(ecm, experimental,world fusion) Judith Berkson - Oylam - 2010, FLAC (tracks+.cue), lossless
Внимание. Альбом перезалит. Другой рип. С логом и куем. Можно перекачать торрент файл
Judith Berkson - Oylam
Жанр: ecm, experimental, world fusion
Год выпуска диска: 2010
Производитель диска: ECM {2121}
Аудио кодек: FLAC
Тип рипа: tracks+.cue Complete Artwork
Битрейт аудио: lossless
Продолжительность: 49:08
Трэклист:
1. Goodbye Friend No.1
2. Brute
3. Inside Good Times
4. Clives
5. All Of You
6. Mi Re Do
7. Ahavas Oylam
8. Little Arrows
9. Der Leiermann
10. Fallen Innocent Wandering Thieves
11. They Can’t Take That Away From Me
12. Burnt
13. Hulyet, Hulyet
14.Goodbye Friend No.2
Recorded April 2009
Новый альбом американской пианистки и исполнительницы Judith Berkson. Дебютная пластинка на лейбле ECM. здесь и вариации на стандарты Cole Porter's "All Of You" , George & Ira Gershwin's "They Can't Take That Away From Me", Der Leiermann Шуберта, а также номера еврейского канторского музыки и идиш фолка.
Judith Berkson {voice, piano, Wurlitzer and Rhodes pianos, Hammond organ}
Диск взят с другого трекера. Спасибо Toshiro
samples
Judith Berkson - Oylam
Жанр: ecm, experimental, world fusion
Год выпуска диска: 2010
Производитель диска: ECM {2121}
Аудио кодек: FLAC
Тип рипа: tracks+.cue Complete Artwork
Битрейт аудио: lossless
Продолжительность: 49:08
Трэклист:
1. Goodbye Friend No.1
2. Brute
3. Inside Good Times
4. Clives
5. All Of You
6. Mi Re Do
7. Ahavas Oylam
8. Little Arrows
9. Der Leiermann
10. Fallen Innocent Wandering Thieves
11. They Can’t Take That Away From Me
12. Burnt
13. Hulyet, Hulyet
14.Goodbye Friend No.2
Recorded April 2009
Новый альбом американской пианистки и исполнительницы Judith Berkson. Дебютная пластинка на лейбле ECM. здесь и вариации на стандарты Cole Porter's "All Of You" , George & Ira Gershwin's "They Can't Take That Away From Me", Der Leiermann Шуберта, а также номера еврейского канторского музыки и идиш фолка.
Judith Berkson {voice, piano, Wurlitzer and Rhodes pianos, Hammond organ}
about
Arresting and highly original ECM solo debut for New York-based singer Judith Berkson, in a programme that features her own idiosyncratic songs and instrumentals, plus jazz standards (Cole Porter’s “All Of You”, George & Ira Gershwin’s “They Can’t Take That Away From Me”), “Der Leiermann” from Schuberts “Winterreise”, Jewish cantorial music, and Yiddish folk song.
“Oylam” means “world, universe, creation, reality, realm” and the ECM debut disc by Judith Berkson, a solo album in the literal sense, is an invitation into a world truly her own. Recorded in Udine, Italy, in 2009, “Oylam” finds singer/composer/keyboardist Berkson (born 1977) performing her own idiosyncratic songs. She also sets her own English lyrics to Franz Schubert’s “Der Leiermann”, from the “Winterreise” cycle, sings jazz standards by Cole Porter (“All of You”) and George & Ira Gershwin (“They Can’t Take That Away from Me”), Yiddish folk song from the Polish-born poet Mordekhai Gebirtig (“Hulyet, Hulyet”) and Jewish cantorial music (the riveting “Ahavas Oylam”).
