(Electro-Jazz / Garage-Jazz / Post-Rock) Industrial Revelation - Oak Head - 2013, FLAC (tracks+.cue), lossless

Industrial Revelation / Oak Head Жанр: Electro-Jazz / Garage-Jazz / Post-Rock Страна-производитель диска: USA Год издания: 2013 Издатель (лейбл): Industrial Revelation Страна: USA Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 34:51:60 Источник (релизер): сеть Наличие сканов в содержимом раздачи: нет Треклист: 1. Walking (without) 2. The Lake 3. Shadowboxing in the Wind 4. Wanted (within) 5. Victorious Kite 6. PlaceSaver 7. Color of Caliman 8. Saying Goodbye (to rainbow socks and hair dye)  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 2013REM DISCID 72082B08REM COMMENT "ExactAudioCopy v1.0b3"PERFORMER "Industrial Revelation"TITLE "Oak Head"FILE "01 - Walking (without).wav" WAVE TRACK 01 AUDIO TITLE "Walking (without)" PERFORMER "Industrial Revelation" INDEX 01 00:00:00FILE "02 - The Lake.wav" WAVE TRACK 02 AUDIO TITLE "The Lake" PERFORMER "Industrial Revelation" INDEX 01 00:00:00FILE "03 - Shadowboxing in the Wind.wav" WAVE TRACK 03 AUDIO TITLE "Shadowboxing in the Wind" PERFORMER "Industrial Revelation" INDEX 01 00:00:00FILE "04 - Wanted (within).wav" WAVE TRACK 04 AUDIO TITLE "Wanted (within)" PERFORMER "Industrial Revelation" INDEX 01 00:00:00FILE "05 - Victorious Kite.wav" WAVE TRACK 05 AUDIO TITLE "Victorious Kite" PERFORMER "Industrial Revelation" INDEX 01 00:00:00FILE "06 - PlaceSaver.wav" WAVE TRACK 06 AUDIO TITLE "PlaceSaver" PERFORMER "Industrial Revelation" INDEX 01 00:00:00FILE "07 - Color of Caliman.wav" WAVE TRACK 07 AUDIO TITLE "Color of Caliman" PERFORMER "Industrial Revelation" INDEX 01 00:00:00FILE "08 - Saying Goodbye (to rainbow socks and hair dye).wav" WAVE TRACK 08 AUDIO TITLE "Saying Goodbye (to rainbow socks and hair dye)" PERFORMER "Industrial Revelation" INDEX 01 00:00:00  Лог проверки качества -----------------------DON'T MODIFY THIS FILE-----------------------PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1Copyright (c) 2008-2010 y-soft. All rights reservedhttp://y-soft.orgANALYZER: auCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.FILE: 08 - Saying Goodbye (to rainbow socks and hair dye).flac Size: 23544619 Hash: 0E2135FCDFFFCBED3484FB712080CD80 Accuracy: -m0 Conclusion: CDDA 100% Signature: D8F73AA958BE70E335C5759FB7E963CF7B17B347FILE: 07 - Color of Caliman.flac Size: 28765116 Hash: 46CC1ADDA87EBDDC4370AD5032145582 Accuracy: -m0 Conclusion: CDDA 100% Signature: 0E241CD40CAFCED34810694AA4090787040E3E0EFILE: 06 - PlaceSaver.flac Size: 25887136 Hash: 3053C8DDC6DE425C15B338A6F92288E4 Accuracy: -m0 Conclusion: CDDA 100% Signature: C9A281277629DCE14A9750D6B5F78FAB33D9B344FILE: 05 - Victorious Kite.flac Size: 35658948 Hash: D59744BA45C9A00A19C2B796ECA052E9 Accuracy: -m0 Conclusion: CDDA 100% Signature: 4E9726940C3E40CABDC58ED7868FC724CBB1A5F6FILE: 04 - Wanted (within).flac Size: 9517562 Hash: 1A40E4DD8EF6949C3C06696E595B8C41 Accuracy: -m0 Conclusion: CDDA 100% Signature: EFCC392730E578159A4AC7C375D8B4406F62F4AEFILE: 03 - Shadowboxing in the Wind.flac Size: 36567959 Hash: 680EFCE52D537058D3B7C543320C471F Accuracy: -m0 Conclusion: CDDA 100% Signature: 942283149A9FCD48BBCEE3A19EFD0543952D5D66FILE: 02 - The Lake.flac Size: 26216276 Hash: 1740298334F24DAFCE98A5996F457E48 Accuracy: -m0 Conclusion: CDDA 100% Signature: 07863F9ECC5160164E7A70FC1D59CD998DD9129CFILE: 01 - Walking (without).flac Size: 11222012 Hash: D1CA8298A02F2FC6586667FCA288EC52 Accuracy: -m0 Conclusion: CDDA 100% Signature: 6B8F8BDF4D4CB6E3ED9A9D1BAE6DECEA1865EB24  Об исполнителе (группе)What is Industrial Revelation? This question is not easy to answer. I have tried again and again to put my finger on the music, to say what it is precisely, where it comes from, what its roots are, what it might be related or referring to. But I honestly have no idea how to classify it. This critic has to be silent on the matter. True, the four musicians have deep jazz backgrounds—the founder D’Vonne Lewis is a jazz drummer, Evan Flory-Barnes is a jazz bassist, Ahamefule J. Oluo is a jazz trumpeter, and Josh Rawlings is a jazz pianist. But knowing the background and training of these musicians does not help to explain the music they make as IR. Yes, there are some tracks that have a clear jazz sound, but with the exception of one—the exquisitely beautiful “Color of Caliman”—it’s never stable but evolves into other strange and wonderful things. “All the music I make with