пропущенных сэмплов тишиной            : Да
Удаление блоков с тишиной в начале и конце        : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс                                         : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат          : Пользовательский кодировщик
Выбранный битрейт        : 128 kBit/s
Качество                 : Высокий
Добавление ID3-тега      : Нет
Утилита сжатия           : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Дополнительные параметры : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC извлечённого CD
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      11  | 65:04.31 |    5:40.01   |      292831      |     318331
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
     Имя файла D:\Music\_Egor from PTZ_05_02\Tribal Tech - Face First (1993)\Tribal Tech - Face First (1993).wav
     Пиковый уровень 99.9 %
     Скорость извлечения 4.5 X
     Качество диапазона 100.0 %
     CRC теста EA176B7A
     CRC копии EA176B7A
     Копирование... OK
Ошибок не произошло
AccurateRip: сводка
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Конец отчёта
==== Контрольная сумма отчёта 6C3334994C25236EE759AE4396F2ED9F4647194F95C94AC6B661BB4251CA66C6 ====

REM GENRE Jazz
REM DATE 1993
REM DISCID 8910940B
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Tribal Tech"
TITLE "Face First"
FILE "Tribal Tech - Face First.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Face First"
    PERFORMER "Tribal Tech"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Canine"
    PERFORMER "Tribal Tech"
    INDEX 00 07:04:29
    INDEX 01 07:05:36
  TRACK 03 AUDIO
    TITLE "After Hours"
    PERFORMER "Tribal Tech"
    INDEX 00 13:26:70
    INDEX 01 13:29:27
  TRACK 04 AUDIO
    TITLE "Revenge Stew"
    PERFORMER "Tribal Tech"
    INDEX 00 20:50:27
    INDEX 01 20:52:43
  TRACK 05 AUDIO
    TITLE "Salt Lick"
    PERFORMER "Tribal Tech"
    INDEX 00 26:56:37
    INDEX 01 26:59:26
  TRACK 06 AUDIO
    TITLE "Uh ... Yeah OK"
    PERFORMER "Tribal Tech"
    INDEX 01 36:44:03
  TRACK 07 AUDIO
    TITLE "The Crawling Horror"
    PERFORMER "Tribal Tech"
    INDEX 00 43:25:63
    INDEX 01 43:28:08
  TRACK 08 AUDIO
    TITLE "Boiler Room"
    PERFORMER "Tribal Tech"
    INDEX 01 51:13:11
  TRACK 09 AUDIO
    TITLE "Boat Gig"
    PERFORMER "Tribal Tech"
    INDEX 01 52:47:59
  TRACK 10 AUDIO
    TITLE "The Precipice"
    PERFORMER "Tribal Tech"
    INDEX 00 58:44:56
    INDEX 01 58:47:55
  TRACK 11 AUDIO
    TITLE "Wounded"
    PERFORMER "Tribal Tech"
    INDEX 00 65:02:13
    INDEX 01 65:04:31

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Although it was their sixth album overall, Tribal Tech's 1993 release, Face First, was only the second to feature the still-existing lineup of guitarist Scott Henderson, bassist Gary Willis, keyboardist Scott Kinsey, and drummer Kirk Covington. Previously, Henderson and Willis had juggled lineups and eased further away from traditional jazz toward improvisational fusion through the 1985-1991 albums Spears, Dr. Hee, Nomad, and Tribal Tech. But the quartet of musical leftists gelled on Face First, improving on its promising 1992 debut, Illicit. Henderson's solo on the opening title track -- over a percolating Willis bassline -- shows the guitarist's range of influences from Jeff Beck and Jimi Hendrix to Albert King and Stevie Ray Vaughan. Funk pieces like "Canine" and "Uh...Yeah OK" show glimpses of the group's future, all-improvised CDs; hummingbird-quick drummer Covington's lead vocal on the cover-band farce "Boat Gig" set the stage for Henderson"'s solo blues debut the next year. In between, synth-master Kinsey's jazzy "After Hours" and Henderson's New Orleans-tinged "Revenge Stew" provide thought-provoking rest areas -- necessary because of breathtaking ten-minute thrill rides like the blues, bop, and beyond of "Salt Lick." Willis' Weather Report-like "The Precipice" and "Wounded" ease you to the finish of Face First, the album that made a statement that Henderson, Willis, and company have not yet begun to finish.