It is Berkson’s commitment that makes this ostensibly divergent programme into one music: in many ways the repertoire reflects Judith’s history. As well as being a singer of experimental music, she is also rooted in traditions. A cantor and teacher of liturgical music at Old Westbury Hebrew Congregation in New York, she counts cantorial music and Hebrew liturgy amongst her earliest inspirations. “My father taught me how to sing the prayers, the chanting and the glossing, and I liked that immediately.” From the age of five she studied classical piano, and as a teenager was drawn to the experimental composers, “the atonalists, the avant-gardists, the people working with extended technique. I liked the challenge of that”, while simultaneously working at her studies of art songs from Schubert to Brahms to Schoenberg. At the New England Conservatory she studied voice with Lucy Shelton, theory and composition with Joe Maneri, and piano with Judith Godfrey and Viola Haas. All of these experiences have contribute to the music Berkson makes today.
After singing and playing in jazz and experimental bands and rock groups, including several of her own ensembles, Judith has refocused her energies in solo performance, looking anew at the possibilities for voice with piano accompaniment. “I’ve worked with some very talented players in bands – bands in which I was the singer – and still found it hard to convey the specific qualities I wanted to hear in my songs. Round about 2003 it gradually began to dawn on me that I should be my own accompanist. I’ve been trying to redefine, for myself, what that might mean, exploring new ways in which voice and piano can be combined and performed by one person, working on all the different possibilities of rhythm, melody, harmony, texture and so on. As I did this I was also asking myself some key questions: what is my style? What am I trying to express in music? What do I want to emphasize? I practised very rigorously, wrote new music only for voice and piano, and came out of this period feeling stronger and more self-confident than I had previously. I also discovered that there were ways to integrate aspects of all the music that is important to me in the solo work.”
Her debut solo album “Lu-Lu” was released by Peacock Records in 2008 and praised by publications including the New York Times: “Ms. Berkson sings at an eccentric, stop-and-start, hide-and-seek rubato crawl, sometimes pushing her mezzo-soprano into microtone dissonance against the warm, slow sounds she makes on the piano and Wurlitzer keyboard. Her style isn’t enervated or forced... She’s creating an atmosphere, one long reverie, and she stamps her own disposition on the broad range of songs she chooses to cover.”
In her self-composed pieces on “Oylam”, the words often spill out of the tightly-coiled rhythms in streams-of-consciousness: sometimes the images that words and music together imply reveal new things to their author. Such was the case with “Clives”, affectionately dedicated to Claude Debussy and Charles Ives. “It really reminded me of both of them”.
*
Recent Berkson performances have included playing the role of Young Borges in Matthew Welch’s experimental opera “Borges and the Other”, and the role of Clara Schumann in Sally Norris’s “Clara: A Music Box Opera”. She was a soloist in .Ohad Talmor’s “Mass Transformation” at the BrucknerTage in Linz. The piece will be touring again in the fall of 2010.
Judith Berkson has also premiered works by Gerard Pape, Ken Thomson, Joe Maneri, Steve Coleman, Hans Breder, Carlos Cuellar, and Julia Werntz. She has sung with the Delphian Jazz Orchestra, Wet Ink New Music Collective, The Four Bags, ASM New Music Ensemble, Theodore Bikel and many others. She is currently finishing a suite of cantorial pieces for the Kronos Quartet which she transcribed from historical recordings and arranged for string quartet. The first arrangement, “Ov Horachamim”, premiered at Zankel Hall in 2008.
“Oylam” means “world, universe, creation, reality, realm” and the ECM debut disc by Judith Berkson, a solo album in the literal sense, is an invitation into a world truly her own. Recorded in Udine, Italy, in 2009, “Oylam” finds singer/composer/keyboardist Berkson (born 1977) performing her own idiosyncratic songs. She also sets her own English lyrics to Franz Schubert’s “Der Leiermann”, from the “Winterreise” cycle, sings jazz standards by Cole Porter (“All of You”) and George & Ira Gershwin (“They Can’t Take That Away from Me”), Yiddish folk song from the Polish-born poet Mordekhai Gebirtig (“Hulyet, Hulyet”) and Jewish cantorial music (the riveting “Ahavas Oylam”).
