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(Contemporary Jazz / ObliqSound) Massimo Biolcati (Lionel Loueke, Peter Rende, Jeff Ballard, Gretchen Parlato, Lizz Wright) - Persona - 2008, FLAC (image+.cue), lossless

(Contemporary Jazz / ObliqSound) Massimo Biolcati (Lionel Loueke, Peter Rende, Jeff Ballard, Gretchen Parlato, Lizz Wright) - Persona - 2008, FLAC (image+.cue), lossless
Massimo Biolcati - Persona
Жанр: Contemporary Jazz
Производитель диска: Germany
Год издания: 2008
Издатель (лейбл): ObliqSound
Номер по каталогу: OS 509
Аудио кодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 01:00:19
Наличие сканов в содержимом раздачи: да
Трэклист:
MOTION
1. The Beginning (5:08)
2. Deconstruction (5:09)
3. Wise Way (7:10)
4. Transference (8:13)
5. TT (in memoriam Take Toriyama) (4:31)
STILLNESS
6. Winterhouse (4:30)
7. Hopeless Dream to Be (5:08)
8. Clouds (5:48)
9. Under July (7:40)
10. Scandinavia (6:40)
All music composed by Massimo Biolcati
Доп. информация:
Musicians:
MASSIMO BIOLCATI - bass
LIONEL LOUEKE - guitar, vocal
PETER RENDE - piano, accordion (# 10)
JEFF BALLARD - drums, percussion
GRETCHEN PARLATO - leads vocals (# 8)
LIZZ WRIGHT - leads vocals (# 6)
Recorded at Kampo Cultural Center, New York, on May 13 & 14 2007
© 2008 ObliqSound Gmbh
MASSIMO BIOLCATI Official Site
MASSIMO BIOLCATI myspace.com
MASSIMO BIOLCATI from Wikipedia, the free encyclopedia
MASSIMO BIOLCATI - Persona allmusic.com
Релиз nnm, Джаз Клуб, благодарности уходят уважаемому giperborey
 
Отчёт EAC
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 3. April 2008, 22:24
Massimo Biolcati / Persona
Used drive  : SONY    DVD RW DW-U14A   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 120
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  5:09.39 |         0    |    23213
        2  |  5:09.39 |  5:09.23 |     23214    |    46411
        3  | 10:18.62 |  7:10.40 |     46412    |    78701
        4  | 17:29.27 |  8:13.48 |     78702    |   115724
        5  | 25:43.00 |  4:33.23 |    115725    |   136222
        6  | 30:16.23 |  4:32.17 |    136223    |   156639
        7  | 34:48.40 |  5:09.25 |    156640    |   179839
        8  | 39:57.65 |  5:47.68 |    179840    |   205932
        9  | 45:45.58 |  7:42.25 |    205933    |   240607
       10  | 53:28.08 |  6:39.70 |    240608    |   270602
Range status and errors
Selected range
     Filename C:\Massimo Biolcati - Persona (EAC CUE FLAC Full 600 dpi Covers)\Massimo Biolcati - Persona.wav
     Peak level 100.0 %
     Range quality 99.9 %
     Test CRC F2B6567C
     Copy CRC F2B6567C
     Copy OK
No errors occurred
AccurateRip summary
Track  1  not present in database
Track  2  not present in database
Track  3  not present in database
Track  4  not present in database
Track  5  not present in database
Track  6  not present in database
Track  7  not present in database
Track  8  not present in database
Track  9  not present in database
Track 10  not present in database
None of the tracks are present in the AccurateRip database
End of status report
 
 
Scans / 72 dpi

 
 
 
info - Massimo Biolcati
Родившийся 22 декабря 1972 в Стокгольме, Швеция, Массимо Бьолькати рос в Швеции и Италии. Он начал свою музыкальную карьеру в 16 лет, исполняя джаз на акустическом басе в Torino, Италия. В течение пяти лет он учился и классическому и джазовому басу, выступая на фестивалях и в клубах. В 21 год, Массимо возвратился в Швецию, чтобы учиться в Королевской Академии Музыки Стокгольма. Скоро стал выступать на местной джазовой сцене, появляться с множеством музыкантов в самых важных джаз-клубах города и фестивалях. Он также играл с несколькими скандинавскими группами народной музыки.
В 23 года Массимо получил степень в Колледже Berklee и переехал в Бостон. Там он сделал запись с некоторыми из лучших джазовых музыкантов в городе, включая таких мастеров как George Garzone, Jerry Bergonzi, Mick Goodrick и Bob Moses.
После пяти лет в Бостоне Массимо был отобран для Института Джаза Телониуса Монка в университете Южной Калифорнии, где он получил свою Степень магистра в Музыке и получил шанс учиться и выступить с Джазовыми гигантами, такими как Дейв Холлэнд, Уэйн Шортер, Херби Хэнкок, Кенни Баррон, Джон Скофилд, Кристиан Макбрайд, Льюис Нэш, Марки Турнер и многие другие.
После окончания Института Телониуса Монка он переехал в Нью-Йорк, где быстро присоединился к нью-йоркской сцене музыки и начал играть с Terence Blanchard, Paquito D'Rivera и Ravi Coltrane.
В настоящее время Массимо разделяет свое время между туризмом по миру и Нью-Йорком, где он регулярно работает и записывается.
 
 
Review
Swedish-Italian bassist Massimo Biolcati has been working in support of guitarist Lionel Loueke for a decade, but asserts his role as a leader in name on this debut release. Louekeis here, with the always dynamic drummer Jeff Ballard and the surprisingly adept pianist Peter Rende. The CD is split into equal parts of five selections – "Motion" and "Stillness" – the former energetic and forward-thinking, the latter pensive and somewhat introspective, with cameo spots for vocalists Lizz Wright and Gretchen Parlato. The first five pieces feature Loueke in a way that his recordings as a leader also showcase his utterly brilliant, witty, quirky, unique sound. Using a hollowed, blanked-out amplified guitar with effect pedals, Loueke is able to straddle the electro-acoustic line without overemphasizing either. He is the new contemporary Lion King of freshness on the contemporary jazz guitar, and a parallel to the virtuoso accomplishments of Wes Montgomery, using those pretexts but sounding far removed. Check out the choppy kinetic style on "The Beginning," the late-night stealth approach on "Deconstruction," and the quick 5/4 rhythms in the more acoustic/less-processed road song "Transference" for reference points. Rende is a find, as his happy two-note phrases juxtaposed against Loueke contrast on the swinging shuffle "Wise Way." Their diffuse guitar/piano musings go very loose, free, and yet contemporary with Loueke's cheek-popping vocals during "TT." The second half of the program showcases the understated, delicate, and pretty side of Rende on "Under July," where Biolcati takes a central role on an ostinato line, with Loueke leading, but taken over by the beauty of the piano. Rende plays accordion on the 6/8 ethnic beat of "Scandinavia," evoking early-morning frosty mountainscapes in the Alps. The vocal cuts are nice enough, with Wrightexpressing a sheer lonely mood for "Winterhouse" and the emerging star Parlato dreamy and cerebral during "Clouds." Biolcati, clearly the director but not a dictator in these proceedings, knows how to take a back seat, but also understands the value in letting his brilliant session mates cut loose. This is an excellent debut release, and has to rank as one of the more intriguing and diverse modern jazz issues of 2008.
Michael G. Nastos (AMG)
15:08
383
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