(Contemporary Jazz, Modern Creative) Ben Wendel & Dan Tepfer - Small Constructions - 2013 [Sunnyside], FLAC (tracks+.cue), lossless

BEN WENDEL & DAN TEPFER SMALL CONSTRUCTIONS Жанр ◁▷ Contemporary Jazz, Modern Creative Страна-производитель диска ◁▷ USA Год издания ◁▷ 2013 Издатель (лейбл) ◁▷ Sunnyside Records Номер по каталогу ◁▷ SSC4013 Аудиокодек ◁▷ FLAC (*.flac) Тип рипа ◁▷ tracks+.cue Битрейт аудио ◁▷ lossless Продолжительность ◁▷ 51:26 Источник (релизер) ◁▷ tdelyon Наличие сканов в содержимом раздачи ◁▷ да 1. Still Play (Wendel) 2. Pannonica (Monk) 3. Jean and Renata (Wendel) 4. Line Up (Tristano) 5. Line (Wendel) 6. Nines (Tepfer) 7. Gratitude (Tepfer) 8. Ask Me Now (Monk) 9. Rygabag (Tepfer) 10. Darn That Dream (Van Heusen / De Lange) 11. Variation 1 in D minor (Handel) 12. Oblique Strategy (Tepfer / Wendel)  Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 14. March 2013, 19:58Dan Tepfer & Ben Wendel / Small ConstructionsUsed drive : PHILIPS SPD3400CC Adapter: 3 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Installed external ASPI interfaceGap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 1024 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXEAdditional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUM ARTIST=%albumartist%" -T "ALBUMARTIST=%albumartist%" -T "COMMENT=EAC V1.0 beta 3, Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:24.34 | 0 | 24333 2 | 5:24.34 | 4:02.67 | 24334 | 42550 3 | 9:27.26 | 5:39.67 | 42551 | 68042 4 | 15:07.18 | 4:21.67 | 68043 | 87684 5 | 19:29.10 | 2:00.53 | 87685 | 96737 6 | 21:29.63 | 6:23.07 | 96738 | 125469 7 | 27:52.70 | 6:04.38 | 125470 | 152807 8 | 33:57.33 | 5:54.21 | 152808 | 179378 9 | 39:51.54 | 2:02.44 | 179379 | 188572 10 | 41:54.23 | 3:04.39 | 188573 | 202411 11 | 44:58.62 | 3:59.15 | 202412 | 220351 12 | 48:58.02 | 2:28.63 | 220352 | 231514Track 1 Filename C:\Rips\01 Still Play.wav Pre-gap length 0:00:02.00 Peak level 91.0 % Extraction speed 1.9 X Track quality 100.0 % Test CRC DD01A710 Copy CRC DD01A710 Track not present in AccurateRip database Copy OKTrack 2 Filename C:\Rips\02 Pannonica.wav Pre-gap length 0:00:03.06 Peak level 96.5 % Extraction speed 2.1 X Track quality 100.0 % Test CRC A0EA90DB Copy CRC A0EA90DB Track not present in AccurateRip database Copy OKTrack 3 Filename C:\Rips\03 Jean and Renata.wav Pre-gap length 0:00:02.66 Peak level 94.3 % Extraction speed 2.4 X Track quality 100.0 % Test CRC AAAADEE8 Copy CRC AAAADEE8 Track not present in AccurateRip database Copy OKTrack 4 Filename C:\Rips\04 Line Up.wav Pre-gap length 0:00:03.04 Peak level 94.0 % Extraction speed 2.5 X Track quality 100.0 % Test CRC 20CDB039 Copy CRC 20CDB039 Track not present in AccurateRip database Copy OKTrack 5 Filename C:\Rips\05 Line.wav Pre-gap length 0:00:02.49 Peak level 76.9 % Extraction speed 2.3 X Track quality 100.0 % Test CRC 841C4F5C Copy CRC 841C4F5C Track not present in AccurateRip database Copy OKTrack 6 Filename C:\Rips\06 Nines.wav Pre-gap length 0:00:03.19 Peak level 97.9 % Extraction speed 2.5 X Track quality 99.9 % Test CRC F9263D2C Copy CRC F9263D2C Track not present in AccurateRip database Copy OKTrack 7 Filename C:\Rips\07 Gratitude.wav Pre-gap length 0:00:05.35 Peak level 96.8 % Extraction speed 2.6 X Track quality 99.9 % Test CRC ADCFE512 Copy CRC ADCFE512 Track not present in AccurateRip database Copy OKTrack 8 Filename C:\Rips\08 Ask Me Now.wav Pre-gap length 0:00:03.47 Peak level 97.3 % Extraction speed 3.3 X Track quality 100.0 % Test CRC 0E163D4E Copy CRC 0E163D4E Track not present in AccurateRip database Copy OKTrack 9 Filename C:\Rips\09 Rygabag.wav Pre-gap length 0:00:02.22 Peak level 87.9 % Extraction speed 2.9 X Track quality 100.0 % Test CRC 9927CCC2 Copy CRC 9927CCC2 Track not present in AccurateRip database Copy OKTrack 10 Filename C:\Rips\10 Darn That Dream.wav Pre-gap length 0:00:02.48 Peak level 78.6 % Extraction speed 3.2 X Track quality 100.0 % Test CRC CCA712BC Copy