(Bop) David Amram & Friends - Latin-Jazz Celebration - 2010, APE (image+.cue), lossless
David Amram & Friends / Latin-Jazz Celebration
Жанр: Bop
Страна-производитель диска: USA
Год издания диска: 2010
Издатель (лейбл): Wounded Bird Records
Номер по каталогу: WOU 195
Страна: US Philadelphia, Pennsylvania
Аудиокодек: APE (*.ape)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 00:35:03
Источник (релизер): dreadbull
Наличие сканов в содержимом раздачи: да
Треклист:
1. En Memoria de Chano Pozo /Amram/ 7:24
2. New York Charanga /Amram/ 2:55
3. Andes Breeze /Amram/ 3:20
4. Take the "A" Train /Strayhorn/ 3:49
5. Blue Bomba (Bomba Azul) /Amram/ 3:44
6. Brazilian Memories /Amram/ 4:24
7. Celebration /Amram/ 4:23
8. Song of the Rain Forest /Amram/ 2:22
9. An Interview with David Amram 2:38
Лог создания рипа
Содержание индексной карты (.CUE)
Об исполнителе (группе)
Об альбоме (сборнике)
Состав
Жанр: Bop
Страна-производитель диска: USA
Год издания диска: 2010
Издатель (лейбл): Wounded Bird Records
Номер по каталогу: WOU 195
Страна: US Philadelphia, Pennsylvania
Аудиокодек: APE (*.ape)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 00:35:03
Источник (релизер): dreadbull
Наличие сканов в содержимом раздачи: да
Треклист:
1. En Memoria de Chano Pozo /Amram/ 7:24
2. New York Charanga /Amram/ 2:55
3. Andes Breeze /Amram/ 3:20
4. Take the "A" Train /Strayhorn/ 3:49
5. Blue Bomba (Bomba Azul) /Amram/ 3:44
6. Brazilian Memories /Amram/ 4:24
7. Celebration /Amram/ 4:23
8. Song of the Rain Forest /Amram/ 2:22
9. An Interview with David Amram 2:38
EAC extraction logfile from 14. April 2011, 18:42 for CD David Amram & Friends / Latin-Jazz Celebration Used drive : ASUS DRW-22B2L Adapter: 0 ID: 1 Read mode : Secure with NO C2, accurate stream, disable cache Read offset correction : 6 Overread into Lead-In and Lead-Out : No Used output format : Internal WAV Routines 44.100 Hz; 16 Bit; Stereo Other options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Installed external ASPI interface Range status and errors Selected range Filename D:\Donkey Files\David Amram - Latin-Jazz Celebration (1982; Wounded Bird 2010) [eac-ape-scans] ByDrBull\CDImage.wav Peak level 94.4 % Range quality 100.0 % CRC 37794E2E Copy OK No errors occured End of status report
PERFORMER "David Amram & Friends" TITLE "Latin-Jazz Celebration" FILE "CDImage.wav" WAVE TRACK 01 AUDIO TITLE "En Memoria de Chano Pozo" PERFORMER "David Amram & Friends" ISRC H2<g10901342 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "New York Charanga" PERFORMER "David Amram & Friends" ISRC H2<g10901343 INDEX 00 07:22:61 INDEX 01 07:24:61 TRACK 03 AUDIO TITLE "Andes Breeze" PERFORMER "David Amram & Friends" ISRC H2<g10901344 INDEX 00 10:18:56 INDEX 01 10:20:56 TRACK 04 AUDIO TITLE "Take the A Trane" PERFORMER "David Amram & Friends" ISRC H2<g10901350 INDEX 00 13:39:04 INDEX 01 13:41:04 TRACK 05 AUDIO TITLE "Blue Bomba (Bomba Azul)" PERFORMER "David Amram & Friends" ISRC H2<g10901345 INDEX 00 17:29:00 INDEX 01 17:31:00 TRACK 06 AUDIO TITLE "Brazilian Memories" PERFORMER "David Amram & Friends" ISRC H2<g10901346 INDEX 00 21:13:03 INDEX 01 21:15:03 TRACK 07 AUDIO TITLE "Celebration" PERFORMER "David Amram & Friends" ISRC H2<g10901347 INDEX 00 25:37:43 INDEX 01 25:39:43 TRACK 08 AUDIO TITLE "Song of the Rain Forest" PERFORMER "David Amram & Friends" ISRC H2<g10901349 INDEX 00 30:00:49 INDEX 01 30:02:49 TRACK 09 AUDIO TITLE "An interview with David Amram" PERFORMER "David Amram & Friends" ISRC H2<g10901348 INDEX 00 32:23:01 INDEX 01 32:25:01
by Richard S. Ginell
Musical compartments mean nothing to David Amram, whose compositions and activities have crossed fearlessly back and forth between the classical and jazz worlds, as well as those of Latin jazz, folk, television, and film music. In addition to his rare (to jazz) specialty, the French horn, Amram has also recorded on piano, recorder, Spanish guitar, and various percussion instruments.
Amram spent a year at the Oberlin College Conservatory (1948) but graduated from George Washington University with a B.A. in history in 1952. His long association with Latin music began in 1951 in D.C. when he played horn and percussion in the Buddy Rowell Latin band while also serving as a classical horn player in the National Symphony Orchestra. Stationed with the Seventh Army in Europe, Amram recorded with Lionel Hampton in Paris in 1955, and then returned to New York later that year to join Charles Mingus' Jazz Workshop, performing with Mingus and Oscar Pettiford. Amram led a quartet with tenor saxophonist George Barrow that made an album for Decca in 1957 and later played regularly at New York's Five Spot in 1963-1965. However, Amram's career gravitated mostly over to the classical side after the 1950s, producing orchestral and instrumental pieces, incidental music (his score for Archibald MacLeish's J.B. won a Pulitzer prize), and other works which attracted enough respect to have the New York Philharmonic sign him on as its first composer-in-residence (1966-1967).
