(Contemporary Jazz|Guitar Jazz) Lorelei Quartet - Seta - 2011, FLAC (tracks+.cue), lossless
Lorelei Quartet - Seta
Жанр: Contemporary Jazz|Guitar Jazz|Folk
Страна-производитель диска: Italy
Год издания: 2011
Издатель (лейбл): Dodicilune
Номер по каталогу: ED 280
Страна: Italy
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 40:51
Источник (релизер): nuvola
Наличие сканов в содержимом раздачи: да
Треклист:
1. Andaluna
2. Kabul
3. Seta
4. Samba Fara Tine
5. Petit Prince
6. Aran
7. Audrey e il Mare
Исполнители:
Loris Deval - classic guitar
Alberto Occhiena - vibraphone
Massimo Marino - accordion
Giorgio Fiorini - doublebass
Guest, Martina Mazzon - violin
Доп. информация:
И снова итальянцы, даже сама не заметила. Альбом очень средиземноморский, с налетом фолка. Сыграно все со вкусом, с вниманием к деталям и нюансам.
Не забываем нажать - сказать "Спасибо"
Жанр: Contemporary Jazz|Guitar Jazz|Folk
Страна-производитель диска: Italy
Год издания: 2011
Издатель (лейбл): Dodicilune
Номер по каталогу: ED 280
Страна: Italy
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 40:51
Источник (релизер): nuvola
Наличие сканов в содержимом раздачи: да
Треклист:
1. Andaluna
2. Kabul
3. Seta
4. Samba Fara Tine
5. Petit Prince
6. Aran
7. Audrey e il Mare
Исполнители:
Loris Deval - classic guitar
Alberto Occhiena - vibraphone
Massimo Marino - accordion
Giorgio Fiorini - doublebass
Guest, Martina Mazzon - violin
Доп. информация:
И снова итальянцы, даже сама не заметила. Альбом очень средиземноморский, с налетом фолка. Сыграно все со вкусом, с вниманием к деталям и нюансам.
Лог создания рипа
X Lossless Decoder version 20121222 (142.2)
XLD extraction logfile from 2013-02-14 20:19:28 +0100
Lorelei Quartet / Seta
Used drive : HL-DT-ST DVDRAM GE20LU11 (revision CL01)
Media type : Pressed CD
Ripper mode : XLD Secure Ripper
Disable audio cache : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction : 667
Max retry count : 100
Gap status : Analyzed, Appended (except HTOA)
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 00:00:00 | 06:13:01 | 0 | 27975
2 | 06:13:01 | 09:13:57 | 27976 | 69507
3 | 15:26:58 | 06:21:36 | 69508 | 98118
4 | 21:48:19 | 03:37:63 | 98119 | 114456
5 | 25:26:07 | 04:11:72 | 114457 | 133353
6 | 29:38:04 | 06:09:65 | 133354 | 161093
7 | 35:47:69 | 05:02:05 | 161094 | 183748
AccurateRip Summary
Disc not found in AccurateRip DB.
All Tracks
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Peak : 0.977661
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Track 01
Filename : /Volumes/8-Jazz + altro/ Flac/ Ok da ul/Lorelei Quartet - Seta (2011) [FLAC] {Dodicilune}/01 - Andaluna.flac
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Track 02
Filename : /Volumes/8-Jazz + altro/ Flac/ Ok da ul/Lorelei Quartet - Seta (2011) [FLAC] {Dodicilune}/02 - Kabul.flac
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Track 03
Filename : /Volumes/8-Jazz + altro/ Flac/ Ok da ul/Lorelei Quartet - Seta (2011) [FLAC] {Dodicilune}/03 - Seta.flac
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Filename : /Volumes/8-Jazz + altro/ Flac/ Ok da ul/Lorelei Quartet - Seta (2011) [FLAC] {Dodicilune}/04 - Samba Fara Tine.flac
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Track 05
Filename : /Volumes/8-Jazz + altro/ Flac/ Ok da ul/Lorelei Quartet - Seta (2011) [FLAC] {Dodicilune}/05 - Petit Prince.flac
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Track 06
Filename : /Volumes/8-Jazz + altro/ Flac/ Ok da ul/Lorelei Quartet - Seta (2011) [FLAC] {Dodicilune}/06 - Aran.flac
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Track 07
Filename : /Volumes/8-Jazz + altro/ Flac/ Ok da ul/Lorelei Quartet - Seta (2011) [FLAC] {Dodicilune}/07 - Audri E Il Mare.flac
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No errors occurred
End of status report
Содержание индексной карты (.CUE)
TITLE "Seta"
PERFORMER "Lorelei Quartet"
REM GENRE "Jazz"
REM DATE "2011"
REM DISCID 59099107
REM REPLAYGAIN_ALBUM_GAIN -5.38 dB
REM REPLAYGAIN_ALBUM_PEAK 0.977661
FILE "01 - Andaluna.flac" WAVE
TRACK 01 AUDIO
TITLE "Andaluna"
REM REPLAYGAIN_TRACK_GAIN -5.01 dB
REM REPLAYGAIN_TRACK_PEAK 0.977448
INDEX 01 00:00:00
FILE "02 - Kabul.flac" WAVE
TRACK 02 AUDIO
TITLE "Kabul"
REM REPLAYGAIN_TRACK_GAIN -6.00 dB
REM REPLAYGAIN_TRACK_PEAK 0.977661
INDEX 01 00:00:00
