(Christmas, Modern Creative, Avant-Garde Jazz) Carla Bley, Steve Swallow, The Partyka Brass Quintet - Carla's Christmas Carols - 2009, FLAC (tracks), lossless

auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01 - O Tannenbaum.wav]
Detected average hi-boundary frequency: 2.059711e+004 Hz
Detected average lo-boundary frequency: 1.342120e+004 Hz
Detected average hi-cut frequency: 2.102206e+004 Hz
Detected average lo-cut frequency: 1.826094e+004 Hz
Maximum probablis boundary frequency: 1.996400e+004 Hz
Coefficient of nonlinearity of a phase: 2.633523e-001
First order smothness: 3.207668e-001
Second order smothness: 8.945687e-001
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This track looks like CDDA with probability 62%
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Processing file: [02 - Away in a Manger.wav]
Detected average hi-boundary frequency: 2.071606e+004 Hz
Detected average lo-boundary frequency: 1.167215e+004 Hz
Detected average hi-cut frequency: 2.117213e+004 Hz
Detected average lo-cut frequency: 2.009589e+004 Hz
Maximum probablis boundary frequency: 2.003900e+004 Hz
Coefficient of nonlinearity of a phase: 4.186958e-001
First order smothness: 4.384068e-001
Second order smothness: 9.657083e-001
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Could not qualify the source of this track.
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Processing file: [03 - The Christmas Song.wav]
Detected average hi-boundary frequency: 2.041248e+004 Hz
Detected average lo-boundary frequency: 1.252207e+004 Hz
Detected average hi-cut frequency: 2.116995e+004 Hz
Detected average lo-cut frequency: 1.587637e+004 Hz
Maximum probablis boundary frequency: 1.992600e+004 Hz
Coefficient of nonlinearity of a phase: 2.914179e-001
First order smothness: 3.408957e-001
Second order smothness: 8.565115e-001
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This track looks like CDDA with probability 100%
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Processing file: [04 - Ring Christmas Bells.wav]
Detected average hi-boundary frequency: 2.074811e+004 Hz
Detected average lo-boundary frequency: 1.320495e+004 Hz
Detected average hi-cut frequency: 2.134638e+004 Hz
Detected average lo-cut frequency: 1.923446e+004 Hz
Maximum probablis boundary frequency: 2.006600e+004 Hz
Coefficient of nonlinearity of a phase: 1.730078e-001
First order smothness: 4.503205e-001
Second order smothness: 9.115919e-001
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This track looks like CDDA with probability 42%
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Processing file: [05 - God Rest Ye Merry Gentlemen, Part One.wav]
Detected average hi-boundary frequency: 2.048163e+004 Hz
Detected average lo-boundary frequency: 1.366619e+004 Hz
Detected average hi-cut frequency: 2.113070e+004 Hz
Detected average lo-cut frequency: 1.734753e+004 Hz
Maximum probablis boundary frequency: 1.996400e+004 Hz
Coefficient of nonlinearity of a phase: 1.611285e-001
First order smothness: 3.185640e-001
Second order smothness: 7.875162e-001
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This track looks like CDDA with probability 100%
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Processing file: [06 - God Rest Ye Merry Gentlemen, Part Two.wav]
Detected average hi-boundary frequency: 2.087232e+004 Hz
Detected average lo-boundary frequency: 1.155744e+004 Hz
Detected average hi-cut frequency: 2.176940e+004 Hz
Detected average lo-cut frequency: 2.016396e+004 Hz
Maximum probablis boundary frequency: 2.006600e+004 Hz
Coefficient of nonlinearity of a phase: 3.437664e-001
First order smothness: 5.005851e-001
Second order smothness: 9.566998e-001
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This track looks like CDDA with probability 62%
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Processing file: [07 - It Came Upon a Midnight Clear.wav]
Detected average hi-boundary frequency: 2.040817e+004 Hz
Detected average lo-boundary frequency: 1.311825e+004 Hz
Detected average hi-cut frequency: 2.108693e+004 Hz
Detected average lo-cut frequency: 1.644701e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.201785e-001
First order smothness: 3.335453e-001
Second order smothness: 8.292528e-001
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This track looks like CDDA with probability 99%
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Processing file: [08 - Hell's Bells.wav]
Detected average hi-boundary frequency: 2.071569e+004 Hz
Detected average lo-boundary frequency: 1.414641e+004 Hz
Detected average hi-cut frequency: 2.154543e+004 Hz
Detected average lo-cut frequency: 1.981635e+004 Hz
Maximum probablis boundary frequency: 1.996900e+004 Hz
Coefficient of nonlinearity of a phase: 9.448986e-002
First order smothness: 4.209123e-001
Second order smothness: 8.818128e-001
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This track looks like CDDA with probability 100%
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Processing file: [09 - Jesus Maria.wav]
Detected average hi-boundary frequency: 2.065467e+004 Hz
Detected average lo-boundary frequency: 1.271422e+004 Hz
Detected average hi-cut frequency: 2.110641e+004 Hz
Detected average lo-cut frequency: 1.873552e+004 Hz
Maximum probablis boundary frequency: 1.996900e+004 Hz
Coefficient of nonlinearity of a phase: 2.595503e-001
First order smothness: 4.421284e-001
Second order smothness: 9.076614e-001
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This track looks like CDDA with probability 43%
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Processing file: [10 - Jingle Bells.wav]
Detected average hi-boundary frequency: 2.059618e+004 Hz
Detected average lo-boundary frequency: 1.389389e+004 Hz
Detected average hi-cut frequency: 2.103932e+004 Hz
Detected average lo-cut frequency: 1.674127e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.882067e-001
First order smothness: 4.362078e-001
Second order smothness: 8.098840e-001
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This track looks like CDDA with probability 85%
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Processing file: [11 - O Holy Night.wav]
Detected average hi-boundary frequency: 2.025040e+004 Hz
Detected average lo-boundary frequency: 1.322538e+004 Hz
Detected average hi-cut frequency: 2.136711e+004 Hz
Detected average lo-cut frequency: 1.227063e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.793056e-001
First order smothness: 3.629967e-001
Second order smothness: 7.814570e-001
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This track looks like CDDA with probability 100%
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Processing file: [12 - Joy to the World.wav]
Detected average hi-boundary frequency: 2.031397e+004 Hz
Detected average lo-boundary frequency: 1.305021e+004 Hz
Detected average hi-cut frequency: 2.086841e+004 Hz
Detected average lo-cut frequency: 1.237266e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.738203e-001
First order smothness: 4.169922e-001
Second order smothness: 4.667969e-001
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This track looks like CDDA with probability 100%

