(Chamber Jazz / Crossover / Modern Creative) Michael Riessler & Singer Pur with Vincent Courtois - Ahi Vita - 2004 [ACT Music ACT 9417-2], FLAC (image+.cue) lossless

Michael Riessler & Singer Pur with Vincent Courtois - Ahi Vita Жанр: Chamber Jazz / Crossover / Modern Creative Страна-производитель диска: Germany Год издания диска: 2004 Издатель (лейбл): ACT Music Номер по каталогу: ACT 9417-2 / Categories: Crossover Аудио кодек: FLAC (*.flac) Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 01:07:42 Источник (релизер): собственный рип с оригинального Audio CD Наличие сканов в содержимом раздачи: даТреклист:1. O dolorosa gioia (Carlo Gesualdo / Michael Riessler) (04:58) 2. Ahi lingua, ai baci (Michael Riessler) (07:28) 3. Amor (Michael Riessler) (12:52) 4. Amor - Lamento della Ninfa (Claudio Monteverdi) (04:52) 5. Nasce la pena mia - Introduktion (02:04) 6. Nasce la pena mia (Alessandro Striggio / Michael Riessler) (03:45) 7. Pleurez mes yeux (Michael Riessler) (03:51) 8. Pleurez mes yeux (Dominique Phinot) (03:21) 9. Planxit (Michael Riessler) (04:16) 10. Cursum (Michael Riessler) (06:19) 11. Si ch'io vorrei morire (Claudio Monteverdi) (02:59) 12. Lugebat (Michael Riessler) (01:23) 13. Moro lasso (Carlo Gesualdo) (03:34) 14. Far mi deggio (Michael Riessler) (05:54)Доп. информация:Musicians: Michael Riessler - clarinet & bass-clarinet Vincent Courtois - celloAll vocals by Singer Pur: Claudia Reinhard - soprano Klaus Wenk - tenor Markus Zapp - tenor Andreas Hirtreiter - tenor Guido Heidloff - baritone Marcus Schmidl - bassRecorded 22.-27. April 2003 at Propstei St. Gerold, Austria Cover artwork by Jerry Zeniuk © 2002 (by permission of the artist) Release Date Germany: 2004-02-01 © 2004 ACT MusicMichael Riessler & Singer Pur with Vincent Courtois - Ahi Vita actmusic.com Michael Riessler Official Site  ... text ...With "Ahi Vita" clarinettist and composer Michael Riessler presents a sophisticated and delightful dialogue with the music of the Renaissance  ... back ...  Product InfoFor a long time the German clarinettist and composer Michael Riessler has been known for musical projects where the term "jazz" is quite inappropriate. Riessler has broken down a variety of boundaries between jazz and theatre, jazz and classical European music as well as jazz and serious avant-garde music, all with the same feature in common: that it would always be inappropriate to put them in that category which has the simple, fashionable title "crossover". Equally ambitious, while being exceptionally attractive technically and aurally, are the pieces for his latest CD "Ahi Vita".With a title that could best be translated as "That’s Life", Michael Riessler presents 14 pieces which all can be described by the generic term "laments". He has assembled an unusual team. On the one hand there is French cellist Vincent Courtois who is, like Riessler, equally at ease in a variety of styles from Bach through bebop to complex abstract experiments. Most recently he has been known for his collaboration with fellow countryman Louis Sclavis. On the other hand, Riessler employs the dedicated vocal group Singer Pur, which has made its name for over a decade for performing highly entertaining a cappella programmes from medieval to contemporary music: specialists in the field of ensemble work that is tinged with the most delicate of nuance.Laments from the renaissance and early baroque eras have been sought out by the musicians and placed opposite originals by Michael Riessler. Stand-out pieces include the famous "Lamento della Ninfa" (Track 4) by Claudio Monteverdi, composer of madrigals and operas (1567-1643) and pieces by Neapolitan madrigal composer and Prince of Venosa, Carlo Gesualdo (ca. 1560-1613), who was also infamous for the double murder of his wife and her lover. Both of them were revolutionary in the way that they used musical language for their time: Monteverdi with a lively and declamatory means of expressing emotion while Gesualdo had an enormously adventurous approach to harmony with an exceptional use of chromatics ("So much of it sounds as if it could have been written today" says Riessler).In contrast with other well-known early music projects by jazz musicians (especially those using vocals) Riessler doesn’t take here the original music as a chance to play through paraphrasing: "In no way did I just want to use the originals just for improvisation. The concept has already been taken by others and anyway didn’t seem to me to be appropriate for the chosen pieces, which are already so vibrant, that their dignity would be reduced as a result." Indeed Riessler has taken the Monteverdi compositions completely unchanged – just with the addition of bass clarinet and cello as bass (track 4) or with just the vocal ensemble (track 11). For the piece "O dolorosa gioia" (Track 1) compositions by Gesualdo and Riessler are overlaid, "as if you would lay two sheets on top of each other, fuse them both and at the end come up with a new covering." This piece acts as a prologue to the rest of the CD, being, according