(Free Jazz, Free Improvisation, FMR) Trevor Watts Drum Orchestra - Burundi Monday - 1983, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 20. June 2013, 23:30
Trevor Watts Drum Orchestra / Burundi Monday
Used drive  : PIONEER DVD-RW  DVR-115D   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
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        1  |  0:00.00 | 34:41.26 |         0    |   156100
        2  | 34:41.26 | 15:14.64 |    156101    |   224714
Track  1
     Filename D:\zzz\01 - Burundi Monday.wav
     Pre-gap length  0:00:02.00
     Peak level 100.0 %
     Extraction speed 6.4 X
     Track quality 100.0 %
     Test CRC BC5335FF
     Copy CRC BC5335FF
     Accurately ripped (confidence 1)  [B0C3931D]  (AR v1)
     Copy OK
Track  2
     Filename D:\zzz\02 - Double Up.wav
     Peak level 100.0 %
     Extraction speed 8.3 X
     Track quality 100.0 %
     Test CRC 72040054
     Copy CRC 72040054
     Accurately ripped (confidence 1)  [34D3F201]  (AR v1)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum CCAD18C058248846AF7459DADA4408D09D46D2CBDF46712D0A00C5A6CF36FBA6 ====

REM GENRE "Avant-Garde Jazz"
REM DATE 1983
REM DISCID 0F0BB402
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Trevor Watts Drum Orchestra"
TITLE "Burundi Monday"
FILE "01 - Burundi Monday.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Burundi Monday"
    PERFORMER "Trevor Watts Drum Orchestra"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "02 - Double Up.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Double Up"
    PERFORMER "Trevor Watts Drum Orchestra"
    FLAGS DCP
    INDEX 01 00:00:00

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. Burundi Monday.wav]
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This track looks like CDDA with probability 100%
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Processing file: [02. Double Up.wav]
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This track looks like CDDA with probability 100%
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Final Conclusion:
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These tracks looks like CDDA with probability 100%

American listeners may know Trevor Watts as an accomplished alto/soprano saxophonist, but more likely they will associate him with the British avant-garde.
Now in his late sixties, Watts logged a lot of time with blues, rock and traditional jazz bands before joining drummer John Stevens in 1965 to form the Spontaneous Music Ensemble (SME), a collective that provided a launching pad for many visionary British free improvisers—from Watts to Dave Holland, Kenny Wheeler, Derek Bailey and Barry Guy.
Burundi Monday, recorded live in 1983 by the Trevor Watts Drum Orchestra (put together in the 1980s) presents to our more contemporary ears a fresh, exciting and focused example of mostly improvised music. The two tracks ("Burundi Monday clocking in at near thirty-five minutes and "Double Up just under half that length) reveal the huge difference in approach between the Drum Orchestra's layering of a groove foundation and the more illustrious, unpredictable SME.
Here we hear a side of Watts' playing and listening skills that might not have been so evident elsewhere. There's more of his background in traditional jazz and blues as well as the obvious penchant for African music: far from a simple appropriation of stylistic affectations, it's heartfelt music played with deep musical skill, yet open to spontaneity.
The players are outstanding, including surprises in violinist Peter Knight (known more for his work in the British trad-folk-rock band Steeleye Span) and drummer Liam Genockey (also more from the rock world). Both contribute wonderfully to the total concept with a special melodic interplay.
Bassist Ernest Mothle also contributes greatly to the overall sound, working with a multi- dimensional approach that invokes Jaco Pastorius' electric chops and Charlie Haden's floating, harmonic directions. This first-time issue is a real find.

Bass – Ernest Mothle
Drums [Drum] – Liam Genockey
Percussion [African Percussion] – Mmadi Kamara, Nana Tsiboe
Saxophone [Saxophones] – Trevor Watts
Violin – Peter Knight