(Fusion, Jazz-Funk, Jazz-Rock) Miles Davis - Pangaea (2CD) (US Edition) - 1975, FLAC (tracks+.cue), lossless

Miles Davis - Pangaea Жанр: Fusion, Jazz-Funk, Jazz-Rock Страна-производитель диска: США Год издания: 1990 Издатель (лейбл): Columbia/CBS Номер по каталогу: C2K 46115 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: CD1 - 41:48; CD2 - 46:50 Источник (релизер): Mazeppa (hqshare) Наличие сканов в содержимом раздачи: даТреклист: CD1: 01. Zimbabwe CD2: 01. GondwanaСостав: Miles Davis - trumpet, organ Sonny Fortune - soprano saxophone, alto saxophone, flute Pete Cosey - guitar, synthi, percussion Reggie Lucas - guitar Michael Henderson - Fender bass Al Foster - drums Mtume - congas, percussion, water drums, rhythm boxRecorded live at Osaka Festival Hall, Japan, Evening, February 1, 1975.  Лог создания рипа CD1 EAC extraction logfile from 9. July 2006, 18:46 for CDMiles Davis / Pangaea - Disc 1Used drive : LITE-ON CD-ROM LTN-527T Adapter: 1 ID: 1Read mode : Secure with NO C2, accurate stream, disable cacheCombined read/write offset correction : 12Overread into Lead-In and Lead-Out : NoUsed output format : C:\Program Files\FLAC\flac.exe (User Defined Encoder) 320 kBit/s Additional command line options : -5 -V -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %sOther options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Native Win32 interface for Win NT & 2000Track 1 Filename D:\Downloads\Miles Davis - Pangaea (Columbia 1975)[FLAC][Scans]\CD 1\01 - Zimbabwe.wav Pre-gap length 0:00:02.00 Peak level 91.6 % Track quality 100.0 % Test CRC 8D5DFD68 Copy CRC 8D5DFD68 Copy OKNo errors occuredEnd of status report  Лог создания рипа CD2 EAC extraction logfile from 9. July 2006, 19:10 for CDMiles Davis / Pangaea - Disc 2Used drive : LITE-ON CD-ROM LTN-527T Adapter: 1 ID: 1Read mode : Secure with NO C2, accurate stream, disable cacheCombined read/write offset correction : 12Overread into Lead-In and Lead-Out : NoUsed output format : C:\Program Files\FLAC\flac.exe (User Defined Encoder) 320 kBit/s Additional command line options : -5 -V -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %sOther options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Native Win32 interface for Win NT & 2000Track 1 Filename D:\Downloads\Miles Davis - Pangaea (Columbia 1975)[FLAC][Scans]\CD 2\01 - Gondwana.wav Pre-gap length 0:00:02.00 Peak level 86.5 % Track quality 100.0 % Test CRC EBD51426 Copy CRC EBD51426 Copy OKNo errors occuredEnd of status report  Содержание индексной карты (.CUE) CD1 REM GENRE JazzREM DATE 1975REM DISCID 0209CC01REM COMMENT "ExactAudioCopy v0.95b3"PERFORMER "Miles Davis"TITLE "Pangaea - Disc 1"FILE "01 - Zimbabwe.wav" WAVE TRACK 01 AUDIO TITLE "Zimbabwe" PERFORMER "Miles Davis" FLAGS PRE INDEX 01 00:00:00  Содержание индексной карты (.CUE) CD2 REM GENRE JazzREM DATE 1975REM DISCID 020AFA01REM COMMENT "ExactAudioCopy v0.95b3"PERFORMER "Miles Davis"TITLE "Pangaea - Disc 2"FILE "01 - Gondwana.wav" WAVE TRACK 01 AUDIO TITLE "Gondwana" PERFORMER "Miles Davis" FLAGS PRE INDEX 01 00:00:00  Отчет CUETools [CUETools log; Date: 17.10.2012 3:22:35; Version: 2.1.4][CTDB TOCID: 7IRe5yT8YiQNo9PSC2V534EKx3o-] found.Track | CTDB Status 1 | (4/4) Accurately ripped[AccurateRip ID: 0002ded0-0005bda1-0209cc01] found.Track [ CRC | V2 ] Status 01 [ba06c923|6f9ce6cf] (15+04/19) Accurately rippedTrack Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 91,6 [8D5DFD68] [6844C284] CRC32 01 91,6 [8D5DFD68] [6844C284] CRC32[CUETools log; Date: 17.10.2012 3:23:14; Version: 2.1.4][CTDB TOCID: doVJ06aKbzw9IcVteqvJRQwQGV0-] found.Track | CTDB Status 1 | (3/3) Accurately ripped[AccurateRip ID: 0003374f-00066e9f-020afa01] found.Track [ CRC | V2 ] Status 01 [11717fb1|9042acfe] (13+03/16) Accurately rippedTrack Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 86,5 [EBD51426] [9C8BF92F] CRC32 01 86,5 [EBD51426] [9C8BF92F] CRC32  Review by Thom JurekThis is the second of two performances from February 1975 at the Osaka Festival Hall in Japan. This is the evening show; the Columbia release Agharta was the afternoon show. Pangaea is comprised of two tracks, "Zimbabwe" and "Gondwana." Each is divided into two parts. The band here is comprised of Sonny Fortune on saxophones, Pete Cosey (who also played synth) and Reggie Lucas on guitars, Michael Henderson on bass, Al Foster on drums, James Mtume on percussion, and Davis on trumpet and organ. The band, no doubt inspired by their amazing performance earlier in the day, comes out swinging, and I mean like Muhammad Ali, not Benny Goodman. This is a take-no-prisoners set. Davis seems to be pushing an agenda of "What the hell is melody and harmony? And bring on the funk -- and while you're at it, Pete, play the hell outta that guitar. More drums!" If there is anything that's consistent in this free-for-all, as everybody interacts with everyone else in an almighty dirty groove & roll while improv is at an all-time high, it's the rhythmic, or should we emphasize "polyrhythmic," invention. Mtume and Foster are monstrous in moving this murky jam session along ("Zimbabwe" is one set, and "Gondwana" is the second of the evening) some surreal lines. When Cosey's not ripping the pickups out of his guitar, he's adding his hands to various percussion instruments in the pursuit of the all-powerful Miles Davis' inflected voodoo funk. And while it's true that this set is as relentless as the Agharta issue, it's not quite as successful, though it's plenty satisfying. The reason is simple: the dynamic and dramatic tensions of the afternoon session could never have been replicated, they were based on all conditions being right. Here, while the moods and textures are carried and the flow is quite free, the dramatic tension is not as present; the mood is not quite so dark. And while the playing of certain individuals here may be better than it is on Agharta, the band's playing isn't quite at that level. That said, this is still an essential Miles Davis live record and will melt your mind just as easily as Agharta. People would complain on this tour that Davis played with his back to the audience a lot -- Lester Bangs went so far as to say he hated his guts for it. But if you were this focused on creating a noise so hideously beautiful from thin air, you might not have time to socialize either. Здесь - японское издание.