to Riessler "Two worlds which confront each other but only occasionally mix".Two worlds being, according to Riessler, two completely unique worlds. Riessler’s compositions, which take up the majority of this CD, are not just responses to the baroque and renaissance laments that they follow or precede. In the insistent vocal phrases of the vocal ensemble, around which swirls the the cello or clarinet; or in the long, whirling instrumental passages, from which the vocal phrase and the Monteverdi lament evolve, Riessler demonstrates that he is equally versed in the drama of the originals.He takes them forward with his own approach, and in his own way adequately produces more than just an echo. His compositions are full of strong individual statements, which also give space to the soloing strengths of the two instrumentalists – especially Courtois’ cello (tracks 11, 14)The collaboration has not been reduced to the lowest common denominator but rather he has been able to create something more than the sum of its parts: an adventure for the ear, which refuses to give a simplistic answer and thereby is able to exert a special appeal. Laments performed with reverence and yet with a personal stamp were the aim: ancient music mirrored in new, but without either being overpowered by the other.  EAC extraction logfile from 6. February 2011, 18:35 Exact Audio Copy V0.99 prebeta 4 from 23. January 2008EAC extraction logfile from 6. February 2011, 18:35Michael Riessler / Ahi VitaUsed drive : Optiarc DVD RW AD-7260S Adapter: 2 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 48Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Installed external ASPI interfaceUsed output format : User Defined EncoderSelected bitrate : 128 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : D:\Program Files\Exact Audio Copy\Flac\flac.exeAdditional command line options : -8 -V %sTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:56.01 | 0 | 22200 2 | 4:56.01 | 7:28.12 | 22201 | 55812 3 | 12:24.13 | 12:52.58 | 55813 | 113770 4 | 25:16.71 | 4:52.16 | 113771 | 135686 5 | 30:09.12 | 2:04.17 | 135687 | 145003 6 | 32:13.29 | 3:45.68 | 145004 | 161946 7 | 35:59.22 | 3:51.19 | 161947 | 179290 8 | 39:50.41 | 3:21.70 | 179291 | 194435 9 | 43:12.36 | 4:16.73 | 194436 | 213708 10 | 47:29.34 | 6:19.63 | 213709 | 242196 11 | 53:49.22 | 2:59.21 | 242197 | 255642 12 | 56:48.43 | 1:23.13 | 255643 | 261880 13 | 58:11.56 | 3:34.51 | 261881 | 277981 14 | 61:46.32 | 5:54.11 | 277982 | 304542Range status and errorsSelected range Filename G:\TORRENTS.ru_Audio CD\#083_Michael Riessler & Singer Pur - Ahi Vita (2003)\Michael Riessler & Singer Pur - Ahi Vita (2003)\Michael Riessler - Ahi Vita.wav Peak level 100.0 % Range quality 100.0 % Test CRC C4C10EB2 Copy CRC C4C10EB2 Copy OKNo errors occurredAccurateRip summaryTrack 1 accurately ripped (confidence 4) [1C15EF23]Track 2 accurately ripped (confidence 4) [2201B7A8]Track 3 accurately ripped (confidence 4) [6C02740E]Track 4 accurately ripped (confidence 4) [F68A884D]Track 5 accurately ripped (confidence 4) [9599D7AD]Track 6 accurately ripped (confidence 4) [301727C6]Track 7 accurately ripped (confidence 4) [2DD05AB9]Track 8 accurately ripped (confidence 4) [19EE96FC]Track 9 accurately ripped (confidence 4) [9CDC4E47]Track 10 accurately ripped (confidence 4) [AC76CBD0]Track 11 accurately ripped (confidence 4) [97166040]Track 12 accurately ripped (confidence 4) [012DCDB6]Track 13 accurately ripped (confidence 4) [2B4B6712]Track 14 accurately ripped (confidence 4) [9CE319AC]All tracks accurately rippedEnd of status report  Содержание индексной карты (.CUE) REM GENRE CrossoverREM DATE 2003REM DISCID C60FDC0EREM COMMENT "ExactAudioCopy v0.99pb4"PERFORMER "Michael Riessler"TITLE "Ahi Vita"FILE "Michael Riessler - Ahi Vita.flac" WAVE TRACK 01 AUDIO TITLE "O dolorosa gioia" PERFORMER "Michael Riessler" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Ahi lingua, ai baci" PERFORMER "Michael Riessler" INDEX 01 04:56:01 TRACK 03 AUDIO TITLE "Amor" PERFORMER "Michael Riessler" INDEX 01 12:24:13 TRACK 04 AUDIO TITLE "Amor - Lamento della Ninfa" PERFORMER "Michael Riessler" INDEX 01 25:16:71 TRACK 05 AUDIO TITLE "Nasce in pena mia - Introduction" PERFORMER "Michael Riessler" INDEX 01 30:09:12 TRACK 06 AUDIO TITLE "Nasce le pina mia" PERFORMER "Michael Riessler" INDEX 01 32:13:29 TRACK 07 AUDIO TITLE "Pleurez mes yeux" PERFORMER "Michael Riessler" INDEX 01 35:59:22 TRACK 08 AUDIO TITLE "Pleurez mes yeux" PERFORMER "Michael Riessler" INDEX 01 39:50:41 TRACK 09 AUDIO TITLE "Planxit" PERFORMER "Michael Riessler" INDEX 01 43:12:36 TRACK 10 AUDIO TITLE "Cursum" PERFORMER "Michael Riessler" INDEX 01 47:29:34 TRACK 11 AUDIO TITLE "Si chio vorrei morire" PERFORMER "Michael Riessler" INDEX 01 53:49:22 TRACK 12 AUDIO TITLE "Lugebat" PERFORMER "Michael Riessler" INDEX 01 56:48:43 TRACK 13 AUDIO TITLE "Moro lasso" PERFORMER "Michael Riessler" INDEX 01 58:11:56 TRACK 14 AUDIO TITLE "Far mi deggio" PERFORMER "Michael Riessler" INDEX 01 61:46:32 ... релизы с участием MICHAEL RIESSLER на трекере ...