CRC CCA712BC Track not present in AccurateRip database Copy OKTrack 11 Filename C:\Rips\11 Variation 1 in D minor.wav Pre-gap length 0:00:02.68 Peak level 97.5 % Extraction speed 3.4 X Track quality 100.0 % Test CRC 2E649FE8 Copy CRC 2E649FE8 Track not present in AccurateRip database Copy OKTrack 12 Filename C:\Rips\12 Oblique Strategy.wav Pre-gap length 0:00:03.26 Peak level 63.8 % Extraction speed 3.2 X Track quality 100.0 % Test CRC 549A2EB3 Copy CRC 549A2EB3 Track not present in AccurateRip database Copy OKNone of the tracks are present in the AccurateRip databaseNo errors occurredEnd of status report==== Log checksum 7D346226848DDF03ED1FB1561338C41F1E83252CD5EC6E34BAF6D8F9EE2996CC ====  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 2013REM DISCID A10C0E0CREM COMMENT "ExactAudioCopy v1.0b3"PERFORMER "Dan Tepfer & Ben Wendel"TITLE "Small Constructions"FILE "01 Still Play.wav" WAVE TRACK 01 AUDIO TITLE "Still Play" PERFORMER "Dan Tepfer & Ben Wendel" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Pannonica" PERFORMER "Dan Tepfer & Ben Wendel" INDEX 00 05:21:28FILE "02 Pannonica.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Jean and Renata" PERFORMER "Dan Tepfer & Ben Wendel" INDEX 00 04:00:01FILE "03 Jean and Renata.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Line Up" PERFORMER "Dan Tepfer & Ben Wendel" INDEX 00 05:36:63FILE "04 Line Up.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Line" PERFORMER "Dan Tepfer & Ben Wendel" INDEX 00 04:19:18FILE "05 Line.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Nines" PERFORMER "Dan Tepfer & Ben Wendel" INDEX 00 01:57:34FILE "06 Nines.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Gratitude" PERFORMER "Dan Tepfer & Ben Wendel" INDEX 00 06:17:47FILE "07 Gratitude.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Ask Me Now" PERFORMER "Dan Tepfer & Ben Wendel" INDEX 00 06:00:66FILE "08 Ask Me Now.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Rygabag" PERFORMER "Dan Tepfer & Ben Wendel" INDEX 00 05:51:74FILE "09 Rygabag.wav" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "Darn That Dream" PERFORMER "Dan Tepfer & Ben Wendel" INDEX 00 01:59:71FILE "10 Darn That Dream.wav" WAVE INDEX 01 00:00:00 TRACK 11 AUDIO TITLE "Variation 1 in D minor" PERFORMER "Dan Tepfer & Ben Wendel" INDEX 00 03:01:46FILE "11 Variation 1 in D minor.wav" WAVE INDEX 01 00:00:00 TRACK 12 AUDIO TITLE "Oblique Strategy" PERFORMER "Dan Tepfer & Ben Wendel" INDEX 00 03:55:64FILE "12 Oblique Strategy.wav" WAVE INDEX 01 00:00:00  Об альбомеKeyboardist Dan Tepfer and multi-reed player Ben Wendel are lauded jazz artists who have made an album that goes beyond jazz, a set of songs without words that explores and celebrates multiplicity. Small Constructions – to be released by Sunnyside Records on March 12, 2013 – is a multi-tracked, multi-layered production featuring Tepfer and Wendel playing multiple instruments in multiple styles, extending from kaleidoscopic versions of Monk tunes to pieces based on Handel and Messiaen motifs, from a standard given an intimate, artful makeover to originals that underscore the duo’s melodic flair. Tepfer, a pianist who has ranged from solo improvisation to duets with sax icon Lee Konitz to variations on Bach, has been called “a player of exceptional poise” by The New York Times, while Downbeat extolled his “ability to disappear into the music as he’s making it.” Wendel, a founding member of the Grammy-nominated jazz-rock band Kneebody, has also recorded rich, wide-ranging solo albums, with the Los Angeles Times praising him as “a composer with a restless ear.”In his liner notes to the album, Tepfer writes: “We recorded Small Constructions over the course of a few days in the Yamaha artist space in Manhattan, with some of our favorite instruments close at hand: a beautiful piano, a Fender Rhodes, three kinds of saxes, a bassoon and a melodica. It was a DIY affair – we used our own recording