Pro-jazz Club - the whole world of jazz and even more

(Contemporary Jazz) James Emery Septet - Spectral Domains - 1998, FLAC (image+.cue), lossless

James Emery Septet - Spectral Domains Жанр: Contemporary Jazz Год выпуска диска: 1998 Производитель диска: Germany (Enja) Аудио кодек: FLAC Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 1:03:30Трэклист: 1. Red Spaces In A Blue Field 1 06:37 2. Red Spaces In A Blue Field 2 04:50 3. Far Wells, Mill Valley 06:50 4. Cosmology 03:23 5. Chromosphere 07:43 6. Trinkle Tinkle 03:13 7. Standing on a Whale Fishing For Minnows 06:49 8. Kathelin Gray 03:07 9. Sound Action Seven 15:16 10. Strings of Thread 05:22Доп. информация:James Emery acoustic guitar Marty Ehrlich alto & soprano sax, flute Mark Feldman violin Chris Speed tenor sax, clarinet Michael Formanek bass Gerry Hemingway drums Kevin Norton vibes, marimba, perc.Продолжение Эмери.. Состав как обычно звёздный! James Emery / Iliad Quartet - Turbulence ivoronen James Emery - Luminous Cycle ivoronen  Glenn Astarita - www.allaboutjazz.comSolo artist and member of the critically acclaimed “String Trio of New York”, guitar virtuoso James Emery has produced a bonafide winner in Spectral Domains. Emery is one of the world’s finest guitarists and possesses an encyclopedic jazz vocabulary as a technician and composer. The James Emery Septet is an assemblage of modern, cutting edge jazz musicians who have been shaping and to some extent, reinventing modern jazz through refreshingly new concepts and adept technical proficiency.Emery’s 1997 ENJA release, “Standing On A Whale..” is superb; however, Spectral Domains is Emery’s finest solo outing to date. Emery’s composition titled, “Red Spaces In A Blue Field, PT 1” is complex and technically challenging complete with alternating themes, precise time signatures and generous doses of hard edged swing. Here, gifted saxophonist and woodwind specialist, Chris Speed performs on the clarinet while trading airy, light-as-a-feather choruses with Marty Ehrlich’s fluid, over-the-top flute work. Throughout, Speed and the estimable multi-reedman Marty Ehrlich wear many hats as they toggle between various woodwind instruments along with Emery’s brilliantly conceived phrasing and soloing. In the liners, Emery states that “Red Spaces In A Blue Field, PT 2....” was influenced by Monk, Mingus and Ellington”. Charles Mingus’ Far Wells, Mill Valley” is injected with themes, which suggest Spanish “bravado” The soloists are predictably outstanding for their combined grace, wit and execution. Here, The Septet possess a “little big band” sound which was often evident in Mingus’ small group ensembles. On “Far Wells, Mill Valley”, Emery & Co. present captivating twists and turns, sheer elegance and cunning ingenuity. Emery’s “Chromosphere” features an arrangement, which borders “Chamber” and “New York City Downtown Scene modernism”.Special kudos to the all world rhythm section of Michael Formanek (bass), Kevin Norton (vibes, marimba, percussion.) and Gerry Hemmingway (drums) for their keen sense of dynamics and sympathetic accompaniment. Kevin Norton is the painter as he supplies subtle shades and bright colorful tonalities throughout the entire project. Emery’s incredibly fast single note runs, complex chord progressions and clever utilization of harmonics make for delightful listening on Monk’s “Trinkle Tinkle”. Chris Speed’s solemn, reflective clarinet performance on the Coleman/Metheny classic “Kathelin Gray” meshes well with Emery’s “classic” jazz style guitar in this brief yet lovely duet. Bassist-composer Mark Helias conducted Emery’s “Sound Action Seven” as the Septet take sort of an Anthony Braxton-ish approach. A lengthy tone poem, the music becomes furiously conversational and is orchestrated in clusters; hence, “Sound Action Seven” takes on a free-jazz complexion. The albums amiable closer is an Emery composition titled, “Strings Of Thread”. Here, violinist Mark Feldman jazzes up a quaint Brazilian motif as the project ends on an affably simple yet highly entertaining note.Supported by an all-star ensemble of proven modern jazz stylist’s and session aces, Spectral Domains features staggering technical virtuosity, remarkable creative spirit and unique renderings of jazz classics. Folks, this is the complete package! ***** (Excellent)  eac logExact Audio Copy V0.99 prebeta 3 from 28. July 2007EAC extraction logfile from 25. March 2009, 22:56James Emery Septet / Spectral DomainsUsed drive : HL-DT-STDVDRAM GSA-4165B Adapter: 1 ID: 0Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : NoRead offset correction : 667 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000Used output format : User Defined Encoder Selected bitrate : 768 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %dTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.01 | 6:37.61 | 1 | 29836 2 | 6:37.62 | 4:51.30 | 29837 | 51691 3 | 11:29.17 | 6:53.38 | 51692 | 82704 4 | 18:22.55 | 3:24.65 | 82705 | 98069 5 | 21:47.45 | 7:45.52 | 98070 | 132996 6 | 29:33.22 | 3:15.63 | 132997 | 147684 7 | 32:49.10 | 6:52.61 | 147685 | 178645 8 | 39:41.71 | 3:09.41 | 178646 | 192861 9 | 42:51.37 | 15:16.01 | 192862 | 261562 10 | 58:07.38 | 5:22.71 | 261563 | 285783Range status and errorsSelected range Filename F:\DATA\Music\Torrent\0_My_Music\James Emery Septet - Spectral Domains (1998)\James Emery Septet - Spectral Domains.wav Peak level 99.4 % Range quality 99.9 % Copy CRC E8EDEFB8 Copy OKNo errors occurredAccurateRip summaryTrack 1 not present in database Track 2 not present in database Track 3 not present in database Track 4 not present in database Track 5 not present in database Track 6 not present in database Track 7 not present in database Track 8 not present in database Track 9 not present in database Track 10 not present in databaseNone of the tracks are present in the AccurateRip databaseEnd of status report
08:27