(Free Improvisation, Environmental Concerts, Spoken Word, Field Recording) Alvin Curran - Maritime Rites - 2004, FLAC (tracks+.cue), lossless

Alvin Curran - Maritime Rites
Жанр: Free Improvisation, Environmental Concerts, Spoken Word, Field Recording
Год выпуска диска: 2004
Производитель диска: New World Records (80625)
Источник: вот.сиди (zen0)
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 2:05:32 (музыка) + 16:03 (комментарии)
Leo Smith Trumpet, Seal Horn
Pauline Oliveros Accordion
Steve Lacy Soprano Saxophone
Clark Coolidge Voice
Joseph Celli Oboe, Saxophone, English Horn, Mukha Veena
Jon Gibson Soprano Saxophone
Malcolm Goldstein Violin
George Lewis Trombone
John Cage Voice
Alvin Curran Voice
Трэклист:
Disc 1
1. World Music (Leo Smith) 10:57
2. Rattlesnake Mountain (Pauline Oliveros) 10:46
3. Coastline (Steve Lacy) 11:33
4. Mine (Clark Coolidge) 11:09
5. Improvisation (Joseph Celli) 10:54
6. Soft Shoulder (Jon Gibson) 10:58
Appendix

7–12. Program introductions 8:19

Maritime Rites is a series of ten environmental concerts for radio composed by Alvin Curran. This series features the Eastern Seaboard of the United States as a musical source in collaboration with improvised musical performances by ten distinguished artists in the American new-music scene: John Cage, Joseph Celli, Clark Coolidge, Jon Gibson, Malcolm Goldstein, Steve Lacy, George Lewis, Pauline Oliveros, Leo Smith, and Alvin Curran. The programs use specifically recorded natural sounds as musical counterpoint to the soloists, whose improvisations are freely restructured and mixed by Curran. As nature is spontaneous and unpredictable, so is the music of man. Curran simply brings the two together in a common radiophonic sound-space letting both chance and intention make the music. Featured here are the foghorns of Virginia, Maryland, Delaware, New Jersey, New York, Connecticut, Rhode Island, Massachusetts, New Hampshire, Maine, and New Brunswick, Canada. Also included are maritime bells, gongs, whistles, and regional bird and animal life. Comments from lighthouse keepers, Coast Guard personnel, and other local people are woven impressionistically throughout.

7. Program Introduction - World Music (1:30)

1. Leo Smith, composer and multi-instrumentalist, playing trumpet and seal horn in his composition World Music. This solo is mixed almost indistinguishably with the sounds of boats passing through Wood’s Hole, Massachusetts; the foghorns at Portland Head, Maine, and Point Judith, Rhode Island; the boat horns of an American Container Line vessel in Port Elizabeth, New Jersey, and a McAllister tugboat in New York Harbor.

8. Program Introduction - Rattlesnake Mountain (1:29)

2. Pauline Oliveros, composer and accordionist, performing her piece Rattlesnake Mountain. Mixed with her solo, in a quiet rhythm that emulates breath itself, are the sounds of the whistle buoy near Robinson’s Rock, a threetoned gong from the Graves near Camden, and foghorns from Rockland Harbor, all in Maine. Also heard is the voice of the only female lighthouse keeper in America, Karen McLean of the U.S. Coast Guard, Doubling Point, Maine.

9. Program Introduction - Coastline (1:21)

3. Steve Lacy, composer and soprano saxophonist, playing his work Coastline, whose melody is inspired by the contours of the Italian coastline near Sperlonga. Combined with his solo are foghorns from another coast: Portland Head and West Quoddy in Maine; Governor’s Island in New York Harbor; and Cove Point, Maryland, in Chesapeake Bay. Also heard are Coast Guard personnel Tim Barber, Portland Head; John Richardson, West Quoddy; and Eddie Calhoun, Cove Point.

10. Program Introduction - Mine (1:27)

4. Clark Coolidge, experimental sound-text poet, reading from his 1982 work titled Mine: The One That Enters the Stories. Also heard is Arlan Coolidge, retired chairman of the Brown University Music Department, reminiscing about Block Island, Rhode Island, in 1918 and playing a portion of the popular 1917 song “Smiles” on the violin. This material is mixed with the foghorns of Martha’s Vineyard, Massachusetts, all three horns on Block Island, and the foghorn on the Block Island Ferry during its crossing.

