(Free Improvisation, Noise, Drone, Sound Art ) Eli Keszler - Catching Net - 2012, WEB, FLAC (tracks), lossless

Eli Keszler / Catching Net Жанр: Free Improvisation, Noise, Drone Год издания: 2012 Издатель (лейбл): PAN Номер по каталогу: PAN 32 Аудиокодек: FLAC (*.flac) Тип рипа: tracks Битрейт аудио: lossless Продолжительность: 92:51 Источник (релизер): whatcd/meltapple Наличие сканов в содержимом раздачи: нет Треклист: 01 - Cold Pin 1 02 - Cold Pin 2 03 - Cold Pin 3 - Ensemble 04 - Catching Net 05 - Cold Pin - Installation Recording 06 - Collecting Basin  Лог проверки качества AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~-=== DO NOT EDIT THIS FILE! ===-Path: ...\Eli Keszler - Catching Net (2012) [FLAC]1 -=- 1-01 - Cold Pin 1.flac -=- CDDA (100%)2 -=- 1-02 - Cold Pin 2.flac -=- CDDA (100%)3 -=- 1-03 - Cold Pin 3 - Ensemble.flac -=- CDDA (100%)4 -=- 2-01 - Catching Net.flac -=- CDDA (100%)5 -=- 2-02 - Cold Pin - Installation Recording.flac -=- CDDA (100%)6 -=- 2-03 - Collecting Basin.flac -=- CDDA (100%)Summary 100,00% CDDA82904388  Об альбоме (сборнике)New York-based percussionist and sound artist Eli Keszler dropped jaws last year with his unstoppable one-two punch of the ‘Red Horse’ LP on Type and ‘Cold Pin’ on PAN. Admittedly this was the first most listeners had heard from him, but new devotees were quick to fall over each other to grab anything else Keszler had put his name to, so it’s a fan service from PAN that they’ve put together this bumper double CD that collects up all the disparate pieces of the Cold Pin recordings. The original installation was set up in Boston’s cavernous Cyclorama gallery, and finds Keszler stretching gigantic strings across the walls and letting small motorized hammers ‘play’ them at random intervals. Accompanied by a group of similarly outré minds (Geoff Mullen, Greg Kelley, Reuben Son and wife Ashley Paul) the musicians played to the randomized booming strings, and now, unlike the studio recordings we heard on the previously released LP we can hear the piece in full unedited form, together with the gigantic reverb of the room itself. Probably the most stunning addition to the original pieces though is Keszler’s recordings of the Cold Pin exhibit he set up in Shriveport Louisiana, where the strings were stretched across two large empty water purification basins. You probably have an idea of how that might sound, but needless to say Thomas Koner’s peerless ‘Permafrost’ might be a good place to start. Elsewhere we’re treated to a full ensemble recording (with the Providence string quartet), which reframes the piece as a defiantly modern re-imagining of Ligeti – dissonant, disconcerting and gruesomely eerie. Even if you’ve already bagged the LP you won’t want to miss out on ‘Catching Net’, it’s yet more proof that at only 28 years old Eli Keszler is already one of the most important voices in the experimental music scene right now. Highly recommended.