Carla Bley and Christmas carols? You bet. She loves them and has incorporated them into her live sets for decades now. On this WATT release, recorded in 2008 at La Buisonne Studio in the south of France, she and bassist Steve Swallow took a couple of days off a European tour with the Partyka Brass Quintet and cut ten of the 12 selections here. The other two pieces -- "O Holy Night" and "Joy to the World" -- were taken from a concert performance four days earlier in Berlin. This may be the Christmas recording of 2009. Bley's arrangements are both elegant and sometimes quirky, but always engaging and fun, and show a complete love of the original material. Check her readings of "The Christmas Song," the two-part "God Rest Ye Merry Gentlemen," and the deeply moving and soulful version of "O Holy Night," where the lead melody is played by Swallow. In addition, these songs in Bley's hands all have swing in them -- a beautiful example is in "Ring Christmas Bells," with Bley's added cadenza in the bridge. There are also two Bley originals in the set that serve as a very proper and even surprising introduction to "Jingle Bells." The first is, of course, the utterly playful "Hell's Bells" and the grooving hard bop swing in it provided by Swallow's playing. In the middle section he and Tobias Weidinger's trumpet go head to head, followed by some ensemble play and Bley's own solo before the "Jingle Bells" theme is stated in striated harmony. This segues into an absolutely gorgeous "Jesus Maria" (which Jimmy Giuffre first recorded back in 1961), and is quite at home in this collection of carols. "Jingle Bells" itself is like a mini-suite of jazz from New Orleans to New York (with nice touches from Weidinger's glockenspiel and Edward Partyka's tuba). While the argument that there should be a moratorium on Christmas recordings is a good one in the 21st century, Carla's Christmas Carols provides a powerful counter to that view. She has added so much to these songs without taking away any of the warmth, joy, and nostalgia inherent to the season or their place in it.

Carla Bley - piano, celeste
Steve Swallow - bass, chimes
Tobias Weidinger - trumpet, flugelhorn, glockenspiel
Axel Schlosser - trumpet, flugelhorn, chimes
Christine Chapman - horn
Adrian Mears - trombone
Ed Partyka - bass trombone, tuba
Recorded at La Buissonne Studio, Pernes Les Fontaines on December 4-9, 2008.