[DSD][OF] Esther Phillips - From A Whisper To A Scream - 1971/2013 (Vocal Jazz, Soul Jazz, Blues)

Esther Phillips / From A Whisper To A Scream Формат записи/Источник записи: [DSD][OF] Наличие водяных знаков: Нет Год издания/переиздания диска: 1971/2013 Жанр: Vocal Jazz, Soul Jazz, Blues Издатель (лейбл): CTI Продолжительность: 38:02 Наличие сканов в содержимом раздачи: Front Источник (релизер): e-onkyo Контейнер: DSF (*.dsf) Тип рипа: tracks Разрядность: 64(2,8 MHz/24 Bit) Формат: DST64 Количество каналов: 2.0 Треклист: 1. Home Is Where The Hatred Is 3:28 2. From A Whisper To A Scream 4:18 3. To Lay Down Beside You 5:06 4. That's All Right With Me 3:21 5. 'Til My Back Ain't Got No Bone 3:36 6. Sweet Touch Of Love 3:21 7. Baby, I'm For Real 4:23 8. Your Love Is So Doggone Good 4:04 9. Scarred Knees 6:24   Лог проверки качества foobar2000 1.1.10 / Dynamic Range Meter 1.1.1 log date: 2018-03-02 14:24:38 -------------------------------------------------------------------------------- Analyzed: Esther Phillips / From A Whisper To A Scream -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR12 -8.55 dB -22.90 dB 3:28 ?-Home Is Where The Hatred Is DR11 -6.08 dB -20.72 dB 4:18 ?-From A Whisper To A Scream DR11 -5.92 dB -21.05 dB 5:06 ?-To Lay Down Beside You DR11 -4.94 dB -20.69 dB 3:21 ?-That's All Right With Me DR10 -4.99 dB -19.09 dB 3:35 ?-'Til My Back Ain't Got No Bone DR11 -5.04 dB -18.61 dB 3:21 ?-Sweet Touch Of Love DR11 -4.26 dB -19.58 dB 4:23 ?-Baby, I'm For Real DR12 -4.78 dB -19.99 dB 4:03 ?-Your Love Is So Doggone Good DR12 -4.77 dB -21.26 dB 6:23 ?-Scarred Knees -------------------------------------------------------------------------------- Number of tracks: 9 Official DR value: DR11 Samplerate: 2822400 Hz / PCM Samplerate: 44100 Hz Channels: 2 Bits per sample: 24 Bitrate: 5645 kbps Codec: DSD64 ================================================================================     Состав Alto Saxophone – Hank Crawford Arranged By, Conductor – Pee Wee Ellis Arranged By [Rhythm] – Jack Wilson Arranged By [Strings] – Don Sebesky Baritone Saxophone – David Liebman Bass – Gordon Edwards Cello – Alan Shulman, Charles McCracken Drums – Bernard Purdie Flugelhorn – John Eckert, John Gatchell Flute – David Liebman, Frank Vicari Guitar – Cornell Dupree, Eric Gale Harp – Margaret Ross Organ – Richard Tee Percussion – Airto Moreira Piano – Richard Tee Tenor Saxophone – Frank Vicari Trombone – Dick Griffin, Sam Burtis Trumpet – John Eckert, John Gatchell Viola – Harold Coletta, Harry Zaratzian Violin – Alvin Rogers, Charles Libove, Guy Lumia, Jack Zayde, Leo Kahn, Max Hollander, Max Pollikoff, Michael Comins, Paul Winter Vocals – Barbara Massey, Hilda Harris, Joshie Armstead, Louis St. Louis, Tasha Thomas     Об исполнителе (группе) One of Esther Phillips finest '70s releases, From a Whisper to a Scream is the first of seven albums the singer recorded for CTI offshoot Kudu. Arranged and conducted by Pee Wee Ellis, the December 1971 session also involved principal players such as bassist Gordon Edwards, drummer Bernard Purdie, percussionist Airto, guitarists Cornell Dupree and Eric Gale, keyboardist Richard Tee, and saxophonists Hank Crawford and David Liebman. Setting the tone for Phillips' Kudu era, Whisper offers a series of spacious, yet fully arranged ballads of burning heartache, along with a handful of relatively funky numbers that do nothing to compromise her talent, dishing out loads of classy grit. It's a definite point of departure from the likes of Esther Phillips Sings and And I Love Him, her field of contemporaries closer to Al Green and Aretha Franklin than before. She grabs onto "Home Is Where the Hatred Is," Gil Scott-Heron's most harrowing rumination on drug dependency -- which, at that point, wasn't even a year old -- as if it were her very own, and it's all the more poignant given its parallels with her own life. (Its meaning was only compounded by her death in 1984.) Though there is absolutely nothing lacking in the album's more energetic moments, it's still the ballads that shine brightest, like the alternately fragile and explosive "From a Whisper to a Scream" (Allen Toussaint) and a staggering "Baby, I'm for Real" (Marvin and Anna Gordy, made popular by the Originals) so vulnerable yet commanding that it really should've closed the album. https://en.wikipedia.org/wiki/Esther_Phillips Раздаю до первых 5-ти скачавших, на раздачи не возвращаюсь...