It is Berkson’s commitment that makes this ostensibly divergent programme into one music: in many ways the repertoire reflects Judith’s history. As well as being a singer of experimental music, she is also rooted in traditions. A cantor and teacher of liturgical music at Old Westbury Hebrew Congregation in New York, she counts cantorial music and Hebrew liturgy amongst her earliest inspirations. “My father taught me how to sing the prayers, the chanting and the glossing, and I liked that immediately.” From the age of five she studied classical piano, and as a teenager was drawn to the experimental composers, “the atonalists, the avant-gardists, the people working with extended technique. I liked the challenge of that”, while simultaneously working at her studies of art songs from Schubert to Brahms to Schoenberg. At the New England Conservatory she studied voice with Lucy Shelton, theory and composition with Joe Maneri, and piano with Judith Godfrey and Viola Haas. All of these experiences have contribute to the music Berkson makes today.
After singing and playing in jazz and experimental bands and rock groups, including several of her own ensembles, Judith has refocused her energies in solo performance, looking anew at the possibilities for voice with piano accompaniment. “I’ve worked with some very talented players in bands – bands in which I was the singer – and still found it hard to convey the specific qualities I wanted to hear in my songs. Round about 2003 it gradually began to dawn on me that I should be my own accompanist. I’ve been trying to redefine, for myself, what that might mean, exploring new ways in which voice and piano can be combined and performed by one person, working on all the different possibilities of rhythm, melody, harmony, texture and so on. As I did this I was also asking myself some key questions: what is my style? What am I trying to express in music? What do I want to emphasize? I practised very rigorously, wrote new music only for voice and piano, and came out of this period feeling stronger and more self-confident than I had previously. I also discovered that there were ways to integrate aspects of all the music that is important to me in the solo work.”
Her debut solo album “Lu-Lu” was released by Peacock Records in 2008 and praised by publications including the New York Times: “Ms. Berkson sings at an eccentric, stop-and-start, hide-and-seek rubato crawl, sometimes pushing her mezzo-soprano into microtone dissonance against the warm, slow sounds she makes on the piano and Wurlitzer keyboard. Her style isn’t enervated or forced... She’s creating an atmosphere, one long reverie, and she stamps her own disposition on the broad range of songs she chooses to cover.”
In her self-composed pieces on “Oylam”, the words often spill out of the tightly-coiled rhythms in streams-of-consciousness: sometimes the images that words and music together imply reveal new things to their author. Such was the case with “Clives”, affectionately dedicated to Claude Debussy and Charles Ives. “It really reminded me of both of them”.
*
Recent Berkson performances have included playing the role of Young Borges in Matthew Welch’s experimental opera “Borges and the Other”, and the role of Clara Schumann in Sally Norris’s “Clara: A Music Box Opera”. She was a soloist in .Ohad Talmor’s “Mass Transformation” at the BrucknerTage in Linz. The piece will be touring again in the fall of 2010.
Judith Berkson has also premiered works by Gerard Pape, Ken Thomson, Joe Maneri, Steve Coleman, Hans Breder, Carlos Cuellar, and Julia Werntz. She has sung with the Delphian Jazz Orchestra, Wet Ink New Music Collective, The Four Bags, ASM New Music Ensemble, Theodore Bikel and many others. She is currently finishing a suite of cantorial pieces for the Kronos Quartet which she transcribed from historical recordings and arranged for string quartet. The first arrangement, “Ov Horachamim”, premiered at Zankel Hall in 2008.