In 1977, Amram sailed on the cruise ship Daphne from New Orleans to Havana with Dizzy Gillespie, Stan Getz, and Earl "Fatha" Hines, who were among the first U.S. citizens to legally visit Cuba in 16 years. An exciting live recording of Amram's "En Memoria de Chano Pozo" was made in Havana with members of Irakere (including Arturo Sandoval and Paquito D'Rivera) and several visiting Americans, which can be heard on the album Havana/New York (Flying Fish). Amram's Cuban visit received extensive news coverage at the time and also provided many Americans with their first glimpse of Irakere.
Most of Amram's available recordings can also be found on Flying Fish. In addition, the open-minded Amram can be heard playing bouncy French horn, recorder, and piano obligatos on some bizarre 1971 tracks by beat poet Allen Ginsberg (sample titles: "Vomit Express" and "Going to San Diego"), later released on John Hammond's eponymous label.
Musical compartments mean nothing to David Amram, whose compositions and activities have crossed fearlessly back and forth between the classical and jazz worlds, as well as those of Latin jazz, folk, television, and film music. In addition to his rare (to jazz) specialty, the French horn, Amram has also recorded on piano, recorder, Spanish guitar, and various percussion instruments.
Amram spent a year at the Oberlin College Conservatory (1948) but graduated from George Washington University with a B.A. in history in 1952. His long association with Latin music began in 1951 in D.C. when he played horn and percussion in the Buddy Rowell Latin band while also serving as a classical horn player in the National Symphony Orchestra. Stationed with the Seventh Army in Europe, Amram recorded with Lionel Hampton in Paris in 1955, and then returned to New York later that year to join Charles Mingus' Jazz Workshop, performing with Mingus and Oscar Pettiford. Amram led a quartet with tenor saxophonist George Barrow that made an album for Decca in 1957 and later played regularly at New York's Five Spot in 1963-1965. However, Amram's career gravitated mostly over to the classical side after the 1950s, producing orchestral and instrumental pieces, incidental music (his score for Archibald MacLeish's J.B. won a Pulitzer prize), and other works which attracted enough respect to have the New York Philharmonic sign him on as its first composer-in-residence (1966-1967).
In 1977, Amram sailed on the cruise ship Daphne from New Orleans to Havana with Dizzy Gillespie, Stan Getz, and Earl "Fatha" Hines, who were among the first U.S. citizens to legally visit Cuba in 16 years. An exciting live recording of Amram's "En Memoria de Chano Pozo" was made in Havana with members of Irakere (including Arturo Sandoval and Paquito D'Rivera) and several visiting Americans, which can be heard on the album Havana/New York (Flying Fish). Amram's Cuban visit received extensive news coverage at the time and also provided many Americans with their first glimpse of Irakere.
Most of Amram's available recordings can also be found on Flying Fish. In addition, the open-minded Amram can be heard playing bouncy French horn, recorder, and piano obligatos on some bizarre 1971 tracks by beat poet Allen Ginsberg (sample titles: "Vomit Express" and "Going to San Diego"), later released on John Hammond's eponymous label.
by Scott Yanow
David Amram, who has played and composed in several different areas of music, has always had a special love for Latin jazz. This out-of-print LP finds Amram (on French horn, piano, guitar and various flutes and whistles) playing six of his compositions, plus "Take the 'A' Train," with an impressive 14-piece group that features such notables as altoist Paquito D'Rivera, altoist Jerry Dodgion, David "Fathead" Newman on tenor, baritonist Pepper Adams, trumpeter Joe Wilder, trombonist Jimmy Knepper and many percussionists, including Machito and Candido. Frequently explosive and always infectious music.
David Amram, who has played and composed in several different areas of music, has always had a special love for Latin jazz. This out-of-print LP finds Amram (on French horn, piano, guitar and various flutes and whistles) playing six of his compositions, plus "Take the 'A' Train," with an impressive 14-piece group that features such notables as altoist Paquito D'Rivera, altoist Jerry Dodgion, David "Fathead" Newman on tenor, baritonist Pepper Adams, trumpeter Joe Wilder, trombonist Jimmy Knepper and many percussionists, including Machito and Candido. Frequently explosive and always infectious music.
David Amram - acoustic guitar, pennywhistles, ocarinas, French horn, Andean flutes, piano, percussion;
Paquito D'Rivera (#2 only) - alto sax, flute, percussion;
Jerry Dodgion - soprano & alto sax;
David "Fathead" Newman, George Barrow - tenor sax;
Pepper Adams - baritone sax;
Joe Wilder - trumpet;
Jimmy Knepper - trombone;
Victor Venegas - bass;
Steve Berrios - drums, timbales, percussion;
Candido - congas, bongos;
Myra Casales - congas;
Machito - clave;
Machito Jr. (Mario Grillo) - guiro, percussion;
Duduca Fonseca - Brazilian percussion.
Paquito D'Rivera (#2 only) - alto sax, flute, percussion;
Jerry Dodgion - soprano & alto sax;
David "Fathead" Newman, George Barrow - tenor sax;
Pepper Adams - baritone sax;
Joe Wilder - trumpet;
Jimmy Knepper - trombone;
Victor Venegas - bass;
Steve Berrios - drums, timbales, percussion;
Candido - congas, bongos;
Myra Casales - congas;
Machito - clave;
Machito Jr. (Mario Grillo) - guiro, percussion;
Duduca Fonseca - Brazilian percussion.