11. Program Introduction - Improvisation (1:41)

5. Joseph Celli, composer and oboist, playing reeds, English horn, and a mukha veena, an Indian double-reed instrument. His solo is combined with the haunting, almost ghost-like night sounds of plovers, a bell buoy, loons from Maine, peepers from Connecticut, frogs from Maryland, and the foghorns of Letete Passage in Black’s Harbour and Southwest Head Light on Grand Manan Island, both in New Brunswick, Canada, and Tangier Island in Chesapeake Bay. Also heard is the ambient sound of the radio room at the U.S. Coast Guard Station in Little Creek, Virginia, and an original sea chantey sung by dancer Simone Forti.

12. Program Introduction - Soft Shoulder (1:17)

6. Jon Gibson, composer and soprano saxophonist, playing his composition Soft Shoulder against a mixture of foghorns from Tangier Island West Thorofare in Chesapeake Bay; Montauk Point and Montauk Point West Jetty, on the tip of Long Island, New York; Point Judith, Rhode Island; and the Elbow of Cross Light on the New Jersey side of the Delaware Bay.

Disc 2
1. From Center of Rainbow, Sounding (Malcolm Goldstein) 11:00
2. Improvisation (George Lewis) 11:08
3. Ice, Dew, Food, Crew, Ape (John Cage) 11:22
4. Maritime Rites (Alvin Curran) 23:35
Appendix

5–8. Program introductions 6:59

5. Program Introduction - From Center of Rainbow, Sounding (1:34)

7. Malcolm Goldstein, composer and violinist, playing his composition From Center of Rainbow, Sounding against sounds exclusively from the state of Maine: two bell buoys in Camden Harbor; seals and eider ducks near Lime Island with the Rockland Light heard in the distance; the foghorn on Manana Island and the voices of lobstermen Phil Raynes, retired, and Clive Poole, both of Camden—an unusual dialogue between an old salt and a new-music violinist.

6. Program Introduction - Improvisation (1:30)

8. George Lewis, composer and trombonist. His solo—virtuoso soundings falling somewhere between human and animal expression—is mixed with the horn of the historical Nantucket II Lightship, the wave-activated whistle buoy in the Ambrose Channel, New York Harbor, and the voice of Captain Ken Black leading us through his Shore Village Museum in Rockland, Maine. Composer Anthony Braxton is also heard reciting five words.

7. Program Introduction - Ice, Dew, Food, Crew, Ape (1:14)

9. John Cage, poet and composer, reciting five monosyllabic words of his own choice. These are mixed—in a rigorous exercise in silence—with the famous diaphone horn of the Nantucket II Lightship and the broken horn of the Edgartown Lighthouse on Martha’s Vineyard, Massachusetts, which was recorded from the interior of the structure through a hole in the outer wall.

8. Program Introduction - Maritime Rites (2:57)

10. Alvin Curran, composer and the vocal soloist in this twenty-five-minute program of symphonic dimensions. The first section features the natural sounds of more than sixty foghorns and bells, gongs, whistles, and ships’ horns, all recorded on location between New Brunswick, Canada, and Chesapeake Bay, which are blended into an everthickening texture creating an imaginary panoramic soundscape. Of special note are the horns from Boothbay Harbor in Maine and a recording of the now dismantled Brenton Reef (Rhode Island) Lightship diaphone made by Peter Kilham of Foster, Rhode Island, in the 1950s. Also heard is a play on the word “rite” by composer Elliott Carter and reflections on foghorns by Senior Chief Daniel Warrington of the U.S. Coast Guard’s Aids to Navigation School on Governor’s Island in New York Harbor. The second section begins with the high-pitched malfunctioning horn of the Race Point Light on the tip of Cape Cod, Massachusetts, and features an improvised chorale of voices (all Curran) against the mysterious, almost humanlike vocal sound of the Brooklyn Bridge, which is caused by its vehicular traffic (drastically muted in the following decade to appease residents of lower Manhattan, this unique sound no longer exists); conch shells, and a concluding foghorn concert with horns from Upper New York Harbor. The program ends with folklorist Bill Bonyun of Westport Island, Maine, who sings a traditional American sea ballad, “Rolling Home,” accompanying himself on the concertina-like bandoneon.