log
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 11. June 2010, 22:20
Judith Berkson / Oylam
Used drive : Optiarc DVD RW AD-7240S Adapter: 3 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "ALBUMARTIST=%v" -T "ALBUM ARTIST=%v" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 2:53.46 | 0 | 13020
2 | 2:53.46 | 5:35.39 | 13021 | 38184
3 | 8:29.10 | 2:37.60 | 38185 | 50019
4 | 11:06.70 | 2:34.05 | 50020 | 61574
5 | 13:41.00 | 4:45.15 | 61575 | 82964
6 | 18:26.15 | 3:44.69 | 82965 | 99833
7 | 22:11.09 | 3:40.71 | 99834 | 116404
8 | 25:52.05 | 2:26.07 | 116405 | 127361
9 | 28:18.12 | 3:42.16 | 127362 | 144027
10 | 32:00.28 | 2:23.45 | 144028 | 154797
11 | 34:23.73 | 3:36.65 | 154798 | 171062
12 | 38:00.63 | 3:05.13 | 171063 | 184950
13 | 41:06.01 | 4:14.49 | 184951 | 204049
14 | 45:20.50 | 3:48.25 | 204050 | 221174
Track 1
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Track 6
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Track 7
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Track 11
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cue
REM GENRE Jazz
REM DATE 2010
REM DISCID AC0B850E
REM COMMENT "ExactAudioCopy v0.99pb5"
CATALOG 0602527189543
PERFORMER "Judith Berkson"
TITLE "Oylam"
FILE "01 - Goodbye Friend No 1.wav" WAVE
TRACK 01 AUDIO
TITLE "Goodbye Friend No 1"
PERFORMER "Judith Berkson"
ISRC DEB330912101
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Brute"
PERFORMER "Judith Berkson"
ISRC DEB330912102
INDEX 00 02:52:15
FILE "02 - Brute.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Inside Good Times"
PERFORMER "Judith Berkson"
ISRC DEB330912103
INDEX 00 05:33:55
FILE "03 - Inside Good Times.wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Clives"
PERFORMER "Judith Berkson"
ISRC DEB330912104
INDEX 00 02:35:74
FILE "04 - Clives.wav" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "All Of You"
PERFORMER "Judith Berkson"
ISRC DEB330912105
INDEX 00 02:32:00
FILE "05 - All of You.wav" WAVE
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "Mi Re Do"
PERFORMER "Judith Berkson"
ISRC DEB330912106
INDEX 00 04:43:39
FILE "06 - Mi Re Do.wav" WAVE
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "Ahavas Oylam"
PERFORMER "Judith Berkson"
ISRC DEB330912107
INDEX 00 03:42:37
FILE "07 - Ahavas Oylam.wav" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "Little Arrows"
PERFORMER "Judith Berkson"
ISRC DEB330912108
INDEX 00 03:36:71
FILE "08 - Little Arrows.wav" WAVE
INDEX 01 00:00:00
TRACK 09 AUDIO
TITLE "Der Leiermann"
PERFORMER "Judith Berkson"
ISRC DEB330912109
INDEX 00 02:24:19
FILE "09 - Der Leiermann.wav" WAVE
INDEX 01 00:00:00
TRACK 10 AUDIO
TITLE "Fallen Innocent Wandering Thieves"
PERFORMER "Judith Berkson"
ISRC DEB330912110
INDEX 00 03:38:01
FILE "10 - Fallen Innocent Wandering Thieves.wav" WAVE
INDEX 01 00:00:00
TRACK 11 AUDIO
TITLE "They Can't Take That Away From Me"
PERFORMER "Judith Berkson"
ISRC DEB330912111
INDEX 00 02:20:61
FILE "11 - They Can't Take that Away From Me.wav" WAVE
INDEX 01 00:00:00
TRACK 12 AUDIO
TITLE "Burnt"
PERFORMER "Judith Berkson"
ISRC DEB330912112
INDEX 00 03:33:31
FILE "12 - Burnt.wav" WAVE
INDEX 01 00:00:00
TRACK 13 AUDIO
TITLE "Hulyet, Hulyet"
PERFORMER "Judith Berkson"
ISRC DEB330912113
INDEX 00 03:00:19
FILE "13 - Hulyet, Hulyet.wav" WAVE
INDEX 01 00:00:00
TRACK 14 AUDIO
TITLE "Goodbye Friend No 2"
PERFORMER "Judith Berkson"
ISRC DEB330912114
INDEX 00 04:10:55
FILE "14 - Goodbye Friend No 2.wav" WAVE
INDEX 01 00:00:00
Диск взят с другого трекера. Спасибо Toshiro
samples