(Classical Crossover, Contemporary Jazz) [CD] Nigel Kennedy - Recital - 2013, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 13. December 2013, 20:04
Nigel Kennedy / Recital
Used drive  : TSSTcorpCDDVDW SN-208AB   Adapter: 2  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : Koder użytkownika
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=" %s -o %d
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  8:03.57 |         0    |    36281
        2  |  8:03.57 |  7:09.71 |     36282    |    68527
        3  | 15:13.53 |  6:56.66 |     68528    |    99793
        4  | 22:10.44 |  3:44.54 |     99794    |   116647
        5  | 25:55.23 |  6:19.36 |    116648    |   145108
        6  | 32:14.59 |  2:31.11 |    145109    |   156444
        7  | 34:45.70 |  2:00.40 |    156445    |   165484
        8  | 36:46.35 |  5:41.15 |    165485    |   191074
        9  | 42:27.50 |  6:08.44 |    191075    |   218718
       10  | 48:36.19 |  5:53.00 |    218719    |   245193
       11  | 54:29.19 |  1:07.58 |    245194    |   250276
       12  | 55:37.02 |  2:52.53 |    250277    |   263229
Track  1
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     Accurately ripped (confidence 14)  [6E702B99]
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Track  2
     Filename D:\Nigel Kennedy (2013) Recital\02-Take Five.wav
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     Accurately ripped (confidence 14)  [96B47248]
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Track  3
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     Accurately ripped (confidence 14)  [AB41C64D]
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Track  4
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Track  5
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Track  6
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Track  7
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Track  8
     Filename D:\Nigel Kennedy (2013) Recital\08-How Can You Face Me Now.wav
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     Accurately ripped (confidence 14)  [26201F64]
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Track  9
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Track 10
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Track 11
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Track 12
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All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 821F18565B7A5DA6C69AFB75BFA440CA4E4862039AD5F05AA7260BD5031EFB98 ====

REM GENRE Jazz
REM DATE 2013
REM DISCID B40DB50C
REM COMMENT "ExactAudioCopy v1.0b1"
PERFORMER "Nigel Kennedy"
TITLE "Recital"
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FILE "11 - Helena's Honeysuckle.wav" WAVE
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FILE "12 - Dusk.wav" WAVE
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[CUETools log; Date: 14.12.2013 0:01:44; Version: 2.1.4]
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  5   | (10/10) Accurately ripped
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  7   | (10/10) Accurately ripped
  8   | (10/10) Accurately ripped
  9   | (10/10) Accurately ripped
 10   | (10/10) Accurately ripped
 11   | (10/10) Accurately ripped
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Classical music fans have long had the pleasure of indulging in spirited disagreements about the playing of British violinist Nigel Kennedy. He doubtless has the popular touch and has made some of the best-selling classical recordings of all time. He is also outrageous for the sake of being outrageous, gleefully insensitive to period styles, and all in all more interested in drawing attention to himself than to the music. One could, of course, make the argument that these are qualities classical music desperately needs right now, and plenty of buyers have clearly drawn that conclusion. At any rate, jazz lovers can now enjoy the same disagreements. Kennedy's no stranger to jazz, having become interested in the music as a teen and been forced to give it up by his teachers at the Juilliard School (which may explain a lot). The bland title Recital is ironic indeed, for Kennedy is not reciting anybody else's music: it's all his. There are a couple of Bach pieces marked simply "Allegro" and "Vivace," with familiar Bach pieces bumping up against, respectively, Brazilian and African rhythms. The works by Fats Waller, Dave Brubeck, and other jazz players (there are a couple of Kennedy originals too) don't feel like jazz; Kennedy gives them a showy, jittery quality that is miles from the generally cool ethos of jazz, and they depart even more than the word "jazz" might reasonably imply from the originals. They will also, except for Kennedy's confirmed detractors, be a great deal of fun, and it's remarkable how edgy this artist has continued to be after all these years. You pay your money, and you take your choice.