FILE "03 - Seta.flac" WAVE
TRACK 03 AUDIO
TITLE "Seta"
REM REPLAYGAIN_TRACK_GAIN -5.15 dB
REM REPLAYGAIN_TRACK_PEAK 0.977570
INDEX 01 00:00:00
FILE "04 - Samba Fara Tine.flac" WAVE
TRACK 04 AUDIO
TITLE "Samba Fara Tine"
REM REPLAYGAIN_TRACK_GAIN -6.75 dB
REM REPLAYGAIN_TRACK_PEAK 0.977570
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "Petit Prince"
REM REPLAYGAIN_TRACK_GAIN -3.56 dB
REM REPLAYGAIN_TRACK_PEAK 0.974915
INDEX 00 03:35:48
FILE "05 - Petit Prince.flac" WAVE
INDEX 01 00:00:00
FILE "06 - Aran.flac" WAVE
TRACK 06 AUDIO
TITLE "Aran"
REM REPLAYGAIN_TRACK_GAIN -5.97 dB
REM REPLAYGAIN_TRACK_PEAK 0.977539
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "Audri E Il Mare"
REM REPLAYGAIN_TRACK_GAIN -3.82 dB
REM REPLAYGAIN_TRACK_PEAK 0.977386
INDEX 00 06:09:38
FILE "07 - Audri E Il Mare.flac" WAVE
INDEX 01 00:00:00
Об альбоме (сборнике)
The debut album of the Lorelei Quartet is definitely promising. The four young musicians, plus the violin "guest" of reinforcement, have a clear idea and a conception of jazz quite accurate. Play, in fact, a music full of melody with some eco folk, some South American flavor, dominated the tone light and delicate. In addition, not to increase the dynamics, give up the battery, taking on the task of supporting each other rhythmically. In this way a job is created where the circular pattern is performed by a voice or two, or more, instruments unison. Engage, immediately, changes, embroidery, underscores, in a team game attentive to details, the nuances, the subtext. The guitar Loris Deval, author of all songs, proceeds favoring a soft accompaniment and a soloing environmentally friendly harmonious climate of the songs, never rising to the protagonist over the top. His solos are compositional hundred percent. Are instrumental to the development of the reasons, almost caressing them, make them rise slowly.
Comes into play when Massimo Marino enters the discourse taste of ancient and modern at the same time with an accordion gives the music the color of a local village festival and at the same time is linked to the tango, Argentina, to an exotic lived as close to or as a family.
Alberto Occhiena is concerned, often, the rhythm part, hitting the vibraphone with strength and determination, always in a context where no one "comes out" too hard, exceeding certain noise limits. In his solo performances reveals taste, swing and listening skills of the partners. Are particularly valuable in its placement "to raise" note rather than to add them. Few sentences, well-spoken and placed in the right place.
George Fiorini, so to speak, is content to sing the bass in any situation. Not only accompanies or rejects a priori defined this role. It is exalted in saying the melody or propose thematic variations of undoubted efficacy.
Martina Mazzon with the violin emphasizes the grace of the reasons, without letting them become mushy or too light. His contribution is particularly important from the point of view of timbre, because it enriches the overall sound of the group with something classic and popular at the same time.
Comes into play when Massimo Marino enters the discourse taste of ancient and modern at the same time with an accordion gives the music the color of a local village festival and at the same time is linked to the tango, Argentina, to an exotic lived as close to or as a family.
Alberto Occhiena is concerned, often, the rhythm part, hitting the vibraphone with strength and determination, always in a context where no one "comes out" too hard, exceeding certain noise limits. In his solo performances reveals taste, swing and listening skills of the partners. Are particularly valuable in its placement "to raise" note rather than to add them. Few sentences, well-spoken and placed in the right place.
George Fiorini, so to speak, is content to sing the bass in any situation. Not only accompanies or rejects a priori defined this role. It is exalted in saying the melody or propose thematic variations of undoubted efficacy.
Martina Mazzon with the violin emphasizes the grace of the reasons, without letting them become mushy or too light. His contribution is particularly important from the point of view of timbre, because it enriches the overall sound of the group with something classic and popular at the same time.