Отчёт EAC

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Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
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Used interface                              : Installed external ASPI interface
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cue

REM GENRE Avantgarde
REM DATE 2004
REM DISCID 8411DF0C
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TITLE "Maritime Rites (CD1)"
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REM GENRE Avantgarde
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Отчёт Audiocheckera

AUDIOCHECKER v1.2 - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~
01 -===- H:\Песеньки\lossless\alvin curran\maritime rites 2004\Maritime Rites (CD1)\01 - World Music.flac
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  Conclusion: This track looks like CDDA with probability 100%
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  Extracted successfully
  Conclusion: This track looks like CDDA with probability 62%
03 -===- H:\Песеньки\lossless\alvin curran\maritime rites 2004\Maritime Rites (CD1)\03 - Coastline.flac
  Extracted successfully
  Conclusion: This track looks like CDDA with probability 86%
04 -===- H:\Песеньки\lossless\alvin curran\maritime rites 2004\Maritime Rites (CD1)\04 - Mine.flac
  Extracted successfully
  Conclusion: This track looks like CDDA with probability 100%
05 -===- H:\Песеньки\lossless\alvin curran\maritime rites 2004\Maritime Rites (CD1)\05 - Improvisation.flac
  Extracted successfully
  Conclusion: This track looks like CDDA with probability 100%
06 -===- H:\Песеньки\lossless\alvin curran\maritime rites 2004\Maritime Rites (CD1)\06 - Soft Shoulder.flac
  Extracted successfully
  Conclusion: This track looks like CDDA with probability 100%
07 -===- H:\Песеньки\lossless\alvin curran\maritime rites 2004\Maritime Rites (CD1)\07 - Program Introduction - World Music.flac
  Extracted successfully
  Conclusion: This track looks like CDDA with probability 100%
08 -===- H:\Песеньки\lossless\alvin curran\maritime rites 2004\Maritime Rites (CD1)\08 - Program Introduction - Rattlesnake Mountain.flac
  Extracted successfully
  Conclusion: This track looks like CDDA with probability 99%
09 -===- H:\Песеньки\lossless\alvin curran\maritime rites 2004\Maritime Rites (CD1)\09 - Program Introduction - Coastline.flac
  Extracted successfully
  Conclusion: This track looks like CDDA with probability 100%
10 -===- H:\Песеньки\lossless\alvin curran\maritime rites 2004\Maritime Rites (CD1)\10 - Program Introduction - Mine.flac
  Extracted successfully
  Conclusion: This track looks like CDDA with probability 100%
11 -===- H:\Песеньки\lossless\alvin curran\maritime rites 2004\Maritime Rites (CD1)\11 - Program Introduction - Improvisation.flac
  Extracted successfully
  Conclusion: This track looks like CDDA with probability 43%
12 -===- H:\Песеньки\lossless\alvin curran\maritime rites 2004\Maritime Rites (CD1)\12 - Program Introduction - Soft Shoulder.flac
  Extracted successfully
13 -===- H:\Песеньки\lossless\alvin curran\maritime rites 2004\Maritime Rites (CD2)\01 - From Center of Rainbow, Sounding.flac
  Extracted successfully
  Conclusion: This track looks like CDDA with probability 100%
14 -===- H:\Песеньки\lossless\alvin curran\maritime rites 2004\Maritime Rites (CD2)\02 - Improvisation.flac
  Extracted successfully
  Conclusion: This track looks like CDDA with probability 100%
15 -===- H:\Песеньки\lossless\alvin curran\maritime rites 2004\Maritime Rites (CD2)\03 - Ice, Dew, Food, Crew, Ape.flac
  Extracted successfully
  Conclusion: This track looks like CDDA with probability 99%
16 -===- H:\Песеньки\lossless\alvin curran\maritime rites 2004\Maritime Rites (CD2)\04 - Maritime Rites.flac
  Extracted successfully
  Conclusion: This track looks like CDDA with probability 100%
17 -===- H:\Песеньки\lossless\alvin curran\maritime rites 2004\Maritime Rites (CD2)\05 - Program Introduction - From Center of Rainbow, Sounding.flac
  Extracted successfully
  Conclusion: This track looks like CDDA with probability 99%
18 -===- H:\Песеньки\lossless\alvin curran\maritime rites 2004\Maritime Rites (CD2)\06 - Program Introduction - Improvisation.flac
  Extracted successfully
  Conclusion: This track looks like CDDA with probability 99%
19 -===- H:\Песеньки\lossless\alvin curran\maritime rites 2004\Maritime Rites (CD2)\07 - Program Introduction - Ice, Dew, Food, Crew, Ape.flac
  Extracted successfully
  Conclusion: This track looks like CDDA with probability 100%
20 -===- H:\Песеньки\lossless\alvin curran\maritime rites 2004\Maritime Rites (CD2)\08 - Program Introduction - Maritime Rites.flac
  Extracted successfully
  Conclusion: This track looks like CDDA with probability 100%

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26.08.2018 03:58

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(Free Improvisation, Environmental Concerts, Spoken Word, Field Recording) Alvin Curran - Maritime Rites - 2004, FLAC (tracks+.cue), lossless