other groups is done with the aim of supporting IR,” Lewis told me one afternoon in a cafe. “This is my core project.” That’s a huge statement coming from a man who is recognized as one of the best and most established jazz drummers in the city. IR is a risky project; it’s ungrounded and indifferent to the limits of the jazz tradition. Why would it be at the center of his career and not, say, an interesting side project? Because for Lewis and the other members, IR is essentially research and development. Meaning, you have to see this album as the result of a kind of blue-sky musical thinking. And indeed, this kind of thinking is all the more rewarding if it is placed at very center of things. The most productive research programs in science and also the economy always place a premium on blue-sky thinking. From the unknown, the new emerges. Charles Mudede  Об альбоме (сборнике)Seattle, WA–Garage-jazz quartet Industrial Revelation has been making music together in various incarnations for a decade, but with their new studio album Oak Head (October 15, 2013) they’re poised to make a major statement in the world of black improvised music. Founded by D’Vonne Lewis, one of Seattle’s most sought-after drummers and the grandson of Seattle rhythm and blues legend Dave Lewis, the band also features Ahamefule J. Oluo on trumpet, Evan Flory-Barnes on bass, and Josh Rawlings on keyboards. Individually, the four members of I.R. have worked with nearly every major artist in Seattle, and plenty more beyond–from Macklemore and Das Racist to Robert Glasper and Wynton Marsalis. Collectively, the band is equally at home playing at a house party in Olympia or on stage at Benaroya Hall, and they bring that affinity for the epic and the intimate to every track onOak Head. With their previous albums, I.R. sought to capture the engrossing, stomping scope of their live shows, which turn on a dime from hushed sincerity to sweaty bombast and have earned the band an obsessive cult following (City Arts’s Jonathan Zwickel described I.R. in concert as, “beautiful, dramatic, psychedelic, funny, funky, swinging, punchy”). But Oak Head marks a stark, pointed departure, both musically and conceptually. The album celebrates the introspective capacity of studio recordings, distilling and polishing I.R.’s messy fire and powerful spontaneity into something utterly new. “On Oak Head,” Oluo explains, “we embraced the refinement of the studio–it’s a very deliberate album–but at the core of every single one of those songs is a group of people playing in one room together at the same time, feeding off each other’s energy and welcoming the unknown.” Lewis adds, “If there’s one thing about this band, it’s that we all just play from our hearts. This album represents that so well–it’s just straight focus, straight stripped-down emotions.” The album’s advance single, “Saying Goodbye (to rainbow socks and hair dye),” strikes a radiantly minimalist groove, layering a simple but obsessive melody (in Oluo’s sonorous flugelhorn) over a relentless, twinkling heartbeat held down by Rawlings on the Fender Rhodes. Penned by Flory-Barnes and largely improvised on the day of recording, “Saying Goodbye” is direct musical communication–so stripped of posturing that it’s almost above genre. That devotion to pure melody, to the rejection of the confines of genre, is the driving philosophy behind Oak Head. I.R. recorded the album at a remote cabin called Oak Head over just two cold spring days–including some songs they’d been playing for over a year, and others that weren’t even written before they started setting up microphones. It’s a deeply honest, deeply personal piece of work, fixated on the idea that a simple, strong melody can be as experimental as the most esoteric art. Oluo explains: “Sincerity is the absolute ripest playground for experimentation. The idea that the two are at odds is a myth. It’s all about balance. The more you stretch to the experimental ends of music, the more you have to embrace the humanity of music. The taller the tree, the deeper the roots. The roots of this album go deep.” “It’s a jump-off,” says Lewis. “Even though we’re four albums deep, Oak Head is just the beginning. With our earlier albums we were still growing, you know? Finding our focus. Now we can really get it going.”  СоставD’Vonne Lewis – drum set Evan Flory-Barnes – upright bass Ahamefule J. Oluo – trumpet Josh Rawlings – piano, fender rhodes