gear, and though we were very focused on the music at hand, we didn’t worry too much about how it would fit into a specific category or genre. The end result is a set of songs that expresses our mutual love of jazz, classical, pop and more.”Wendel explains the duo’s bond: “Dan and I have interesting similarities in our upbringings. We both grew up with opera-singing mothers, and we each started out studying classical music before we got into playing jazz. We have a shared aesthetic sensibility from this, extending from our choice of tunes to the way we improvise together, finishing each other’s sentences. I guess you could say that we’re kindred musical spirits.”Tepfer breaks down Small Constructions track-by-track: ✤ Still Play is a tune Ben finished writing in the studio, on an upright piano, in another room, while I wrote out the skeleton of the woodwind parts for my tune Gratitude. It's multi-tracked and multi-layered: two layers of piano and one of Rhodes for me; bassoon, melodica and sax for Ben. ✤ Pannonica and Ask Me Now are classics by Thelonious Monk. Playing Monk feels a lot like playing Bach: you just can’t imagine either composer choosing a single note differently. ✤ Jean and Renata is a beautiful song that Ben wrote for two dear friends of his from Paris. We did a few unsuccessful takes of this until Ben pointed out to me that the song didn't need to go anywhere — it could just stay where it started. ✤ Line Up is our tribute to Lennie Tristano. Although he forcefully denied it at the time, Lennie recorded the original Line Up — a masterpiece of sinewy chromatic lines winding their way through the harmony to the jazz standard All of Me — at half-speed, an octave down, then sped it up to yield the result, an octave up and twice as fast. I thought it’d be interesting to take this a step further: play his original solo in unison, in real time, and interrupt it with improvisations recorded the same way he made the original: an octave down, at half-speed. Hence the strange sound of the piano and sax at these moments. It’s a meta-Line Up, if you will. The coda was improvised by Ben, then harmonized by me; it feels like a point of arrival. ✤ Line is a short melody by Ben. I play it in one hand on the piano and he joins in on melodica, like a phantom. ✤ Nines is a tune I wrote a few years ago, a motor-rhythm piece that we particularly enjoy playing live. It uses a nine-note scale that composer Olivier Messiaen made great use of half a century ago. ✤ Gratitude I originally wrote for Gary Peacock, a musician I deeply admire, after he told me that one of the chief emotions he feels when he makes music, at his age, is the simple gratitude that he can still play. We recorded a performance of the tune as a duo, in one pass, then Ben overlayed two bassoons, two altos, two tenors, and a stray, forlorn melodica. ✤ Rygabag is a tune I wrote shortly before we recorded. It distantly references Miles Davis’ recording of Bags’ Groove. ✤ Darn That Dream is a single pass through the melody, one of my favorites in the American Songbook, recast with harmony from a bittersweet, conflicted other realm: darn that dream, but bless it too. ✤ Variation 1 in D minor was an idea of Ben’s: he recorded bassoon and three saxes, picking notes from a short 4-part variation by Handel, and I swooped in afterwards and played over it, reacting as I went. ✤ Oblique Strategy is a switch-up: at the end of one of our nights in the studio, Ben sat down at the piano, I picked up my alto sax, we hit the record button and improvised. We realized afterwards that the simplicity of the music, which comes from our respectively limited chops on our borrowed instruments, felt special to us: we never would have come up with something this straightforward and childlike on the instruments that we're "good" at.  Состав Ben Wendel saxophones, bassoon, melodica, piano (12) Dan Tepfer piano, Fender Rhodes, alto sax (12) tdelyon,