(Free Jazz) VA - Radio Bremen Free Jazz Session (Alexander von Schlippenbach, Irene Schweizer, Peter Brotzmann, Manfred Schoof)(Bootleg) - 1967, MP3, 320 kbps

Radio Bremen Free Jazz Session Alexander von Schlippenbach, Irene Schweizer Trio, Peter Brötzmann Quartet, Manfred Schoof Quintet September 12, 1967 – BremenStudio Session• Жанр: Free Jazz Страна: Germany Год издания: 1967 Аудиокодек: MP3 Тип рипа: tracks Битрейт аудио: 320 kbps Продолжительность: 49:36 Наличие сканов в содержимом раздачи: да 01 - ANYTHING GOES (Irene Schweizer) – 9:11 Irene Schweizer - Piano; Uli Trepte - Bass; Mani Neumeier - Drum 02 - EVERYTHING (Peter Brötzmann) – 6:36 Peter Brötzmann - Tenor Saxsophone; Fred van Hove - Piano; Peter Kowald - Bass; Sven Åke Johansson - Drum 03 - PIANO SKETCHES (Irene Schweizer) – 10:14 Fred van Hove, Irene Schweizer, Alexander von Schlippenbach - Piano; Peter Kowald, Uli Trepte, Buschi Niebergall - Bass; Sven Åke Johansson, Mani Neumeier, Jaki Liebezeit - Drum 04 - THREE (Peter Brötzmann) – 7:59 Peter Brötzmann - Tenor Saxsophone; Fred van Hove, Irene Schweizer, Alexander von Schlippenbach - Piano; Peter Kowald, Uli Trepte, Buschi Niebergall - Bass; Sven Åke Johansson, Mani Neumeier, Jaki Liebezeit - Drum 05 - IMPROVISATIONEN (Sven Åke Johansson) – 15:12 Irene Schweizer Trio + Peter Brötzmann Quartet + Manfred Schoof Quintet   О сборнике “This is another milestone in European Free Jazz History. “It’s the first broadcast recording of a ‘Free Jazz Jam Session’ as far as I know. And this would become the model for the following annual events of the ‘Free Jazz Meeting’, organized by Joachim Ernst Behrendt and the SWF in Baden-Baden since December 1967 and also of the ‘Total Music Meeting’ and ‘Workshop Freie Musik’ in Berlin/West, organized by the musician themselves and their FMP organisation since November 1968. “The main idea was the same as for the first performance of ‘Globe Unity’ in 1966 – the combination of three groups. But here in the studio of Radio Bremen they came together to create unprepared live music. First the three groups introduced themselves. Brötzmann, who had recorded his self-made and private-financed first Trio LP in June 1967, was introducing his new Quartet with Fred van Hove. Then, after the Schoof Quintet (not included here) they mixed up the line-ups for several free improvised group compositions. The given composers, you are finding within the brackets, gave only the main idea for the setting. “I think, during this session also the idea for the big ‘Machine Gun’ formations of Brötzmann was born. This orchestra was touring in 1968 and recorded as an octet in may 1968 (again in Bremen). “The five pieces from my collection are only a fragment of this historic session. The original tapes should still be stored in the archive of Radio Bremen (now Nordwestdeutscher Rundfunk NWDR), waiting to be dug out to be published.” What’s missing in European Free Jazz is the spiritual element that motivated Albert Ayler and that other sense of social injustice that other black American jazz musicians raged against. The lack is made up with a sometimes painful brutality in their playing. Everything is hit hard, blown loud, quietly menacing if at all quiet. The form is all here. Which begs the question, why listen to ugly music? To understand beauty, you must. Nothing here has been officially released. Excellent stereo broadcast. - Professor Red